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Prompt by ElectricL

letter FLUX prompts

hundreds of results

9 months ago

Create a highly detailed, ultra-realistic advertising poster for a limited-edition 0.5-liter brown beer bottle named "Nimm2 Beer." The bottle features an intricate, dark antique copper-colored, Baroque-inspired 3D design, with raised, swirling patterns and ornamental flourishes that create a richly textured, embossed appearance. The bottle is captured in a professional product photography setup, rendered in 8K resolution with hyper-detailed textures and micro-imperfections (e.g., slight scratches or uneven embossing) to enhance realism. Sharp highlights and deep shadows emphasize the 3D details, with a focus on the tactile quality of the embossed surface. Due to high humidity, visible drops of condensation form on the beer bottle, suggesting freshness and coolness. These water droplets are realistically rendered with varying sizes and distributions, mimicking natural condensation patterns. The condensation is subtle yet noticeable, enhancing the bottle's texture without obscuring the intricate design or label. The lighting interacts with the condensation, creating reflective highlights on the droplets that add depth and realism to the scene. The bottle's label is high-quality and artistically sophisticated, designed in white, blue, and gold. The name "Nimm2" is prominently printed in large, bold lettering on the label, accompanied by details indicating it is a Special Edition for 2025. The golden crown cap gleams under the light, with reflective highlights accentuating its glossy, metallic texture. The bottle is positioned upright, slightly tilted to showcase the intricate design, label details, and condensation, captured in a close-up perspective from a slight angle to enhance depth and focus. The background features a muted, earthy gradient transitioning from darker to lighter tones, incorporating subtle natural elements such as soil, tree bark, and forest moss to create an immersive, organic atmosphere. To maintain focus on the bottle, these elements are blended softly into the gradient, avoiding overpowering the composition. The gradient is slightly cooler or more neutral to ensure the bottle's warm brown and gold hues, along with the condensation, stand out. This background adds depth while keeping the bottle as the unambiguous focal point. The lighting is soft white daylight, streaming from above or the side, creating strong contrasts that highlight the raised patterns on the bottle and the reflective condensation droplets. A subtle spotlight effect on the bottle enhances its prominence and creates a dramatic interplay of light and shadow. Dark areas of the image have a cool, bluish tone, while bright areas exhibit a warm, golden hue, enhancing the overall refinement of the scene. The image style blends photorealism with artistic representation, presenting the bottle as a work of art. The mood is cinematic and dramatic, emphasizing the exclusivity and premium quality of the special-edition beer. The composition feels sophisticated and inviting, with a clear narrative of craftsmanship and luxury.

nobisper
9 700

8 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
8 390

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
4 170

9 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

c7e48d371df
3 110