A sample prompt of what you can find in this page
Prompt by Pall

also with a distinct FLUX prompts

very few results

3 months ago

This is an enchanting, almost fantastical portrait of a young japanese woman in a winter wonderland. The Woman (Central Subject): Facial Features: She has striking, luminous pale blue eyes that are wide and doll-like, heavily framed by dark, long eyelashes and defined eyebrows. Her skin is fair, almost porcelain, with a subtle rosy blush on her cheeks. Her lips are a soft, natural pink, slightly parted. Her expression is playful, as she bite her index finger with her teeth. Hair: Her hair is exceptionally long, cascading well past her waist in voluminous, soft waves. It's a striking platinum blonde, almost white, which blends seamlessly with the snowy surroundings. Attire - Hat: She wears a prominent, wide-brimmed, flat-crowned hat (similar to a boater or a modified witch's hat) made of a dark, possibly navy blue or charcoal grey, textured material. The hat is dusted with fine snowflakes. Its crown and brim are adorned with a beautiful arrangement of flowers: Large roses in shades of soft pink and creamy white are the main floral elements. Delicate sprigs with smaller pink blossoms (resembling cherry or apple blossoms) extend outwards from the floral arrangement, adding a touch of whimsical asymmetry. Attire - Dress: She is dressed in an ethereal, vintage-inspired white or ivory gown. The bodice features a sweetheart neckline overlaid with a sheer, high-necked panel adorned with intricate lace or embroidered detailing, particularly around the collar and down the center of the chest. This lace has a delicate, almost crystalline appearance. The sleeves are long and made of a sheer, gauzy fabric, with elaborate lace appliqués at the cuffs that resemble frost or snowflake patterns. The waist is cinched, and the skirt flows softly, made of a light, possibly chiffon-like material, also lightly dusted with snowflakes. The Setting & Atmosphere: Environment: She stands in a snowy, wooded area. The background is softly blurred, showing snow-covered ground and the dark, indistinct shapes of trees, creating a strong sense of depth. Snowfall: Soft, out-of-focus snowflakes are visibly falling throughout the scene, adding to the magical, wintry atmosphere. Some larger, more distinct snowflakes are caught in the foreground. Lighting: The lighting is cool and diffused, typical of an overcast winter day, which enhances the pale color palette and the dreamlike quality of the image. There are no harsh shadows. Color Palette: The dominant colors are cool whites, soft blues (in the shadows of the snow and the hat), and the delicate pinks and creams of the flowers, creating a harmonious and serene visual experience. Photographic Qualities & Mood: Focus: The woman, particularly her face and the hat, is in sharp focus, while the background and the falling snow are softly blurred, creating a shallow depth of field that emphasizes her as the subject. Composition: She is centrally framed in a vertical portrait orientation. Overall Mood: The image evokes a sense of enchantment, delicate beauty, and serene fantasy. She appears like a snow queen, a winter fairy, or a character from a fairytale, where the unexpected bloom of flowers in a snowy landscape adds to the magical realism.

7 months ago

Imagine Jack Skellington, the Pumpkin King, rendered in a striking black-and-white theme, emphasizing his skeletal elegance and eerie charm. In this monochromatic vision, his tall, thin frame stands out in sharp contrast against the shadowed background, his skeleton's every bone sharply defined, casting crisp, angular shadows across his form. His skull, a pale, almost ghostly white, is stark against the darkened shadows, with deep, hollow eye sockets that seem to pierce through the gloom. The bones are smooth and polished, reflecting a slight sheen in the dim light, giving him a slightly ethereal, almost ghost-like appearance. His bony expression is a mixture of melancholy and curiosity, with his thin, elongated mouth curled into a faint smile, revealing his toothless grin. The details of his skull are beautifully intricate, with subtle cracks and markings etched into the bone, adding a sense of age and mystery. His suit, typically striped, now appears as a perfect contrast of black and white, its sharp, jagged lines running vertically down his body like a visual echo of his skeleton’s structure. The fabric seems impossibly crisp, the stripes alternating between pure black and stark white, each line adding to the illusion of depth and texture. His bowtie, always a distinctive feature, is also in high contrast—deep black, like a shadow, against the whiteness of his chest. It is both whimsical and slightly ominous, with its soft, flowing ribbons resembling the kind of detail that gives the figure an almost surreal elegance. The background around him is a dark, swirling fog of shadows, with faint hints of jagged, ghostly shapes that suggest the eerie environment of Halloween Town. The lack of color adds a haunting depth, with the only real light being the soft, spectral glow that catches the edges of his bones, creating sharp, luminous highlights that stand out from the enveloping darkness. His hands, long and delicate with bony fingers, are positioned as if he's about to gesture or conjure some fantastical creation, each finger bending with a fluidity that contrasts with the rigidness of his skeletal body. The details of his hands—thin and almost graceful—are captured in sharp relief, with every joint, every curve visible in the soft light. This black-and-white rendering of Jack Skellington enhances the inherent drama and mystery of his character, drawing attention to the clean lines of his skeletal structure and his slightly macabre yet charismatic presence. The lack of color emphasizes the purity of his form and the timeless, haunting essence he embodies. Every shadow and highlight creates a sense of depth, making him feel like a figure who belongs to both the worlds of the living and the dead, forever suspended in an eerie, dreamlike state 8k

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

4 months ago

Here is the English version of your detailed scene prompt: --- Create an image of the man confidently yet casually posing next to a customized Indonesian car. The car is a Nissan Grand Livina, modified with a sporty body kit, lowered suspension, oversized racing wheels, bright blue LED headlights, and distinctive decals representing a local car modification community. The car has a striking metallic red color with matte black accents and glowing blue underglow lights, and features a license plate reading "A 212". The man is dressed in a streetwear outfit suitable for the night-time automotive scene: a black bomber jacket with reflective details, a plain white t-shirt underneath with "mas-j" written on the right chest, olive cargo shorts, and black-and-white Vans sneakers with a minimalist design. He’s also wearing a sporty digital watch and a simple leather bracelet. His pose is relaxed and confident — one hand in his pocket, the other resting on the car’s hood. His head is slightly tilted as he looks at the camera with a subtle smile. His body leans slightly toward the car, showing his connection and pride in the modified vehicle. The background is a Pertamina gas station at night, glowing under characteristic neon lighting: red and white-painted fuel pillars with a brightly lit Pertamina logo, a canopy with bright white LED lighting, and a shiny wet concrete floor that reflects the lights as if it had just rained. Modern red fuel dispensers with digital screens are visible, along with LED-lit fuel price signage. In the distance, a small minimarket building and a few parked vehicles can be seen. Streetlights and reflections from the car and jacket enhance the vibrant and cool night-time atmosphere.

4 months ago

Here is the English version of your detailed scene prompt: --- Create an image of the man confidently yet casually posing next to a customized Indonesian car. The car is a Nissan Grand Livina, modified with a sporty body kit, lowered suspension, oversized racing wheels, bright blue LED headlights, and distinctive decals representing a local car modification community. The car has a striking metallic red color with matte black accents and glowing blue underglow lights, and features a license plate reading "A 212". The man is dressed in a streetwear outfit suitable for the night-time automotive scene: a black bomber jacket with reflective details, a plain white t-shirt underneath with "mas-j" written on the right chest, olive cargo shorts, and black-and-white Vans sneakers with a minimalist design. He’s also wearing a sporty digital watch and a simple leather bracelet. His pose is relaxed and confident — one hand in his pocket, the other resting on the car’s hood. His head is slightly tilted as he looks at the camera with a subtle smile. His body leans slightly toward the car, showing his connection and pride in the modified vehicle. The background is a Pertamina gas station at night, glowing under characteristic neon lighting: red and white-painted fuel pillars with a brightly lit Pertamina logo, a canopy with bright white LED lighting, and a shiny wet concrete floor that reflects the lights as if it had just rained. Modern red fuel dispensers with digital screens are visible, along with LED-lit fuel price signage. In the distance, a small minimarket building and a few parked vehicles can be seen. Streetlights and reflections from the car and jacket enhance the vibrant and cool night-time atmosphere.