creating impressive shadow patterns on her face FLUX prompts

very few results

8 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, drawing them close to her chest in a protective yet sensual pose. The warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

9 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

8 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, and she shows her barefeet soles dThe warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.