A sample prompt of what you can find in this page
Prompt by Kiefels

back facing the camera FLUX prompts

hundreds of results

8 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

3 months ago

close-up portrait of a female red demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a sleek, high-cut latex swimsuit with a snakeskin pattern that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. she smiles seductively to thew camera, and with Beckoning gesture to come to her with passion and desire smile on lips. Ambient blue and red lighting effects dance across the metal accents, casting a mesmerizing glow that evokes the fusion of ancient mythology and modern technology. The air is charged with an aura of anticipation, as if the very fabric of reality is about to be torn asunder by the demon's haunting melody. Melting lava flows across the floor like a river of liquid fire, casting flickering shadows on the walls as the demon's song builds to a crescendo. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H.R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

2 months ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

5 months ago

((gritty, hyperrealistic painting:1.5)), ((Hulk and Superman locked in a brutal power struggle:1.5)), both hands clasped, fingers interlocked in a violent test of strength, muscles straining, tendons stretched to the limit. Superman, bruised, grounded, is down on one knee, his body twisting with resistance, arms trembling as he holds back the massive force bearing down on him. His blue suit is torn, his face bloodied, hair matted with sweat and soot, but his gaze is clear and defiant—no glowing eyes, only human resolve. The Hulk towers over him, full height—3 meters tall, 500 kilograms of brute muscle, drenched in sweat, skin streaked with grime and ash. His monstrous body looms with dominance, feet planted wide, both arms pressing down, veins bulging, face twisted in a roar of exertion. His skin cracks around his fists from the sheer pressure, saliva flying from his mouth as he snarls through clenched teeth. The ground beneath Superman’s knee is shattered, pressed inward by the weight. Shockwaves ripple through the dust, small stones hover in midair. The scene is dense with smoke, ash, and heat distortion, the ambient firelight casting flickering shadows over their bodies. Style: painted like an epic oil tableau—Caravaggio-like lighting, Repin’s anatomical drama, Beksiński’s apocalyptic ambiance. Every detail captured: grit on skin, blood at the lip, wrinkles in fabric, cracked stone, drifting embers, clenched fingers locked in struggle. Lighting: heavy chiaroscuro—low directional light from fires around them, long shadows falling across Superman’s face, rim lighting highlighting Hulk’s upper body, emphasizing the scale difference without diminishing the tension. Camera angle: low and close, from Superman’s left side, showing his knee pressed into shattered ground, arms lifted to hold off Hulk’s crushing weight. Hulk fills the vertical space, Superman dominates the emotional weight—a visual of pressure and refusal to yield. Art direction for Flux: – Hulk is 3m tall, 500kg, physically overwhelming, rendered with full weight and scale – Superman is human-scale, on one knee, but braced and locked in—the underdog with unbreakable resolve – Style: dark painterly realism, anatomical accuracy, no stylization, no superpowers shown – Textures: bruised flesh, torn cloth, cracked stone, sweat, grit, tension in the hands and faces – Environment: scorched battlefield, ambient smoke, sparks, fractured terrain, faint firelight – Theme: mythic struggle, physical scale vs inner will—no victor yet, only raw contest

7 months ago

(Full-body shot, dramatic film-noir lighting, vintage 1960s aesthetics, ultra-detailed fabric and skin rendering, cinematic depth, alluring yet enigmatic presence, back to the camera) The femme fatale stands with her back to the camera, poised in the soft, flickering glow of a vintage mid-century bedside lamp. A luxurious fur boa wraps around her shoulders, cascading down her arms and trailing toward the floor in sensuous folds. Her figure is framed with cinematic elegance, the light tracing the contours of her silhouette. A silk slip or fitted evening gown peeks from beneath the fur’s embrace, clinging gracefully to her form. Stockings with delicate seams add a touch of vintage allure, catching the light with subtle highlights. She faces an antique vanity mirror, her reflection revealing an unreadable yet captivating expression. A vintage cigarette holder rests delicately in her fingers, its ember unlit but evocative of quiet tension. Wisps of earlier smoke linger in the air, swirling within the moody haze of the dimly lit room. Behind her, a velvet chaise lounge sits in the shadows, an old rotary phone off the hook, its coiled cord stretching across the vanity. A half-empty glass of whiskey reflects the warm light, hinting at a story left unfinished. The atmosphere is charged with mystery and quiet power—she is a woman who commands attention without ever turning to face it. Wrapped in shadow and elegance, she remains untouchable, a vision suspended between seduction and secrecy, like a forgotten frame from a lost noir masterpiece.

9 months ago

A cinematic photograph of a lively red-haired woman with short, windswept hair and a face sprinkled with freckles, captured mid-laugh, directly facing the camera, on a breezy coastal boardwalk. The sun hangs low on the horizon, casting a soft, golden glow over the scene as seagulls glide across the pastel sky. She wears Women’s Women's @macaquinho/Training-gwtu7 mini dress, cut-out style, in a white and blue color palette. The dress features a lightweight, woven fabric with a small-scale pattern. It has a relaxed fit, a round neckline, and thin straps. The dress is finished with a tie closure at the back.uinho/Training-gwtu7 mini dress, cut-out style, in a white and blue color palette. The dress features a lightweight, woven fabric with a small-scale pattern. It has a relaxed fit, a round neckline, and thin straps. The dress is finished with a tie closure at the back, a light, flowing sundress with a subtle floral pattern, the fabric billowing slightly in the ocean breeze. She is seated on a wooden railing, her bare feet dangling off the edge, with one hand gripping the rail for balance and the other playfully shielding her hazel eyes from the sun. Her gaze is directed toward the camera, and her radiant smile exudes warmth and spontaneity, embodying the carefree essence of summer. The atmosphere feels vibrant yet serene, with the distant sound of waves crashing on the shore. Shot on vintage 35mm film, the image has a nostalgic warmth, with soft film grain, natural flares from the sun, and a rich depth of color that evokes the magic of a seaside escape.