slightly creased from rest FLUX prompts

8 months ago

POV first-person perspective, I grip my sword firmly in my hand, its blade gleaming faintly in the dim light. The weapon is raised, held steady, its sharp edge pointed directly at the approaching soldiers. The sword is clearly visible in the frame, a symbol of both my power and my readiness for battle. I am dressed in the royal warrior attire of Nader Shah Afshar—a richly embroidered crimson silk robe, adorned with intricate Persian gold-threaded motifs. Beneath it, a dark wool tunic clings to my body, slightly creased from rest, and a thick black sash wraps tightly around my waist. An ornate belt hangs from my side, with a dagger tucked in, ready if needed. Before me, four soldiers advance, their weapons drawn—two wielding swords, two gripping daggers. Their movements are sharp, aggressive, their intent unmistakable. The flickering light of a distant fire casts shifting shadows across their faces, making their expressions unreadable but their hostility clear. The air is heavy with the scent of oil and fabric. Outside, the wind rustles the canvas walls of the tent, but my focus is locked on the soldiers before me. My stance is strong, poised for attack. The moment of battle is upon us, and there is no turning back.

8 months ago

POV first-person perspective, I stand firm, my sword gripped tightly in my hand, its blade catching the dim light as I face four attacking soldiers. The weapon is clearly visible in the frame, held with precision, its sharp edge raised for battle. My stance is aggressive, ready to strike. I wear the royal warrior attire of Nader Shah Afshar—a richly embroidered crimson silk robe, adorned with intricate Persian gold-threaded motifs. Beneath it, a dark wool tunic clings to my body, slightly creased from rest, and a thick black sash wraps tightly around my waist. An ornate belt hangs from my side, with a dagger tucked in, ready if needed. Before me, four soldiers lunge forward, their weapons drawn—two wielding swords, two gripping daggers. Their black robes flow with their movements, their attacks swift and ruthless. Our blades clash, sparks flying as steel meets steel. The flickering firelight behind them casts long, distorted shadows across the tent walls, adding to the chaos of battle. The air is thick with tension, the scent of oil, dust, and sweat mingling as the fight intensifies. I strike, they counter. They advance, I stand my ground. The clash of weapons fills the night, and in this moment, only one thing matters—survival.

8 months ago

“A realistic hardcover book lying open on a rustic wooden table, warm sunlight streaming through a nearby window. The left pages are filled with handwritten notes, slightly aged and creased. The right-hand page is blank and softly glowing in the natural light. A black fountain pen rests beside the book. Golden hour lighting with soft shadows and warm tones. Light dust particles visible in the sunbeam. An embossed gold emblem on the lower corner of the right page, symbolizing purpose and legacy. Calm, quiet, reflective atmosphere, shallow depth of field, editorial photography style.”

8 months ago

Full shot, Nader Shah Afshar, now 60 years old, lies within a canvas tent, his face marked with the deep lines of age and battle. His eyes are closed, resting, yet his hand grips the hilt of his sword, resting beside him, ready for action. The blade gleams faintly in the dim light, a symbol of his power and the weight of his rule. His attire is that of a royal warrior—he wears a richly embroidered silk robe, deep crimson in color, adorned with intricate Persian motifs of gold thread. Underneath, a dark tunic made from fine wool clings to his body, its fabric slightly creased from sleep. His black sash, thick and embroidered, is wrapped tightly around his waist. A heavy, ornate belt hangs from his side, with a dagger tucked in. Around the perimeter of the tent, the shadows of soldiers with drawn swords stretch across the canvas, their forms shifting and dark against the night. The danger is palpable, their presence unmistakable. The night is thick with tension as the stillness is broken only by the occasional sound of the wind rustling the tent. The dim light from a distant fire casts an eerie glow, highlighting the ominous figures waiting outside, poised for any sudden action. The atmosphere is heavy with the promise of imminent danger.

8 months ago

Nader Shah Afshar, now 60 years old, lies within a canvas tent, his face marked with the deep lines of age and battle. His eyes are closed, resting, yet his hand grips the hilt of his sword, resting beside him, ready for action. The blade gleams faintly in the dim light, a symbol of his power and the weight of his rule. His attire is that of a royal warrior—he wears a richly embroidered silk robe, deep crimson in color, adorned with intricate Persian motifs of gold thread. Underneath, a dark tunic made from fine wool clings to his body, its fabric slightly creased from sleep. His black sash, thick and embroidered, is wrapped tightly around his waist. A heavy, ornate belt hangs from his side, with a dagger tucked in. Around the perimeter of the tent, the shadows of soldiers with drawn swords stretch across the canvas, their forms shifting and dark against the night. The danger is palpable, their presence unmistakable. The night is thick with tension as the stillness is broken only by the occasional sound of the wind rustling the tent. The dim light from a distant fire casts an eerie glow, highlighting the ominous figures waiting outside, poised for any sudden action. The atmosphere is heavy with the promise of imminent danger.

8 months ago

Nader Shah Afshar, now 60 years old, lies within a canvas tent, his face marked with the deep lines of age and battle. His eyes are closed, resting, yet his hand grips the hilt of his sword, resting beside him, ready for action. The blade gleams faintly in the dim light, a symbol of his power and the weight of his rule. His attire is that of a royal warrior—he wears a richly embroidered silk robe, deep crimson in color, adorned with intricate Persian motifs of gold thread. Underneath, a dark tunic made from fine wool clings to his body, its fabric slightly creased from sleep. His black sash, thick and embroidered, is wrapped tightly around his waist. A heavy, ornate belt hangs from his side, with a dagger tucked in. Around the perimeter of the tent, the shadows of soldiers with drawn swords stretch across the canvas, their forms shifting and dark against the night. The danger is palpable, their presence unmistakable. The night is thick with tension as the stillness is broken only by the occasional sound of the wind rustling the tent. The dim light from a distant fire casts an eerie glow, highlighting the ominous figures waiting outside, poised for any sudden action. The atmosphere is heavy with the promise of imminent danger.

8 months ago

Nader Shah Afshar, now 60 years old, lies within a canvas tent, his face marked with the deep lines of age and battle. His eyes are closed, resting, yet his hand grips the hilt of his sword, resting beside him, ready for action. The blade gleams faintly in the dim light, a symbol of his power and the weight of his rule. His attire is that of a royal warrior—he wears a richly embroidered silk robe, deep crimson in color, adorned with intricate Persian motifs of gold thread. Underneath, a dark tunic made from fine wool clings to his body, its fabric slightly creased from sleep. His black sash, thick and embroidered, is wrapped tightly around his waist. A heavy, ornate belt hangs from his side, with a dagger tucked in. Around the perimeter of the tent, the shadows of soldiers with drawn swords stretch across the canvas, their forms shifting and dark against the night. The danger is palpable, their presence unmistakable. The night is thick with tension as the stillness is broken only by the occasional sound of the wind rustling the tent. The dim light from a distant fire casts an eerie glow, highlighting the ominous figures waiting outside, poised for any sudden action. The atmosphere is heavy with the promise of imminent danger.

8 months ago

Nader Shah Afshar, now 60 years old, lies within a canvas tent, his face marked with the deep lines of age and battle. His eyes are closed, resting, yet his hand grips the hilt of his sword, resting beside him, ready for action. The blade gleams faintly in the dim light, a symbol of his power and the weight of his rule. His attire is that of a royal warrior—he wears a richly embroidered silk robe, deep crimson in color, adorned with intricate Persian motifs of gold thread. Underneath, a dark tunic made from fine wool clings to his body, its fabric slightly creased from sleep. His black sash, thick and embroidered, is wrapped tightly around his waist. A heavy, ornate belt hangs from his side, with a dagger tucked in. Full body camera. Around the perimeter of the tent, the shadows of soldiers with drawn swords stretch across the canvas, their forms shifting and dark against the night. The danger is palpable, their presence unmistakable. The night is thick with tension as the stillness is broken only by the occasional sound of the wind rustling the tent. The dim light from a distant fire casts an eerie glow, highlighting the ominous figures waiting outside, poised for any sudden action. The atmosphere is heavy with the promise of imminent danger.