A sample prompt of what you can find in this page
Prompt by ElectricL

moody shadows FLUX prompts

hundreds of results

7 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

4 months ago

cinematic photograph, medium-format film aesthetic (1.6), high-end film photography (1.8), low-key photography (2.0), raw and unfiltered (1.9), visible grain (1.7), natural imperfections, detailed skin texture, subtle blemishes, realistic skin pores with a natural matte finish (2.0), dramatic highlights and shadows (2.0), fine art photography (1.8), inspired by Helmut Newton (1.9), petite French woman, 151 cm tall (1.9), slender hourglass figure (1.8), long dark messy hair flowing naturally to the small of her back (1.8), seated gracefully on a full-scale dark brown leather Chesterfield sofa, its iconic tufted leather design accentuated by the warm, golden light of a directional antique floor lamp (1.9), minimalist wall behind the sofa with neutral desaturated tones, avoiding yellow hues (1.7), large abstract art mounted above the sofa, subtle and proportional (1.7), illuminated by a single directional light source, the antique floor lamp positioned to the right of the subject (2.0), soft warm golden light casting volumetric beams through the textured air (1.9), dramatic sculptural shadows falling across her figure, the leather sofa, and the rustic hardwood floor (2.0), moody and intimate ambiance with shadowy corners fading into darkness (2.0), black sheer stockings, semi-transparent, clinging lightly to her thighs and calves, accentuating her figure (1.8), natural pubic hair explicitly visible, full and thick, 1980s-style, fully covering her genital area (2.0), pubic hair blending naturally with the lighting, realistic texture and density (2.0), confident yet relaxed seated posture with back straight and hands lightly resting on the sofa’s edge (1.8), cinematic sculptural light interplay between her skin, the sofa leather, and the hardwood floor textures (2.0), timeless fine art aesthetic (2.0), cinematic elegance with warm directional lighting (2.0), moody and intimate atmosphere (2.0).

3 months ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.