and also has a beard FLUX prompts

9 months ago

a police file containing a photo of a caucasian man, short burst-taper dark hair and short trimmed beard. The file also has text and is attached to a blue clipboard. POV, woman with pink fingernails, black satin blazer, is reading the file

9 months ago

fUNKO pOP Photo of a ultra realistic Viking with sword and axe, long hair gathered in a bun, ash blond hair, long beard, darker than hair and gray, up to the top of the chest, the sides of the head are shaved. he wears wide black glasses and they are not round, they are also completely square, hipster type. The eyes are light blue. half body photo. The landscape is inspired by the planet Namek, from the Dragon Ball universe

9 months ago

a police file containing a photo of a caucasian man, short burst-taper dark hair and short trimmed beard. The file also has detailed info and is attached to a blue clipboard. POV, woman with pink fingernails, black satin blazer, is reading the file

6 months ago

Create an image of a man between 40 and 45 years old with some gray hair, with a white coat like a scientist in a laboratory, but the laboratory is dedicated to the world of coffee where the accessories that can be seen behind for different systems of coffee extraction or coffee preparation, in the back you can see an owl which is the symbol of wisdom, his face without a beard, white skin, without glasses, brown eyes, full body with a cinematic light, well lit, it is a hyperrealistic person, with his hands in the pockets of his white coat outlining a slight smile, with certain lines also of facial expression in front of a table with a drip coffee extraction machine, which is 1 of the coffee extraction processes I want the details of the image to be very very realistic as if it were a photograph taken with a professional camera

6 months ago

Create an image of a man between 40 and 50 years old with semi-white hair or semi-gray hair in a white coat like a scientist in a laboratory but the laboratory is dedicated to the world of coffee where the accessories that can be seen behind for different coffee extraction or coffee preparation systems are without a beard white skin without glasses brown eyes full body with a well-lit cinematic light is a hyperrealistic person with his hands in the pockets of his white coat outlining a slight smile with certain lines also of facial expression in front of a table with a French press which is one of the coffee extraction processes I want the details of the image to be very very realistic as if it were a photograph taken with a professional camera

4 months ago

The setting is an office. There's a boss with medium-length hair, a slim build, and a beard. A colleague is offering him a biscuit. This colleague is slightly chubby, has slightly thinning, medium-length hair, and also has a beard. In the background, other coworkers are watching them and giggling softly. Their clothing style is casual.

4 months ago

Create a hyper-realistic, cinematic image of three Black men with powerful, street-legend energy, standing together in front of a nighttime city skyline. All three are shirtless, showcasing sculpted, muscular physiques covered in detailed, realistic tattoos (across chest, arms, shoulders, and some neck). 1. The first man is dark-skinned with a thick, full beard and intense eyes. He has a strong, dominant build and intricate chest and arm tattoos. His expression is serious and commanding. 2. The second man is also dark-skinned with a trimmed beard, smoldering eyes, and tattoos creeping from his chest up to his neck. He radiates luxury and danger—think a street billionaire or smooth crime boss. 3. The third man is light-skinned, with intense, shadowed eyes under a black hoodie. The hoodie is open, revealing his muscular, tattooed chest and torso. He has a quiet menace about him—mysterious and unpredictable. Set the scene with a city skyline glowing at night in the background, a black muscle car with red taillights parked behind them, and cinematic foreground details like blurred stacks of cash, bullets, and a handgun. Lighting should be dramatic, moody, and realistic—think gritty urban movie poster. Skin tones, shadows, tattoos, and lighting should look ultra-lifelike.

7 months ago

"A cartoon-style boy running and looking back, with a humorous expression, laughing with a face of someone who made art. He holds a notebook in his hand, he is also wearing headphones. He has a medium beard, short black hair with a fade and gradient and round glasses. Behind him, in a line, are several different monsters running after him in a line. The boy is running towards a portal to enter it. The scene is dynamic, with movement and action, in the classic cartoon style, where the characters run in a line in an exaggerated and funny way. The background is a scene with neutral colors, white or black. The colors are vibrant, with shades of orange, blue and purple, and the style is cartoon, with expressive features and humorous details. Lines of movement around the characters indicate action and speed.

7 months ago

"A cartoon-style boy running and looking back, with a humorous expression, laughing with a face of someone who made art. He holds a notebook in his hand, he is also wearing headphones. He has a medium beard, short hair with a fade and gradient and round glasses. Behind him, in a line, are several different monsters running after him in a line. The boy is running towards a portal to enter it. The scene is dynamic, with movement and action, in the classic cartoon style, where the characters run in a line in an exaggerated and funny way. The background is a scene with neutral colors, white or black. The colors are vibrant, with shades of orange, blue and purple, and the style is cartoon, with expressive features and humorous details. Lines of movement around the characters indicate action and speed.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

high-angle shot of a 1950s Iranian engagement gathering in a spacious, well-decorated traditional home. The large living room is filled with family members, young and old, sitting on neatly arranged vintage sofas. The atmosphere is warm and full of conversation. The bride-to-be sits beside her elderly mother, wearing an elegant outfit with a stylish scarf (scarf) on her head, her soft curls peeking from underneath. Her expressive eyes reflect a mixture of anticipation and happiness. The groom sits beside his father, who has neatly combed white hair and wears a well-tailored suit. His father, an elderly yet dignified man with a neatly trimmed beard, speaks with a calm and authoritative tone. The bride's father, also an older man with white hair and deep wrinkles of wisdom, listens intently, resting his hands on a cane. Women in the gathering wear a mix of elegant scarves and fashionable Western-style outfits of the era, reflecting the diversity of 1950s Iran. Some have delicate lace gloves, while others hold teacups with intricate Persian designs. Men are dressed in classic suits, some with mustaches, others clean-shaven, engaged in deep discussions and laughter. In the center of the room, a beautifully arranged table holds a large floral bouquet and a variety of traditional Persian sweets, elegantly presented on decorative trays. The vintage Persian rug under the table adds to the nostalgic charm of the scene. The lighting is soft and warm, casting a golden hue over the gathering, emphasizing the intricate details of the furniture and the lively expressions on everyone's faces. The camera captures the entire setting from a high-angle perspective, showcasing the spaciousness of the room and the detailed interactions of the family members. The scene is highly detailed, realistic, and full of life, with expressive facial features and natural postures, reflecting a moment of joy, tradition, and unity.

7 months ago

A SPANISH LOOKING MALE IN HIS 40'S WITH SALT AND PEPPER COLORED HAIR, NO BEARD, A BIG BUCKET OF ICE ON THE TABLE IN FROM OF HIM, ALSO A SPANISH LOOKING WOMAN, YOUNGER, AND BROWN HAIR, STANDING NEXT TO THE MAN, A COLORUFL CAKE AND CHEESECAKES ON THE TABLE IN FRONT OF HER, "A BEAUTIFUL PARTNERSHIP" ON A SIGN ABOVE THEM, pixar style animation, octane render, symmetrical artwork. cinematic, hyper realism, high detail, octane render, 8k

7 months ago

A SPANISH LOOKING MALE IN HIS 40'S WITH SALT AND PEPPER COLORED HAIR, NO BEARD, A BIG BUCKET OF ICE ON THE TABLE IN FROM OF HIM, ALSO A SPANISH LOOKING WOMAN, YOUNGER, AND BROWN HAIR, STANDING NEXT TO THE MAN, A COLORUFL CAKE AND CHEESECAKES ON THE TABLE IN FRONT OF HER, "A BEAUTIFUL PARTNERSHIP" ON A SIGN ABOVE THEM, pixar style animation, octane render, symmetrical artwork. cinematic, hyper realism, high detail, octane render, 8k

7 months ago

A SPANISH LOOKING MALE IN HIS 40'S WITH SALT AND PEPPER COLORED HAIR WITH NO BEARD, A BIG BUCKET OF ICE ON THE TABLE IN FROM OF HIM, ALSO A SPANISH LOOKING WOMAN, YOUNGER, AND BROWN HAIR, STANDING NEXT TO THE MAN, A COLORUFL CAKE AND CHEESECAKES ON THE TABLE IN FRONT OF HER, "A BEAUTIFUL PARTNERSHIP" ON A SIGN ABOVE THEM, pixar style animation, octane render, symmetrical artwork. cinematic, hyper realism, high detail, octane render, 8k

9 months ago

Cartoon style illustration of ancient Chinese general Guan Yu wearing green armor and yellow helmet holding a long-handled Qinglong Yueyue sword on white background. The work features simple strokes, vector graphics and flat designs with colorful cartoon characters. It has a 2D game art style with rough lines and high saturation. Guan Yu wears a cloud-patterned hat and has a full body portrait. He also wore a gold belt around his waist and had a short dark brown beard.

7 months ago

A WELL DRESSED, SPANISH LOOKING MALE, WITH NO BEARD, IN HIS 40'S WITH SALT AND PEPPER COLORED HAIR, A BUCKET OF ICE ON THE TABLE IN FROM OF HIM, ALSO A SPANISH LOOKING WOMAN, YOUNGER WITH BROWN HAIR, STANDING NEXT TO THE MAN, COLORFUL CAKES ON THE TABLE IN FRONT OF HER, "A BEAUTIFUL PARTNERSHIP" ON A SIGN ABOVE THEM, DISNEY style animation, octane render, symmetrical artwork. cinematic, hyper realism, high detail, octane render, 8k

8 months ago

[Jonas,Ana and Ana Clara],[Jonas 45 years old without a beard and Ana 45 years old, Ana Clara 15 years old],[Jonas gray hair and Ana with curly hair and Ana Clara also has curly hair], [Jonas white and Ana Clara and Ana Clara brunette], [happy], [Jonas white t-shirt and denim jacket and Ana in a flowery green dress with a high collar and Ana Clara in a flowery jumpsuit],[Ana Clara is very happy, hugging the parents][they are sitting on the sofa at home, with their daughter Ana Clara talking],[declaring their love to each other],[the house is very cozy with several paintings], [Disney Pixar animation style]