lit by a single desk lamp FLUX prompts

1 month ago

Album cover art: 16:9 compisition, An intimate, hyper-realistic close-up portrait of Lilith in a studio, lit by a single desk lamp. She is holding a pen poised motionless over a blank notebook page, frozen, unable to write. Her expression is the most important element: a haunted, distant look in her eyes, as if her mind is a million miles away. A faint, **cold blue light** glimmers on one cheek, contrasting with the warm lamplight. The focus is tight on her eyes and the motionless pen. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H. R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

1 month ago

An art portrait close-up of Lilith. She is in an old, dark church, lit only by the soft, warm light of a single desk lamp. She holds a **quill pen** poised motionless over a blank(!) page in an **ancient notebook**. Her form is demonic: **curved obsidian horns** emerge from her forehead, and her long dark hair frames her face. But her expression is the key: Her eyes, which have only a **faint, tired red glow**, are wide and haunted, her mind a million miles away. There is a single, clear tear threatening to fall from one eye. Her lips are slightly parted, not in a moan, but a silent, unreleased breath. Her skin has the subtle sheen of a **cold sweat**, born of anxiety, not passion. The lighting is dramatic, with deep shadows that seem to swallow the light, focusing entirely on her **paralyzed expression** and the motionless pen.

1 month ago

Album cover art: 16:9 compisition, An intimate, hyper-realistic close-up portrait of Lilith in a studio, lit by a single desk lamp. She is holding a pen poised motionless over a blank notebook page, frozen, unable to write. Her expression is the most important element: a haunted, distant look in her eyes, as if her mind is a million miles away. A faint, **cold blue light** glimmers on one cheek, contrasting with the warm lamplight. The focus is tight on her eyes and the motionless pen. Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H. R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain. (no writings no logo's

1 month ago

An art portrait close-up of Lilith. She is in an old, dark church, lit only by the soft, warm light of a single desk lamp. She holds a **quill pen** poised motionless over a blank(!) page in an **ancient notebook**. Her form is demonic: **curved obsidian horns** emerge from her forehead, and her long dark hair frames her face. But her expression is the key: Her eyes, which have only a **faint, tired red glow**, are wide and haunted, her mind a million miles away. There is a single, clear tear threatening to fall from one eye. Her lips are slightly parted, not in a moan, but a silent, unreleased breath. Her skin has the subtle sheen of a **cold sweat**, born of anxiety, not passion. The lighting is dramatic, with deep shadows that seem to swallow the light, focusing entirely on her **paralyzed expression** and the motionless pen.