A sample prompt of what you can find in this page
Prompt by Selfishreasons

facing slightly to the left of the frame FLUX prompts

very few results

4 months ago

This striking, atmospheric photograph captures a young korean woman in a moment of contemplation, seemingly inside a train or subway car at night. The Subject: The central figure is a woman with curly blonde hair, styled in a slightly tousled updo with some strands framing her face. She wears thin, round-rimmed glasses and has noticeable red lipstick. Her attire is a vibrant, canary yellow, strapless, bodycon mini-dress that hugs her figure, accentuating her curves. She is posed in profile to the viewer but with her upper body turned slightly towards the window she leans against. Her hands are delicately placed on the window frame or the wall beside it. Her expression is pensive as she gazes out the window. The Setting & Lighting: The setting is dimly lit, characteristic of a train car at night or in an underground station. Strong, warm light, likely from outside the train (perhaps platform lights), illuminates her from the left, casting highlights on her skin, hair, and the yellow dress, while the other side of her body and parts of the train interior are in shadow. This creates a dramatic, chiaroscuro effect. Through the window and in the background, blurred, out-of-focus lights (bokeh) in various colors (primarily warm yellows, oranges, and reds, with some blues) suggest an urban environment or a station platform. Reflections of the interior lights and the woman herself are subtly visible in the window glass. The metallic sheen of the train's window frames and walls catches the light, adding to the urban, industrial feel. Composition & Mood: The composition is a vertical portrait, focusing tightly on the woman. The strong vertical lines of the window frames contrast with the soft curves of her body and hair. The shallow depth of field keeps the woman in sharp focus while blurring the background, drawing the viewer's attention directly to her and her reflective mood. The overall mood is intimate, slightly mysterious, and cinematic. The warm lighting and the woman's thoughtful gaze evoke a sense of narrative, as if she's caught in a private moment amidst the public transience of a train journey.

kumera
6 540

6 months ago

A woman in warrior attire holds a sword in a blurry background. In the foreground, a woman with dark hair and blue eyes, presumed to be Xena, is depicted in a warrior costume. She wears a dark leather corset adorned with metallic gold embellishments covering her chest and shoulders. A brown leather skirt with circular leather pieces hanging loosely from it also features some metallic accents. Armbands with gold scrollwork are visible on her upper and forearms. She is holding a sword horizontally in her right hand, positioned close to the lower-left corner of the frame, with the blade pointing diagonally upwards. The woman's mouth is slightly open, and she appears to be looking intensely off-camera to the right with a determined expression, suggesting action or alertness. Behind her, the background is blurred, showing hints of other figures. One person is partially visible on the left, wearing a dark red or maroon robe or cape and some form of headwear that appears metallic or helmet-like. Their legs are visible in dark trousers and boots. This blurry background creates a sense of depth and implies a scene with other people, possibly in a historical or fantasy setting. The ground appears to be dusty or sandy. The lighting illuminates the woman's face and hair, with highlights suggesting a bright light source, possibly sunlight. The overall atmosphere feels dramatic and action-oriented, consistent with a warrior theme. The mood is serious and focused, conveying a sense of readiness or engagement in a confrontation.

Selfishreasons
6 330

4 months ago

This is a hyper-realistic, high-detail digital portrait of a young Korean woman who is a cyborg. The image masterfully juxtaposes delicate, organic beauty with complex, inorganic machinery, creating a captivating and thought-provoking piece of science fiction art. The overall aesthetic is clean, elegant, and ethereal, with a carefully controlled color palette. The Subject's Face and Human Features: The woman has a face of almost supernatural perfection. Her skin is pale and flawless, like porcelain, with a smooth, matte finish. Her facial structure is delicate, with high cheekbones, a small, straight nose, and a well-defined jawline on her visible human side. Eyes: Her eyes are the most striking feature. They are a luminous, piercing emerald green, rendered with incredible detail. The irises have intricate patterns of light and dark green, and a dark limbal ring that makes them stand out dramatically against her pale skin. They are framed by long, dark, perfectly separated eyelashes and subtle, expertly applied eyeliner that creates a slight cat-eye effect. Her gaze is direct and engages the viewer with a neutral, almost serene expression. Eyebrows: Her eyebrows are perfectly shaped with a gentle arch, filled in with a soft brown that complements her features without being harsh. Lips: She has full, soft-looking lips with a defined Cupid's bow. They are colored in a natural, dusky pink shade with a subtle satin sheen, echoing the color of her hair. Cybernetic Enhancements: The woman's human features are seamlessly integrated with extensive cybernetic enhancements, primarily on the right side of her face and neck. Facial and Head Mechanics: A complex mechanical structure replaces parts of her head and face. It begins at her right temple and extends down her cheek and jaw. This section is composed of articulated, segmented plates in a matte, off-white and light gray finish, with some plates having a subtle rose-gold or pinkish tint that harmonizes with her hair. Behind her head and over her ear is a larger, more robust piece of machinery with circular vents, joints, and what appear to be pistons or hydraulic connectors. Neck and Torso: Her neck is entirely mechanical, consisting of a dense, intricate web of gray and black wires, cables, and tubes that flow downwards, suggesting a fully robotic torso beneath. This creates a stark contrast between the soft skin of her face and the complex, functional machinery supporting it. Integration: The transition from skin to machine is depicted flawlessly. The mechanical parts fit snugly against her skin, and strands of her hair weave in and out of the cybernetics, suggesting a long-term, permanent fusion of the organic and the artificial. Hair: Her hair is long, voluminous, and cascades in soft waves around her face and shoulders. The color is a beautiful pastel pink, reminiscent of cotton candy or cherry blossoms, with subtle variations in tone, including lighter, almost-white highlights that catch the light. The texture appears silky and fine, and it beautifully softens the hard edges of the mechanical components it intertwines with. Lighting, Composition, and Color Palette: The portrait is a tight close-up, focusing entirely on her head and shoulders. The lighting is soft and diffused, coming from the front and slightly to the left, which evenly illuminates her features and highlights the three-dimensional details of the cybernetics without creating harsh shadows. The background is a blurry, out-of-focus cool gray, which ensures that the subject is the sole focus. The color palette is a sophisticated blend of soft, muted tones. It is dominated by the pastel pink of her hair, the porcelain white of her skin, and the cool grays and off-whites of the machinery. The vivid emerald green of her eyes serves as a powerful, singular accent color, drawing the viewer's attention and giving the character a sense of life and soul amidst the mechanics.

kumera
3 140

4 months ago

A semi-realistic digital painting of a young female child standing alone in the rain, full-body side profile, facing left. The female child has wet, long tousled black hair and wears a bright red raincoat with the hood down, along with red rain boots. The raincoat has visible fabric texture, lightly soaked from the rain. The setting is a dark, rainy night scene with a deep cool blue and gray color palette. Surrounding the female child on the wet pavement are exactly twenty-seven fiery heart-shaped lights, glowing in vivid orange and red, casting warm reflections onto the slick ground. Raindrops fall at a diagonal angle, illuminated by the ambient light from the glowing hearts. Tiny glowing particles and ember-like sparks float softly in the air, enhancing the magical, emotional atmosphere. The female child’s expression is quiet and thoughtful, evoking introspection and solitude. The scene is lit with cinematic lighting, balancing warm heart-shaped glow against cool ambient shadows, creating strong visual contrast. The wet ground reflects the fiery lights with shimmering clarity, and the falling rain has subtle backlighting, highlighting individual droplets. — style: cinematic concept art, semi-realistic digital painting, magical realism, emotional storytelling, painterly texture, photorealistic lighting, ultra-fine detail, whimsical atmosphere — composition: vertical frame, full-body side profile, eye-level perspective — environment: rainy night, dark and moody, wet reflective pavement, glowing fiery heart-shaped lights, floating embers, atmospheric depth — lighting: dramatic warm-cool contrast, glowing reflections, soft ambient rain illumination, gentle backlight on raindrops — color palette: deep blues and grays for the background, vibrant reds and oranges for the coat and heart lights — mood: introspective, peaceful, magical, slightly melancholic

Pulsar212121
2 110

4 months ago

A close-up portrait captures a young African American woman with dark, messy hair obscuring part of her face, revealing intense green eyes and glistening lips, with a visible tattoo on her arm. The central focus is the woman's face on the right side of the frame, with dark, disheveled hair dramatically covering the left side. Her captivating green eyes are enhanced with smudged black eyeliner and dark brows. Her lips are full and have a noticeable shine. Her skin is warm-toned and appears slightly damp or oily, with visible pores around the nose. There are subtle shadows and highlights on the face, suggesting definition and possibly light contouring. On the visible shoulder and arm, the skin also appears warm-toned with a matte finish in certain areas, contrasting with the highlight. A black tattoo is visible on the upper arm. Below her chin, a glimpse of a dark necklace or choker with light-colored beads is visible. To the right, a portion of her bare shoulder is showcased, featuring a darker-toned tattoo with an abstract, organic design of what appears to be intertwined branches or roots. Below the tattoo, her upper arm is wrapped in a ribbed, light grey arm warmer or wristband. Below her chin, a glimpse of a dark necklace or choker with light-colored beads is visible. Her upper arm is wrapped in a ribbed, light grey arm warmer or wristband. Her left side is largely obscured by shadows, but a faint outline of a black garment with a white, graphic print is discernible. The background is black and blurry. It appears to be a plain, dark backdrop, possibly intended to create a sense of depth or contrast with the subject in the foreground. The image is primarily lit by a light source positioned to the right of the subject, casting a strong shadow on the left side of her face and body. This creates a dramatic, high-contrast lighting effect, emphasizing the textures of her skin and hair. The light source appears to be soft, based on the gradual transition between light and shadow. There is a slight highlight on her forehead and cheekbone, suggesting a direct but diffused light. The overall lighting is dark and moody, contributing to the intense and mysterious atmosphere of the image. 1980s style.

Selfishreasons
1 110

8 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

Slinkychips PRO
1 97