A sample prompt of what you can find in this page
Prompt by AkiraS

complex patterns FLUX prompts

hundreds of results

8 months ago

Ultra-detailed half body portrait of a desert-hardened woman in her mid 20s, sun-weathered skin with natural freckles across her cheeks and blemishes over her body, keen hazel eyes adapted to scanning distant horizons, dark hair wrapped in a practical sand-colored shemagh that protects her neck and lower face, wearing layered desert survival gear - a loose fitting crop top underneath a weathered open tactical vest, revealing a flat, toned belly with defed abs, outie belly button. She wears loose low rise pants and a belt with multiple water container attachments, UV-protective goggles pushed up on her forehead, standing amid the ruins of a massive oil refinery complex half-buried by endless dunes of golden sand, towering rusted distillation columns rising like ancient monoliths from the desert floor, heat waves visibly distorting the air around corroded pipeline networks that snake through the dunes, scattered remnants of industrial machinery emerging from shifting sands - partially buried pressure vessels, sand-scoured storage tanks, and wind-polished metal structures, intense sunlight casting harsh shadows across her face through gaps in the deteriorating industrial framework, sand particles catching the light as they drift through the air, multiple layers of desert-industrial decay visible in the background - collapsed cooling towers creating artificial canyons, sand-filled processing units, and sun-bleached warning signs barely visible under layers of dust, abandoned vehicles half-submerged in sand drifts, occasional glints of metal where the wind has exposed buried equipment, photorealistic rendering with attention to material interactions between sand and metal - wind-polished surfaces, sand-carved patterns in steel, and sun-damaged materials, 8k resolution emphasizing the texture of each weather-beaten surface, technical perspective showing the massive scale of the industrial remains against the endless desert horizon, visible heat distortion in the distance where sky meets sand, subtle color variations in the sand showing mineral content and age of dune

9 months ago

a stunning woman stands elegantly in a whimsical, dreamlike environment, her intricate outfit adorned with geometric patterns, complex mathematical symbols, and fractal-like designs that shimmer under the soft glow of neon lights. Her attire blends futuristic elegance with abstract precision, incorporating flowing fabrics interwoven with high-tech materials that seem to pulse with energy. The outfit's intricate details are inspired by the futuristic, high-tech style of Syd Mead, combining sleek symmetry with advanced design. The background is an immersive, surreal dreamscape filled with swirling equations, fractals, and 3D geometric shapes that seem to float and twist in the air. The vibrant colors are inspired by H.R. Giger’s organic forms and glow softly, with neon greens, purples, and blues blending harmoniously to create a luminous, otherworldly atmosphere. Dynamic, mind-bending architectural forms in the style of M.C. Escher surround her, with impossible staircases, interlocking pathways, and twisting dimensions that defy logic. The lighting is ethereal, with gentle neon glows highlighting the intricate patterns of her outfit and casting subtle reflections across the surreal shapes in the background. The woman’s serene and confident expression reflects her mastery of the mathematical and futuristic world around her, as though she embodies both intellect and elegance. Rendered in ultra-high detail, the textures of her outfit, the surreal geometry of the environment, and the vibrant interplay of light and shadow are captured meticulously. The composition blends futuristic innovation, mathematical beauty, and surrealism, creating a visually stunning and conceptually rich masterpiece.

3 months ago

Worm's-eye architectural view high angle half body photo of a 24-year-old Igbo-Slovak female chic Parisian woman with a Resource concealment strategy with face revealing complex calculation beyond simple hiding impulse, eyes methodically evaluating environmental integration possibilities, subtle satisfaction indicators at effective camouflage achievement, expression showing strategic thinking transcending immediate security concerns. facial expression. She has Full-body thermal regulation tattoos featuring specialized symbols that indicate optimal body positioning for different weather conditions wrapped around every limb and joint, skin has developed unusual mottled appearance from variable blood vessel dilation adapted into the design, strategic scarification creates insulative air pocket patterns across entire surface, face bearing emotional control reminders, hands tattooed with water quality testing methods.. The skin pores and texture are clearly visible and in focus. Her Large curved line eyes, Silky, deep purple eyes, framed by long, elegant eyelashes. Her haircut is Tactical buzz cut with entire head shaved to quarter-inch length, eliminating hair as vector for parasites or contaminants, requires minimal water for cleaning, offers no grip point for combat situations, reveals cooling points at base of skull.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Tight skin over the upper chest with firm, subtle muscle contours, small breast, toned abs, Female Bodybuilding style. She wears Retrofitted police tactical vest cut down to cover only upper chest, weight reduced by removing ballistic materials, institutional markings deliberately obscured with mud and paint, straps adjusted for desert mobility., midriff, Retrofitted basketball shorts with elasticity degraded and reinforced with woven plastic strips, waistband deliberately lowered, team colors faded from vibrant to subtle earth tones, ventilation holes added in grid pattern along sides., In the background Industrial freezer complex converted into a heavily insulated living environment offering rare relief from extreme heat, power generation focuses exclusively on maintaining the cooling systems, residency is determined through complex contribution metrics with cooling access strictly timed and allocated, the surrounding area has become a scorched wasteland making the facility a critical regional refuge.. She stands Safe Passage Negotiator position with body positioned between territorial groups creating neutral intermediary presence, stance carefully balanced presenting neither weakness nor threat, hands engaged in established diplomatic gestures, facial muscles controlled revealing neither fear nor aggression., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Flash floods from sudden intense localized rainfall creating walls of water 20 feet high that race through bone-dry watersheds, carrying away everything in their path with no warning, the water heavily laden with debris and often toxic from collecting industrial residues, evaporating completely within hours leaving mud-caked ruins.. the model is lighted with soft natural lighting in the style of Raven Frost

2 months ago

(A hyper-realistic, masterpiece-level color photograph:1.3) of a woman in a Soviet-style retrofuturistic spacesuit (Soviet retrofuturism:1.5) standing in the icy expanse of the Arctic during a fierce blizzard (blizzard in the Arctic:1.4). The woman’s suit, weathered and bulky, bears the clear red insignia of CCCP across the chest (CCCP insignia:1.5), adding to the harsh, militaristic aesthetic of the scene. The spacesuit has a Cold War-era design, with bold red accents and a heavy, utilitarian build, blending the futuristic with the gritty, industrial style of the Soviet Union. Surrounding her, several small, glowing stars float tethered by thick industrial chains (tethered glowing stars in a blizzard:1.4). These stars cut through the blizzard, casting yellow light that glows eerily against the swirling snow. The stars, connected to the icy ground by chains, sway violently in the wind, their light creating dynamic volumetric beams as they fight against the storm. The woman’s helmet visor reflects the glowing stars and the chaos of the blizzard around her, casting intricate patterns of light across her suit, which is half-covered in snow and ice. The volumetric lighting from the stars pierces the thick snowstorm, illuminating the drifting snowflakes and casting long, dramatic shadows across the snowy landscape. The environment is harsh and unforgiving—her spacesuit is covered in frost, and the cold, biting wind whips at her, while snow drifts build up around her legs. The blizzard creates an intense sense of motion, with the snow swirling around in unpredictable patterns, making it feel as though the woman is standing in the heart of a Soviet Arctic research mission gone wrong. Amidst the storm, the CCCP insignia glows faintly under the light of the stars, a symbol of the lost Soviet expedition. The glowing stars and industrial chains are tethered to the icy ground, creating a surreal, otherworldly scene in the middle of this brutal landscape. The scene is a combination of retrofuturistic design and gritty realism, with the harshness of the blizzard contrasting against the surreal glow of the stars. The intense lighting from the stars and the complex shadows they cast against the swirling snow create a dramatic, cinematic atmosphere. The overall mood is cold, brutal, and haunting, capturing a moment of isolation and survival in the Soviet retrofuturistic Arctic wasteland

8 months ago

Lord Shiva: In this scene, Lord Shiva is depicted with a powerful, almost otherworldly presence. His muscular, blue-toned form radiates strength and wisdom, but his face shows a pained yet determined expression, as he consumes the poison — his throat is highlighted, with the dark venom swirling within. The poison is visually dynamic, appearing like a swirling dark mist or liquid, reflecting light and darkness simultaneously. The physical act of drinking the poison showcases Shiva’s fearlessness, embodying both sacrifice and protection of the cosmos. His trident, glowing with divine energy, rests beside him, adding a futuristic and detailed metallic sheen that enhances the tension of the scene. His long, flowing hair swirls around him, illuminated by the dramatic lighting from the surroundings. Parvati: Parvati is depicted as the epitome of grace and maternal strength. She stands in front of Shiva with a concerned yet serene expression, her beauty radiating in a celestial way. Her robes, flowing and elegant, are made of delicate textures that fuse ancient patterns with futuristic metallic highlights. She reaches out to stop Shiva from consuming the poison further, her hand outstretched in a gesture of love and protection. The robe material catches the divine light, giving a sense of ethereal fluidity. Her eyes, filled with both love and concern, reflect the intensity of the moment—ready to stop Shiva from the pain, yet fully aware of his ultimate sacrifice. The Poison: The poison is a key focal point of the image, swirling in a dark, almost liquid form, floating in front of Shiva’s mouth. It glows ominously with shades of green and purple, an eerie contrast to the glowing blue of Shiva’s aura. The poison’s presence represents the danger and chaos being swallowed by the god, but also hints at the immense power and strength of Lord Shiva to endure it. The material rendering of the poison using Substance Painter gives it a realistic texture, creating depth and a sense of volatile energy. Background: The environment around them would blend gothic fantasy and futuristic realism, a surreal celestial landscape that evokes both ancient and future worlds. Towering, crumbling gothic temples, black stone ruins, and glowing neon accents stretch into the distance, illuminated by cosmic energy. The sky is dark and stormy, swirling with supernatural forces—cosmic winds, lightning, and the distant rumble of divine power. Some futuristic elements, like holographic constructs or glowing symbols, are embedded within the crumbling stone, connecting the divine with the technological. Lighting and Atmosphere: The use of V-Ray tracing would bring this composition to life, creating dramatic lighting and shadows. The poison’s dark mist contrasts with the luminous blue aura around Shiva, while Parvati’s soft, radiant light emanates warmth and protection. The play of light and shadow would create depth, accentuating the figures and the intricate details of their forms. Her robes, Shiva's body, and the poison would all shimmer with reflective qualities, creating a sense of dynamic energy. Unreal Engine 5 rendering would provide incredible realism, particularly in the textures of the surrounding environment. The background could feature distant galaxies, supernatural elements, and ancient temple ruins that would add layers of visual complexity and depth. The textures of both the futuristic and gothic elements in the environment would be meticulously rendered, making each stone, hologram, and light seem as though it exists in a tangible, living world. Substance Painter Texturing: This digital tool would be used for the fine details: Shiva’s skin and his clothing, Parvati’s robes, the poison, and the metallic elements of their accessories would all have unique, realistic textures. Shiva’s blue skin would have a smooth, divine sheen, while Parvati’s robes would have soft, flowing textures that reflect light in an almost liquid way. The poison itself would look dangerous and volatile, with rich textures that suggest it is both magical and toxic. Emotional Impact: This image would be emotionally powerful, capturing both the tragic and heroic essence of the myth. It would evoke a sense of divine sacrifice and love, as Shiva consumes the poison for the sake of the universe, while Parvati’s concern for him highlights the emotional depth of their relationship. The balance of gothic and futuristic realism would create a timeless, otherworldly feel, pulling the viewer into a visual and emotional experience.

9 months ago

(masterpiece:1.5), (cinematic lighting:1.4), (8k, fine art:1.4), (volumetric light:1.5), (dynamic shadows:1.4), (realistic skin texture:1.5), (ethereal atmosphere:1.5) A witch with jet-black hair stands at the center of a spiraling vortex of unholy fire, its colors glowing in deep purple and electric blue. The flames twist and intertwine like the patterns of a Twister ice cream, encircling her in dense, fiery coils. The unholy flames rise in spirals, forming a dynamic, three-dimensional inferno that dances chaotically yet remains contained within the vortex. She stands in the eye of the storm, untouched by the raging inferno, her bone wand held with an aura of commanding power. The wand glows faintly with otherworldly runes that match the fiery hues. Her eyes are closed, her expression serene and fearless, as though communing with a dark force that fuels the storm. The flames radiate intense light, casting sharp highlights and complex shadows across her pale skin, emphasizing every curve and detail with realistic subsurface scattering. Embers and sparks float in the air around her, creating a chaotic but mesmerizing interplay of motion and light. The background is consumed in darkness, emphasizing the vortex's glowing presence. The storm's flames illuminate the scorched ground beneath her, and the faint volumetric haze enhances the sense of depth and mystique. The vortex spirals upward into the void, its twisting, fiery tendrils suggesting a connection to a higher, malevolent realm. Her robes are tattered and flowing, whipping around her in the intense heat and wind generated by the flames, adding to the dynamic and apocalyptic feel of the scene. Her stance is strong and unyielding, her head slightly tilted upward, embodying both elegance and untouchable power. The unholy flames twist and crackle as they encircle her in dense, spiraling coils, beginning with orange and red fire near the ground and transitioning to deep blue and electric purple as they climb higher, their glow casting flickering shadows across her form. Her expression is serious and strained, her head slightly turned to the side, her furrowed brow and parted lips conveying the immense effort required to channel such destructive power. She wears a sheer black dress with oversized, flowing sleeves that billow dramatically in the vortex’s winds. One side of the dress has slipped down her shoulder in the chaos, accentuating her curves while revealing the curve of her breast and adding a sense of raw energy and intimacy. The dress twists and flutters dynamically, amplifying the scene’s sense of motion. She grips a wand carved from a human femur, the handle adorned with skeleton fingers gripping tightly as though alive with unholy energy. Around her waist, a rope belt adorned with shrunken heads sways lightly in the vortex’s wind, their grotesque, leathery faces twisted in eternal agony. The ground beneath her feet is scorched and cracked, glowing faintly with embers. Scattered withered skulls and incomplete bones lie among the charred earth, blending seamlessly into the apocalyptic scene. In the distance behind her, partially obscured by the flickering flames, hanged bodies dangle upside down from their feet, their silhouettes faint and distorted by the heat of the vortex. The eerie sight adds a macabre depth to the atmosphere, their forms barely visible through the haze and unholy fire. The vortex rises upward, dense and hypnotic, its chaotic motion pulsing with energy, casting volumetric light through the smoky, ash-filled air. The atmosphere is alive with glowing embers, drifting ash, and the faint echoes of crackling flames. The entire scene exudes raw, unrelenting power and destruction, with the witch at its center as the embodiment of chaos and terror.

2 months ago

(A hyper-realistic, masterpiece-level color photograph:1.3) of a woman in a Soviet-style retrofuturistic spacesuit (Soviet retrofuturism:1.5) standing in the icy expanse of the Arctic during a fierce blizzard (blizzard in the Arctic:1.4). The woman’s suit, weathered and bulky, bears the clear red insignia of CCCP across the chest (CCCP insignia:1.5), adding to the harsh, militaristic aesthetic of the scene. The spacesuit has a Cold War-era design, with bold red accents and a heavy, utilitarian build, blending the futuristic with the gritty, industrial style of the Soviet Union. Surrounding her, several small, glowing stars float tethered by thick industrial chains (tethered glowing stars in a blizzard:1.4). These stars cut through the blizzard, casting yellow light that glows eerily against the swirling snow. The stars, connected to the icy ground by chains, sway violently in the wind, their light creating dynamic volumetric beams as they fight against the storm. The woman’s helmet visor reflects the glowing stars and the chaos of the blizzard around her, casting intricate patterns of light across her suit, which is half-covered in snow and ice. The volumetric lighting from the stars pierces the thick snowstorm, illuminating the drifting snowflakes and casting long, dramatic shadows across the snowy landscape. The environment is harsh and unforgiving—her spacesuit is covered in frost, and the cold, biting wind whips at her, while snow drifts build up around her legs. The blizzard creates an intense sense of motion, with the snow swirling around in unpredictable patterns, making it feel as though the woman is standing in the heart of a Soviet Arctic research mission gone wrong. Amidst the storm, the CCCP insignia glows faintly under the light of the stars, a symbol of the lost Soviet expedition. The glowing stars and industrial chains are tethered to the icy ground, creating a surreal, otherworldly scene in the middle of this brutal landscape. The scene is a combination of retrofuturistic design and gritty realism, with the harshness of the blizzard contrasting against the surreal glow of the stars. The intense lighting from the stars and the complex shadows they cast against the swirling snow create a dramatic, cinematic atmosphere. The overall mood is cold, brutal, and haunting, capturing a moment of isolation and survival in the Soviet retrofuturistic Arctic wasteland