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Prompt by 4b8db58d3ef

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9 months ago

Ultra-detailed half body portrait of a desert-hardened woman in her mid 20s, sun-weathered skin with natural freckles across her cheeks and blemishes over her body, keen hazel eyes adapted to scanning distant horizons, dark hair wrapped in a practical sand-colored shemagh that protects her neck and lower face, wearing layered desert survival gear - a loose fitting crop top underneath a weathered open tactical vest, revealing a flat, toned belly with defed abs, outie belly button. She wears loose low rise pants and a belt with multiple water container attachments, UV-protective goggles pushed up on her forehead, standing amid the ruins of a massive oil refinery complex half-buried by endless dunes of golden sand, towering rusted distillation columns rising like ancient monoliths from the desert floor, heat waves visibly distorting the air around corroded pipeline networks that snake through the dunes, scattered remnants of industrial machinery emerging from shifting sands - partially buried pressure vessels, sand-scoured storage tanks, and wind-polished metal structures, intense sunlight casting harsh shadows across her face through gaps in the deteriorating industrial framework, sand particles catching the light as they drift through the air, multiple layers of desert-industrial decay visible in the background - collapsed cooling towers creating artificial canyons, sand-filled processing units, and sun-bleached warning signs barely visible under layers of dust, abandoned vehicles half-submerged in sand drifts, occasional glints of metal where the wind has exposed buried equipment, photorealistic rendering with attention to material interactions between sand and metal - wind-polished surfaces, sand-carved patterns in steel, and sun-damaged materials, 8k resolution emphasizing the texture of each weather-beaten surface, technical perspective showing the massive scale of the industrial remains against the endless desert horizon, visible heat distortion in the distance where sky meets sand, subtle color variations in the sand showing mineral content and age of dune

6 months ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.