There is also a window on the wall FLUX prompts

7 months ago

A woman stands in a pose that highlights her figure.  She has long, dark brown hair that falls past her shoulders. Her eyes are a light hazel color, and she has a light complexion with rosy cheeks. She's wearing a reddish-maroon, button-down shirt, unbuttoned at the top to reveal cleavage. The shirt is tied in a knot at her midriff.  She is wearing a short, black leather-like mini skirt with gold-toned zippers or embellishments on the sides and gold buttons on the waistband. She is also wearing fishnet stockings and a wristwatch.  The woman is seen from mid-chest upward and is holding her hands on her hips with one hand slightly raised. Her expression is neutral, and she's looking directly at the viewer.  The background includes a portion of a room with light beige walls and visible parts of windows.  A lampshade is visible in the background as well as framed artwork. The lighting in the image is well-balanced and highlights the subject's features. The overall impression is of a posed portrait shot.

1 month ago

Ultra-realistic Dragan style portrait, cinematic wide shot, aspect ratio 3:2. An elderly European woman sits on the left side of the frame inside a rustic farmhouse, light coming from a stone wall window. Her deeply wrinkled face is lit by dramatic side light. She has a wooden pipe clenched between her lips, smoke rising and curling around her face, her eyes squinting in a grimace disturbed by the smoke. Focus on the knife firmly in hand and the pipe in mouth. Her thin, bony hand tightly grips a sharp kitchen knife, the blade stained with fresh blood. On the old wooden cutting board in front of her lies a slaughtered rooster, its body plucked and open, the severed head resting nearby, with blood stains spreading across the surface. On the table also a stained rag and a small bowl filled with water and blood. The atmosphere is raw, rural, and moody, with gritty textures of aged skin, knife blade, rooster feathers, blood stains, wood grain, and stone walls. Cinematic chiaroscuro, ultra-photorealistic 8K masterpiece, Dragan style, earthy tones with deep scarlet accents. Negative prompt: cartoon, illustration, painting, 3D, CGI, low resolution, blurry, oversaturated, cropped, out of frame, duplicate, disfigured, extra limbs, distorted hands, wrong anatomy, missing fingers, mutated, deformed knife, fake blood, plastic texture, glossy surface, artifacts, watermark, text

5 months ago

The setting appears to be a gym, with a dark floor and blurred weights visible in the background. There is also writing on the wall, partially obscured, which says "Fresh Cross Fit". Natural light is coming from large windows on the left side of the frame, illuminating the scene. The atmosphere is one of strength, concentration, and dedication to fitness. The mood is determined and powerful, emphasizing the physical exertion and mental focus required for heavy lifting.

5 months ago

The setting appears to be a gym, with a dark floor and blurred weights visible in the background. There is also writing on the wall, partially obscured, which says "Fresh Cross Fit". Natural light is coming from large windows on the left side of the frame, illuminating the scene. The atmosphere is one of strength, concentration, and dedication to fitness. The mood is determined and powerful, emphasizing the physical exertion and mental focus required for heavy lifting.

1 month ago

Ultra-realistic Dragan style portrait, cinematic wide shot, aspect ratio 3:2. An elderly European woman sits on the left side of the frame inside a rustic farmhouse. Her deeply wrinkled face is illuminated by dramatic side light from a stone wall window, creating strong chiaroscuro. She has a wooden pipe between her lips, smoke rising around her face, her eyes squinting in a grimace disturbed by the smoke. Her thin, bony hand firmly grips a sharp kitchen knife, working on a slaughtered rooster placed on an old wooden cutting board. The rooster’s body is plucked and open, with hyper-detailed textures of feathers, flesh, and preparation marks. Its severed head rests on the cutting board, with visible fresh blood stains and drops spreading across the aged wooden surface. On the table also a stained rag and a small bowl of water with faint reflections. The background shows rough stone walls, hanging cloths, rustic wooden furniture, and shafts of dusty light. The mood is raw, rural, moody, evoking timeless peasant life. Extreme photorealism with gritty Dragan-style textures: aged skin, smoke, knife blade, rooster’s feathers, blood stains, wood grain, stone, and fabric. Color grading in earthy browns, grays, and deep scarlet accents. Shot as if with a Canon EOS R5 + 35mm lens, f/8, cinematic masterpiece, 8K ultra-high detail. Negative Prompt: cartoon, illustration, painting, 3D, CGI, low resolution, blurry, oversaturated, cropped, out of frame, duplicate, disfigured, extra limbs, distorted hands, wrong anatomy, missing fingers, mutated, deformed knife, fake blood, plastic texture, glossy surface, artifacts, watermark, text

7 months ago

the hall of the recording studio, the reception, the room also has sofas and coffee tables, an LED strip is installed around the perimeter, minimalist paintings and vinyl records hang on the walls, panoramic windows to the floor, you can see the door to another room everything is done in blue-gray and white tones with accents in the form of wood inserts and black elements.

7 months ago

the hall of the recording studio, the reception, the room also has sofas and coffee tables, an LED strip is installed around the perimeter, minimalist paintings and vinyl records hang on the walls, panoramic windows to the floor, you can see the door to another room everything is done in beige and white tones with accents in the form of wood inserts and black elements.

9 months ago

Create Image: Sticker Label Roll. • Colors: Full Roll — White color; • Stickers on roll: circle, white background; • On stickers logo "LabelStar", logo text-color: black, logo position on stickers: center+middle; • Position: Roll is on a black wooden table; • On the table next to the roll of labels there is a cat sleeping, curled up in a ball; • Behind the cat there are more rolls of labels, they are also out of focus along with the background • Background: An office room with a blurred dark teal and light red bokeh effect, the colors for the room are white for walls and red for flowers, window with sunshine; • Quality settings: 16k RAW, real photo, natural light, sharpness, highly detailed vray render, realistic anatomies;

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

This photograph showcases a modern, minimalist architectural structure with a focus on concrete and geometric shapes. The image is taken from within the building, looking out towards the courtyard. The dominant color is various shades of grey, ranging from the dark, almost black concrete walls to lighter, sunlit areas. The walls are smooth with a polished finish, and the overall design is characterized by sharp angles and clean lines. In the foreground, a large concrete pillar with a slightly rough texture stands out, casting shadows on the polished concrete floor. To the right, a rectangular window with a wooden frame reveals a glimpse of lush greenery outside. Further back, another set of windows with similar wooden frames allows natural light to illuminate the interior spaces. The courtyard visible through these windows is sparsely landscaped, with a few small plants and a concrete planter. The ceiling, also made of concrete, has a slightly rougher texture than the walls, indicating different construction materials or techniques. The lighting is natural, likely from the sun, casting soft shadows that emphasize the depth and structure of the building. The overall atmosphere is serene and contemplative, with an emphasis on the interplay of light and shadow.