from a point of view perspective FLUX prompts

2 months ago

A high-angle, wide shot captures a woman posing on a hospital bed, looking up towards the camera. The elevated perspective provides a comprehensive view of the subject and her immediate surroundings. The woman is dressed in a stylized, all-white nurse's costume. Her outfit features a form-fitting, short-sleeved bodysuit with a collar and a zipper down the front, which is partially unzipped to create a low neckline. This is paired with matching white opaque thigh-high stockings and pointed-toe stiletto heels. The camera's high vantage point emphasizes her reclining pose across the diagonal of the bed, capturing the details of her non-traditional uniform against the stark white sheets of the hospital setting.

8 months ago

An ultra-realistic point of view (POV) image capturing the first-person perspective of a Greek citizen in a Greek temple. The character's hands and body parts are visible, creating a sense of immersion, as if the viewer were actually there. The scene is detailed, with cinematic lighting and an authentic atmosphere that transports the viewer to that time and place.

8 months ago

An ultra-realistic point-of-view (POV) image capturing the first-person perspective of a Spartan soldier on a battlefield. The character's hands and body parts are visible, creating a sense of immersion, as if the viewer were actually there. The scene is detailed, with cinematic lighting and an authentic atmosphere that transports the viewer to that time and place.

8 months ago

An ultra-realistic point-of-view (POV) image capturing the first-person perspective of a caveman with his spear hunting a dinosaur. The character's hands and part of his body are visible, creating a sense of immersion, as if the viewer were actually there. The scene is detailed, with cinematic lighting and an authentic atmosphere that transports the viewer to that time and place.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

2 months ago

An extreme high-angle shot, captures a full view of a woman in a stylized korean nurse's uniform sitting on the edge of a hospital bed. The camera is positioned on the floor, looking up, which makes the subject appear dominant and elongates her figure, particularly her legs in white thigh-high stockings and stiletto heels. This perspective distorts the proportions, making the foreground (her shoes and the base of the bed) seem larger and emphasizing the height and power of the subject relative to the viewer. The wide angle of the lens captures the sterile, white environment of the hospital room, including the floor, the full length of the gurney, and the medical equipment in the background, all from this dramatic, upward-looking vantage point.

8 months ago

An ultra-realistic point of view (POV) image capturing the first-person perspective of a WWII soldier with his pistol on the battlefield. The character's hands and body parts are visible, creating a sense of immersion, as if the viewer were actually there. The scene is detailed, with cinematic lighting and an authentic atmosphere that transports the viewer to that time and place.

8 months ago

An ultra-realistic point of view (POV) image capturing the first-person perspective of a WWII soldier holding a hand grenade in his right hand on the battlefield. The character's hands and body parts are visible, creating a sense of immersion, as if the viewer were actually there. The scene is detailed, with cinematic lighting and an authentic atmosphere that transports the viewer to that time and place.

4 months ago

An ultra-realistic point-of-view (POV) shot captures the first-person perspective of a caveman wielding a spear as he hunts a humanoid robot. His hands and parts of his body are clearly visible, creating a sense of immersion, as if the viewer were actually there. The scene is detailed, with cinematic lighting and an authentic atmosphere that transports the viewer to the time and place.

7 months ago

An ultra-realistic image portraying a woman's feet, characterized by four toes per foot. The feet exhibit well-defined ankles, arches, soles, and heels, all displayed with precise proportions. The skin tone is of a medium brown shade, and the toenails, though kept short, are meticulously polished with a dark red color. These feet are elegantly elevated in the air, with toes pointed upwards. All details are seen from a side-view perspective for a comprehensive appreciation of their attributes.

7 months ago

A dreamlike, painterly scene of a Victorian-era town at the break of dawn, viewed from a high, surreal perspective. Rows of colorful, ornate houses with intricate wooden trim and pointed rooftops line both sides of a mist-covered cobblestone street that stretches infinitely into the foggy horizon. The heavy mist softens all edges and blends into the rough cobblestone ground with visible brushstrokes, creating a textured, almost impressionistic feel. Early dawn colors bathe the town — cool violets, deep cold blues, and threads of golden light seep through the lifting fog. A large, symbolic clock hangs suspended in the air, frozen at midnight, casting a faint, ghostly reflection in the mist below. No people are present; the town feels abandoned and mysterious. A forgotten horse-drawn carriage, barely visible, sits under the heavy mist near the side of the street, adding a sense of lingering history and lost stories. Warm lights still glow softly in some windows and along the flickering streetlamps, contrasting the cool tones of the atmosphere. The overall mood is one of surreal quietness, a fragile moment caught between the end of night and the birth of a new day.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

8 months ago

I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure with an observation deck at the top, and it’s positioned far away from me, beyond the window, creating a sense of depth in the scene. The tower is distant enough to be a subtle part of the overall view, adding to the peaceful, calm atmosphere of the room. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure, with a wide, round observation deck at the top, resembling a saucer. The body of the tower tapers as it rises and has a sleek, modern appearance with a distinctive design. The tower is lit at night, but in the morning light, it’s a darker silhouette against the horizon. The tower is positioned far away from me, beyond the window, creating a sense of depth in the scene. It should appear small and distant, but its unique shape, with the round observation deck, makes it recognizable even from this distance. The tower is not a central focus of the scene, but serves as a distant and peaceful backdrop. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

An eagle-eye view of a surreal Victorian town, captured at night under a pitch-black, starless sky. A wide cobblestone street stretches infinitely into the horizon, shrouded in faint, low-lying mist that swirls gently along the ground. Towering, vividly colored Victorian houses with ornate gables, bay windows, and intricate wooden trim line both sides of the street in perfect, mirror-like symmetry. Warm lights in shades of amber, gold, and faint crimson spill from countless windows, reflecting softly on the damp cobblestones. Some street lamps flicker subtly, while dark trees along the sidewalks whisper under an unseen breeze. The massive houses seem to lean inward slightly, as if conspiring, creating a dreamlike, faintly claustrophobic atmosphere. Tiny, silhouetted figures walk down the endless street, lost in an overwhelming, eerie silence that deepens the surreal sensation. The composition uses a slightly distorted wide-angle perspective, exaggerating the infinite vanishing point and immersing the viewer into a disorienting, cinematic dream.

9 months ago

A grotesque, monstrous figure, positioned in the center of the image. The figure has a muscular, distorted human-like physique, covered in dark blueish-black skin and numerous, sharp, jagged protrusions and tendrils. Its facial features are exaggerated and horrifying, with large, pointed teeth and menacing eyes. The figure is in a dynamic, aggressive pose, with one arm outstretched, the hand open in a threatening gesture. The background is a mottled mix of dark gray and black, speckled with small, bright green and other colored dots, resembling cosmic dust or nebulae. The style is comic book art, with bold lines, strong contrast between light and dark, and exaggerated features. The atmosphere is menacing and filled with a sense of cosmic terror. The figure is looking directly at the viewer. The perspective is slightly elevated, providing a commanding view of the creature. Colors are predominantly dark and intense, creating a dramatic visual impact. Important details include the sharp teeth, the tendrils, and the radiating cosmic background.

7 months ago

A dreamlike, painterly scene of a Victorian-era town at the break of dawn, viewed from a high, surreal perspective. Rows of colorful, ornate houses with intricate wooden trim and pointed rooftops line both sides of a mist-covered cobblestone street that stretches infinitely into the foggy horizon. The heavy mist softens all edges and blends into the rough cobblestone ground with visible brushstrokes, creating a textured, almost impressionistic feel. Early dawn colors bathe the town — cool violets, deep cold blues, and threads of golden light seep through the lifting fog. A large, symbolic clock hangs suspended in the air, frozen at midnight, casting a faint, ghostly reflection in the mist below. No people are present; the town feels abandoned and mysterious. A forgotten horse-drawn carriage, barely visible, sits under the heavy mist near the side of the street, adding a sense of lingering history and lost stories. Warm lights still glow softly in some windows and along the flickering streetlamps, contrasting the cool tones of the atmosphere. The overall mood is one of surreal quietness, a fragile moment caught between the end of night and the birth of a new day.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

9 months ago

A grotesque, monstrous figure, positioned in the center of the image. The figure has a muscular, distorted human-like physique, covered in dark blueish-black skin and numerous, sharp, jagged protrusions and tendrils. Its facial features are exaggerated and horrifying, with large, pointed teeth and menacing eyes. The figure is in a dynamic, aggressive pose, with one arm outstretched, the hand open in a threatening gesture. The background is a mottled mix of dark gray and black, speckled with small, bright green and other colored dots, resembling cosmic dust or nebulae. The style is comic book art, with bold lines, strong contrast between light and dark, and exaggerated features. The atmosphere is menacing and filled with a sense of cosmic terror. The figure is looking directly at the viewer. The perspective is slightly elevated, providing a commanding view of the creature. Colors are predominantly dark and intense, creating a dramatic visual impact. Important details include the sharp teeth, the tendrils, and the radiating cosmic background.