A sample prompt of what you can find in this page
Prompt by 01f9c64afc8

perfect exposure FLUX prompts

very few results

6 months ago

A serene and breathtaking landscape unfolds before us, as a woman stands silhouetted against a kaleidoscope of colors that dance across the sky. The horizon is ablaze with vibrant oranges and pinks, as though the sun has dipped below the water's edge, leaving behind a trail of radiant light. Above, the sky transitions into softer shades of lavender and purple, dotted with faint stars that begin to emerge as twilight deepens. The solitary figure stands on a weathered wooden pier that extends out over a calm body of water, its surface mirroring the colors of the sky like a perfect mirror. Her dark hair flows loosely around her shoulders, adding a touch of movement to the otherwise still scene. She wears a coat that drapes gently over her frame, suggesting a quiet contemplation or perhaps a moment of reflection. The water beneath her is serene, its surface undisturbed except for the gentle ripples that reflect the changing colors of the sky. The pier itself is worn and rustic, its planks showing signs of age and exposure to the elements. Each board tells a story of time passing, its texture rough and uneven, yet it holds steady under her weight, connecting her to the vast expanse before her. The horizon stretches endlessly, meeting the water at a point where reality seems to blur into dream. Her posture is relaxed yet deliberate, her gaze fixed on the horizon as if she is lost in thought or simply basking in the tranquility of the moment. The interplay of light and shadow creates a sense of depth, drawing the eye toward the distant horizon and the infinite possibilities it holds.

Luv2Grill
1 130

8 months ago

An award-winning double exposure oil painting masterpiece centered around a goth woman with striking dark makeup and a hauntingly beautiful black owl perched on her shoulder. Her eyes, heavily lined with shadow, seem to pierce the viewer, but within her form, the double exposure reveals a mystical fusion of both human and animal. The owl’s wings stretch elegantly across her silhouette, their dark feathers blending with the shadows in her hair and the intricate lace of her gothic attire. The bird’s gaze mirrors hers, deep and penetrating, while its feathers seem to ripple into the background, becoming part of a moonlit night scene. The background is a surreal blend of forest and night sky—dense trees woven with mist and hidden secrets, where the moon casts a soft glow over a field of delicate, dark flowers. The owl’s wings stretch across the night, filling the negative space with a quiet yet powerful presence, as though both the woman and the owl are creatures of the same shadowed world. The palette is rich in deep purples, midnight blues, charcoal blacks, and silver highlights—evoking the mystery and elegance of the goth aesthetic. Brushwork is fluid yet precise, giving the sense that the woman and owl are one, moving together in perfect harmony, their fates entwined by the night. Themes of mysticism, unity between human and nature, and the secrets of the night are explored, with an emotional undertone of solitude and strength. This painting is not just a portrait but an exploration of the deep connection between darkness, the natural world, and the soul.

Nednut4362
1 96

2 months ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

JDHampton PRO
0 35

2 months ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

JDHampton PRO
0 28