A sample prompt of what you can find in this page
Prompt by PY2K66

rising sun FLUX prompts

hundreds of results

8 months ago

Ultra-detailed half body portrait of a desert-hardened woman in her mid 20s, sun-weathered skin with natural freckles across her cheeks and blemishes over her body, keen hazel eyes adapted to scanning distant horizons, dark hair wrapped in a practical sand-colored shemagh that protects her neck and lower face, wearing layered desert survival gear - a loose fitting crop top underneath a weathered open tactical vest, revealing a flat, toned belly with defed abs, outie belly button. She wears loose low rise pants and a belt with multiple water container attachments, UV-protective goggles pushed up on her forehead, standing amid the ruins of a massive oil refinery complex half-buried by endless dunes of golden sand, towering rusted distillation columns rising like ancient monoliths from the desert floor, heat waves visibly distorting the air around corroded pipeline networks that snake through the dunes, scattered remnants of industrial machinery emerging from shifting sands - partially buried pressure vessels, sand-scoured storage tanks, and wind-polished metal structures, intense sunlight casting harsh shadows across her face through gaps in the deteriorating industrial framework, sand particles catching the light as they drift through the air, multiple layers of desert-industrial decay visible in the background - collapsed cooling towers creating artificial canyons, sand-filled processing units, and sun-bleached warning signs barely visible under layers of dust, abandoned vehicles half-submerged in sand drifts, occasional glints of metal where the wind has exposed buried equipment, photorealistic rendering with attention to material interactions between sand and metal - wind-polished surfaces, sand-carved patterns in steel, and sun-damaged materials, 8k resolution emphasizing the texture of each weather-beaten surface, technical perspective showing the massive scale of the industrial remains against the endless desert horizon, visible heat distortion in the distance where sky meets sand, subtle color variations in the sand showing mineral content and age of dune

1 month ago

Hyper-realistic ultra-high-definition panoramic collage of iconic cinematic styles, blending epic fantasy, sci-fi, superhero, and cartoon universes into one breathtaking mural. Wonder Woman rises from the ashes on rocky ground with a stern look, beside a ghostly Phantom Hunter with spectral claws and glowing eyes. A steampunk knight in enchanted armor with a fiery sword confronts a dragon, while a red-haired Viking warrior queen in golden armor leads her sisters on a stormy cliff. Nearby, the Joker in his vibrant red suit triumphantly raises his fists in a gritty New York alley, while Spider-Man, adorned with glowing runes, battles in a cosmic, anime-inspired scene. Optimus Prime appears as a space cowboy bounty hunter in weathered cybernetic armor, his plasma revolver gleaming. Cleopatra reclines regally on her golden barge under the Egyptian sun, while a stormtrooper surveys a war-torn alien battlefield. Maui, the demigod, towers heroically on volcanic rock as waves crash behind him. Catwoman strikes a noir-style pose, while a fire dancer with glowing claws spins in flowing red robes. A mysterious assassin in a suit holds a chrome-plated gun in a neon cityscape, contrasted by playful Disney and cartoon icons: Minnie Mouse weeping in the shadows, Mickey Mouse walking on Ipanema beach, Donald Duck in a Las Vegas casino, Scrooge Tom in graffiti pop-art style, and a whimsical shark in sneakers smiling at the ocean. A cyberpunk Japanese girl with dragon horns and tattoos stands among neon dragons, while anime heroines in vibrant colors mix seamlessly with the scene. The entire collage is cinematic, airbrushed acrylic poster style, glowing with vivid colors, surreal lighting, and extreme detail, capturing the magic, drama, and joy of movies across every genre.

6 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

9 months ago

Set against an endless expanse of desert, the colossal automaton strides across the horizon, its immense form towering over the landscape while leaving much of the frame open to convey its overwhelming size. At a distance, its silhouette breaks through low-hanging clouds at 1,000 meters, emphasizing its staggering 4,000-foot height. The machine moves steadily, one leg caught mid-stride, lifted high as cascades of sand pour from its immense foot, creating swirling eddies of dust far below. Its grounded legs leave deep craters in the desert, visible even from this distant view, while the trembling earth sends visible ripples across the dunes. The automaton’s four massive legs are skeletal and mechanical, each a latticework of colossal pistons, cables, and ancient, corroded plating. Despite its distance, the details of its weathered surface are visible: rust streaks running down its joints, broken sections exposing internal mechanisms, and deep scars left by untold centuries of wear. Its torso rises like a fortress, uneven and asymmetrical, with jagged outcroppings, massive exhaust vents spewing steam, and entire sections bristling with exposed machinery. Above the automaton, airships tethered by thick, swaying cables float alongside it, their weathered envelopes bulging against the desert winds. These vessels, far smaller in scale but still large by human standards, bob and shift as they carry supplies and maintenance crews to the machine. Smaller drones flit between the airships and the automaton, their lights blinking faintly as they zip across the sky. On its back, the automaton supports a distant but sprawling city. Even from this far, the city’s intricate design is visible—towers and spires rise unevenly, linked by delicate bridges and suspended pathways. Tiny streams of light flicker across the city’s surface, marking the movements of vehicles and machinery. Trails of smoke and mist cascade down its sides, mingling with the clouds that cling to its upper body. The faint hum of activity is palpable, amplified by the unceasing movement of the automaton itself. The scene is dominated by the vast desert, stretching outward in golden ripples of sand broken only by jagged outcrops of rock and the faint shapes of ruined structures buried in the dunes. In the foreground, caravans of tiny figures and vehicles scatter, barely perceptible against the immense scale of the automaton. Dust storms trail far behind its legs, creating a hazy backdrop that swallows portions of the horizon. Above, the late-afternoon sky is layered with fiery streaks of orange and purple, clouds glowing faintly as they part to accommodate the automaton’s towering frame. The interplay of light and shadow accentuates its enormity, with its upper sections catching the sun’s last rays while its lower half fades into shadow and dust. The atmosphere is thick with the sounds of grinding metal, distant tremors, and the hum of engines, creating a sense of motion and life that fills the frame without overwhelming it. The automaton’s presence dominates the scene, but its distance allows the scale of the environment—airships, desert, and sky—to emphasize its true immensity. It strides forward like a titan, a walking world whose slow, deliberate march carries an ancient city and its tethered fleet across the endless expanse

3 months ago

In the serene moments of dawn, a young female stands majestically atop a gentle hill, her silhouette framed against the soft, glowing light of the rising sun. She is the central figure of this scene, her presence both commanding and graceful. Her arms are outstretched wide, as if embracing the new day and the promise it holds. She has a distinctive, elegant body shape that is both strong and graceful, accentuated by her posture. Her hair, long and flowing, cascades down her back, catching the first rays of sunlight and shimmering with a natural radiance that adds to her ethereal beauty. She is adorned in a luminous gown that flows seamlessly around her, the fabric appearing almost weightless as it cascades to the ground. The gown is intricately designed, with delicate patterns that seem to dance in the light, enhancing her connection to the natural beauty around her. The colors of her attire blend harmoniously with the hues of the dawn sky, creating a visual symphony of soft pinks, oranges, and purples. The background is a breathtaking panorama of nature awakening to a new day. The sky is painted with the gentle hues of dawn, transitioning smoothly from the deep blues of the night to the warm, inviting tones of morning. The landscape around her is lush and verdant, with rolling hills stretching into the distance, their contours softened by the early morning mist. The entire scene is bathed in a soft, golden light that enhances the sense of tranquility and hope, symbolizing new beginnings and the endless possibilities that come with the dawn of a new day.

5 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.