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Prompt by a9bf2ef76c1

original FLUX prompts

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9 months ago

A **highly detailed, action-packed scene** featuring the **Fantastic Four** in their **classic blue suits** with the iconic **white “4” emblem**, staying true to **Jack Kirby’s original comic book style**. The team is dynamically posed in a moment of **high-stakes action** against a **colossal cosmic threat**. - **Mr. Fantastic (Reed Richards)** is at the forefront, his **body stretching and twisting in impossible ways**, extending across the battlefield with an **elongated arm grabbing a collapsing piece of debris**. His **face shows intense focus**, and his **gray temples stand out against his dark hair** as he strategizes under immense pressure. - **The Thing (Ben Grimm)** is mid-action, his **massive orange, rock-like form braced against a powerful shockwave**, throwing a **devastating punch** at an enemy with his signature battle cry: **"IT’S CLOBBERIN’ TIME!"** His **rocky hide is intricately detailed**, with **realistic cracks and depth**, giving him a **monolithic, powerful presence**. - **Human Torch (Johnny Storm)** is soaring through the sky, his **entire body engulfed in flames**, leaving behind a **bright, fiery trail**. His **eyes glow intensely with fire**, and he hurls a **controlled stream of fire** at an **approaching enemy spaceship**, his famous catchphrase **"Flame On!"** integrated into the energy burst. - **Invisible Woman (Sue Storm)** stands confidently, her **hands raised as she generates a massive, shimmering force field** to shield her teammates. The **transparent energy distorts light realistically**, with **subtle glowing edges**, while another force field encases **a group of civilians she is protecting** from falling debris. The backdrop is a **dramatic cosmic battleground**, possibly **New York City under siege**, or **outer space**, with a **menacing Galactus, Doctor Doom, or Annihilus looming in the background**. The colors are **bold and vibrant**, using **classic Marvel comic book shading and inking techniques** to capture the **nostalgic, dynamic energy of a 1960s-70s Fantastic Four comic book cover**. The **camera angle is dynamic and slightly tilted**, emphasizing **perspective, scale, and movement** as **debris flies, energy beams streak across the air, and the Fantastic Four’s abilities explode into action**. The **lighting is high-contrast and dramatic**, blending **classic comic panel aesthetics with a modern, cinematic feel**, incorporating **motion blur and deep shadows** for enhanced realism while **retaining the comic book charm**. A **masterpiece of superhero action**, blending **hyper-detailed comic book stylization, cinematic intensity, and larger-than-life cosmic storytelling**. **Ultra-detailed 8K resolution, trending on ArtStation, with Unreal Engine 5-level fidelity. Vertical aspect ratio.**

6 months ago

Make a simple LOGO/Symbol that represents the following information.. History of the Hakka People - Key Points Here's a breakdown of Hakka history in point form, covering their origins, migrations, culture, and modern situation: **I. Origins & Early History (Pre-Song Dynasty - Before 960 AD)** * **Han Chinese Roots:** The Hakka are a subgroup of the Han Chinese, *not* a separate ethnic group. Their name “Hakka” (客家) literally means “guest families.” * **Northern Origins:** Most scholars believe the Hakka originated from areas of North and Central China (Henan, Shanxi, Shaanxi) during periods of upheaval. * **Multiple Migrations:** They weren’t a single migration, but *waves* of migration southward over centuries, starting as early as the Qin and Han dynasties (221 BC – 220 AD). * **Avoiding Conflict:** These migrations were often driven by political instability, war, and famine. The Hakka tended to move *away* from conflict, not to conquer. * **Early Settlers in Jiangxi:** The Jiangxi province became an early and important staging ground for their southern migrations. **II. The Long Migration & Settlement (Song - Ming Dynasties - 960 - 1644 AD)** * **Southern Migration Intensifies:** The Song Dynasty (960-1279) saw a significant acceleration of Hakka migration southwards. * **Conflict with Existing Populations:** As they moved south, the Hakka often settled in marginal lands or areas already inhabited by other groups (including other Han Chinese, and minority groups like the She and Yao). This led to frequent conflicts and clashes. * **“Guest” Status:** They were often seen as outsiders or "guests" by the existing populations, hence the name “Hakka.” They were often denied full integration. * **Settlement in Guangdong, Fujian, Jiangxi:** The Hakka eventually settled primarily in the provinces of Guangdong, Fujian, and Jiangxi, as well as parts of Sichuan, Hunan, and Guangxi. * **Fortified Villages (Weitou):** Due to constant threats and conflict, the Hakka developed a unique architectural style – fortified, circular villages known as *Weitou* (围头). These served as both homes and defensive structures. * **Development of Distinct Culture:** During this period of migration and isolation, the Hakka developed their own distinct language, customs, and traditions. **III. Qing Dynasty & Modern Era (1644 - Present)** * **Qing Dynasty Stability:** The Qing Dynasty (1644-1912) brought a period of relative stability, allowing the Hakka to consolidate their settlements and develop their economy. * **Continued Marginalization:** However, they remained largely marginalized from mainstream Chinese society, often facing discrimination and economic hardship. * **Taiping Rebellion (1850-1864):** A significant number of Hakka joined the Taiping Rebellion, a large-scale uprising against the Qing Dynasty. This further complicated their relationship with the central government. * **Overseas Migration:** In the late 19th and early 20th centuries, many Hakka emigrated overseas, primarily to Southeast Asia (Malaysia, Indonesia, Thailand, Singapore) and other parts of the world. They became successful merchants and entrepreneurs. * **Communist Revolution (1949):** After the Communist Revolution in 1949, the Hakka were initially seen as a potentially rebellious group due to their history of independence and resistance. * **Recognized as a Minority Group:** In the 1990s, the Chinese government officially recognized the Hakka as one of China’s 56 ethnic groups, though they are still considered a subgroup of the Han Chinese. * **Cultural Revival & Tourism:** In recent decades, there has been a growing interest in Hakka culture and heritage, with efforts to preserve their traditions, language, and architecture. Hakka villages are becoming popular tourist destinations. * **Diaspora Connections:** The Hakka diaspora remains strong, with significant communities around the world maintaining connections to their ancestral homeland. **Key Characteristics of Hakka Culture:** * **Language:** Hakka language (Hakka Hua), a Sinitic language distinct from Mandarin and Cantonese. * **Architecture:** Circular fortified villages (Weitou). * **Cuisine:** Unique Hakka cuisine, known for preserved foods, stuffed tofu, and savory flavors. * **Ancestor Veneration:** Strong emphasis on ancestor worship. * **Matrilineal Traditions (in some areas):** Some Hakka communities retain elements of matrilineal inheritance and family structures. * **Emphasis on Education:** Historically, the Hakka placed a high value on education. This list provides a concise overview of Hakka history and culture. It’s a complex and fascinating story of migration, adaptation, and resilience.