A sample prompt of what you can find in this page
Prompt by ZeroTrace

and is looking directly at the camera with a subtle FLUX flux-1.1-pro prompts

very few results

4 months ago

Masterpiece, best quality, ultra-detailed, hyperrealistic, 8K, full-body, RAW photo, 35mm lens, cinematic lighting, soft shadow. The scene captures a fit, very pale woman standing in a serene park, ready for her full-height photo to be taken. She stands tall, poised, and confident, looking directly at the camera with an intense gaze that showcases her sharp eyes and radiant expression. Her face is framed beautifully with more detailed facial features, including high cheekbones, a subtle smirk, and a natural glow to her skin. Her long blonde hair, styled in a loose braid, cascades naturally over her shoulder, adding a soft movement to the shot. She wears a cozy, off-shoulder sweater in a light, neutral color (like cream or light gray), which highlights her shoulders and collarbone. The sweater fits comfortably and casually, while the high-waisted, dark-wash skinny jeans accentuate her curves and elongate her figure. She pairs the outfit with white sneakers, keeping the look fresh, modern, and practical. Her makeup is subtle but defined, with glowing skin, defined eyes, and a touch of natural lip gloss that enhances her radiant, confident expression. She wears oversized sunglasses perched on her head, and simple, gold jewelry (hoop earrings and a delicate necklace) to add a bit of elegance. The background is in sharp focus, showing the serene park environment around her, with lush greenery and trees in full detail. She is standing in the shadow of a large tree, with the light filtering through the leaves, creating a soft and calming atmosphere. The lighting creates subtle shadows on her face, emphasizing her features and giving the scene a more sophisticated, dramatic look. The shot captures her full body from head to toe, showcasing her confident posture and making her ready for the camera to click.

9 months ago

Background: A serene and ethereal landscape with a soft, gradient sky transitioning from pale blue at the top to warm golden hues towards the bottom. The background should be subtle and unobtrusive, allowing the angels to take center stage. Object(s): A group of 5-7 angels gathered around a magnificent, glowing tree in the foreground. The tree's branches should be adorned with delicate, crystal-like leaves that shimmer and glow softly in the light. Camera Distance: To capture the majesty and grandeur of the scene, use a camera distance of approximately 10-15 feet (3-4.5 meters) from the subject. This will allow for a shallow depth of field, blurring the background and emphasizing the angels' forms. Camera Lens: A wide-angle lens with a focal length between 24mm to 35mm would be ideal for capturing the scene's sprawling landscape. A lens with a medium-to-high aperture (f/2.8 or lower) will help to create a soft, creamy bokeh and emphasize the angels' features. Camera Angle: Shoot from directly above the subject, looking down at the angels as they gather around the tree. This will create a sense of verticality and emphasize the statuesque presence of the angels. Consider using a slight downward tilt (about 10-20 degrees) to add a sense of movement and energy to the image. Additional Details: Use a high-quality mirrorless or DSLR camera with a good ISO range (100-6400) and a fast shutter speed (1/125s or faster). Consider using a neutral color palette, with soft whites, creams, and pale blues dominating the scene. This will help to create a sense of serenity and tranquility. Pay attention to the lighting: warm, golden tones should dominate the scene, with subtle shadows and highlights that enhance the angels' features. Mood and Style: The overall mood of the image should be one of peace, wonder, and awe. The style should be ethereal, dreamy, and slightly surreal, capturing the essence of a mystical encounter between humans and angels. Post-processing: Soften and warm the colors using a subtle color grading filter. Use a gentle, feathery brush to remove any harsh lines or edges from the image. Apply a subtle depth of field blur to create a sense of intimacy and focus on the angels' forms.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."