A sample prompt of what you can find in this page
Prompt by Pulsar212121

everything is in focus FLUX prompts

very few results

4 months ago

Worm's-eye architectural view high angle half body photo of a 24-year-old Igbo-Slovak female chic Parisian woman with a Resource concealment strategy with face revealing complex calculation beyond simple hiding impulse, eyes methodically evaluating environmental integration possibilities, subtle satisfaction indicators at effective camouflage achievement, expression showing strategic thinking transcending immediate security concerns. facial expression. She has Full-body thermal regulation tattoos featuring specialized symbols that indicate optimal body positioning for different weather conditions wrapped around every limb and joint, skin has developed unusual mottled appearance from variable blood vessel dilation adapted into the design, strategic scarification creates insulative air pocket patterns across entire surface, face bearing emotional control reminders, hands tattooed with water quality testing methods.. The skin pores and texture are clearly visible and in focus. Her Large curved line eyes, Silky, deep purple eyes, framed by long, elegant eyelashes. Her haircut is Tactical buzz cut with entire head shaved to quarter-inch length, eliminating hair as vector for parasites or contaminants, requires minimal water for cleaning, offers no grip point for combat situations, reveals cooling points at base of skull.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Tight skin over the upper chest with firm, subtle muscle contours, small breast, toned abs, Female Bodybuilding style. She wears Retrofitted police tactical vest cut down to cover only upper chest, weight reduced by removing ballistic materials, institutional markings deliberately obscured with mud and paint, straps adjusted for desert mobility., midriff, Retrofitted basketball shorts with elasticity degraded and reinforced with woven plastic strips, waistband deliberately lowered, team colors faded from vibrant to subtle earth tones, ventilation holes added in grid pattern along sides., In the background Industrial freezer complex converted into a heavily insulated living environment offering rare relief from extreme heat, power generation focuses exclusively on maintaining the cooling systems, residency is determined through complex contribution metrics with cooling access strictly timed and allocated, the surrounding area has become a scorched wasteland making the facility a critical regional refuge.. She stands Safe Passage Negotiator position with body positioned between territorial groups creating neutral intermediary presence, stance carefully balanced presenting neither weakness nor threat, hands engaged in established diplomatic gestures, facial muscles controlled revealing neither fear nor aggression., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Flash floods from sudden intense localized rainfall creating walls of water 20 feet high that race through bone-dry watersheds, carrying away everything in their path with no warning, the water heavily laden with debris and often toxic from collecting industrial residues, evaporating completely within hours leaving mud-caked ruins.. the model is lighted with soft natural lighting in the style of Raven Frost

6 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.