A sample prompt of what you can find in this page
Prompt by d552046e794

constructed from white FLUX prompts

very few results

8 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

9 months ago

IMG_6478.jpg A sprawling construction site nestled in a rugged Himalayan valley, where hundreds of miniature sadhus—tiny, intricately detailed ascetics no taller than a foot, dressed in tattered saffron robes with weathered faces and flowing white beards—labor tirelessly. They swarm over a colossal, gigantic sculpture of Lord Shiva, towering hundreds of feet high, carved from glossy black granite with veins of gold and silver. The sculpture portrays Shiva in serene meditation, his third eye faintly aglow, trident gripped firmly, and a crescent moon nestled in his intricately detailed matted hair, radiating divine grandeur. Surrounding the site, large construction machinery dominates the scene: massive cranes with steel cables swinging overhead, enormous bulldozers churning the earth, and towering hydraulic lifts humming with power. The miniature sadhus wield oversized tools—some hoist tiny ropes to scale the sculpture, others guide gigantic stone blocks lifted by the cranes, while a few hammer away with miniature chisels, sparks flying against the stone. Dust and debris hang in the air, illuminated by the warm, amber glow of a setting sun, casting dramatic shadows across the rocky ground. Beyond, snow-dusted peaks pierce a sky painted with deep indigo and fiery orange streaks. The scene fuses spiritual devotion with industrial might, rendered in ultra-realistic detail, highlighting the sadhus’ delicate features, the machinery’s gleaming surfaces, and the sculpture’s monumental presence.

9 months ago

A sprawling construction site nestled in a rugged Himalayan valley, where hundreds of miniature sadhus—tiny, intricately detailed ascetics no taller than a foot, dressed in tattered saffron robes with weathered faces and flowing white beards—labor tirelessly. They swarm over a colossal, gigantic sculpture of Lord Shiva, towering hundreds of feet high, carved from glossy black granite with veins of gold and silver. The sculpture portrays Shiva in serene meditation, his third eye faintly aglow, trident gripped firmly, and a crescent moon nestled in his intricately detailed matted hair, radiating divine grandeur. Surrounding the site, large construction machinery dominates the scene: massive cranes with steel cables swinging overhead, enormous bulldozers churning the earth, and towering hydraulic lifts humming with power. The miniature sadhus wield oversized tools—some hoist tiny ropes to scale the sculpture, others guide gigantic stone blocks lifted by the cranes, while a few hammer away with miniature chisels, sparks flying against the stone. Dust and debris hang in the air, illuminated by the warm, amber glow of a setting sun, casting dramatic shadows across the rocky ground. Beyond, snow-dusted peaks pierce a sky painted with deep indigo and fiery orange streaks. The scene fuses spiritual devotion with industrial might, rendered in ultra-realistic detail, highlighting the sadhus’ delicate features, the machinery’s gleaming surfaces, and the sculpture’s monumental presence.