slightly overlapping each other FLUX flux-1.1-pro prompts

4 months ago

can you show me a logo for a peaceful, heartfelt, simple and elegant logo for my in-home pet euthanasia service. The design should feel gentle, sacred, and comforting — soft enough for grief, but warm and hopeful. I would like it to be a feather transitioning delicately into brids in flight but am open to other suggestions. I want there to be a little magic in it. Key Visual Elements: A navy blue feather — either lightly sketchy or solid, but not overly stylized The tip of the feather (far right end) should disintegrate naturally into 3–4 birds, symbolizing release and peace A blush-pink watercolor sun or moon in the background (feather overlaps it slightly) A subtle gold or blush-pink shadow under the feather (gentle glow or brushstroke, not hard drop shadow)

5 months ago

A masterpiece oil painting in the style of an intuitive visual collage, where contrasting textures, eras, and symbolic fragments converge into a harmonious tapestry of elegant chaos. The composition features layered imagery: a Victorian portrait half-fused with a mid-century modern architectural blueprint, scraps of faded parchment overlapping with vibrant 1980s pop-art motifs, and delicate Renaissance hands reaching through abstract expressionist brushstrokes. A Roman bust peers through a torn veil of Art Nouveau florals; a flock of origami birds made of newsprint flies across a stormy Baroque sky. Fabrics, marbled surfaces, rusted metal, and lace all blend in painterly precision, creating depth and narrative tension. Each layer reveals a whisper of a forgotten story, a cultural echo, or a visual riddle—forming a dialogue between past and present, reality and imagination. The tone is refined, surreal, and slightly mysterious—inviting the viewer to search for meaning in contrast and composition.

8 months ago

Image Drawing deconstucivist Fashion of three boys who are friends whimsical artist with Lustrous joy expression. Her body is Sculpted, firm arms with tight, smooth skin, toned muscles, abs, small breast, flat chest. She has Warm brown skin with a natural, even glow, appearing soft and smooth. The skin pores and texture are clearly visible and in focus. Her Wide arc eyes, Bright, vivid blue eyes, framed by long, elegant eyelashes. Her eyebrows are Long and flowing shaped, complementing her delicate facial features. Off-kilter long-sleeve tees with overlapping panels, midriff, High-rise pants with exaggerated folds, One leg slightly bent , rule of thirds, in the background Twisted steel cables in an architectural feature, in the style of Enki Bilal

7 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

7 months ago

A man, middle-aged, with a light complexion and a full beard, is centered in the image. He is wearing a deep teal-blue, long coat and matching pants decorated with intricate, patterned designs in shades of gold and burnt orange. A matching vest is underneath. He is wearing a dark-colored fedora hat and black dress shoes. He appears muscular with a fit body type, walking confidently in an ornate, colorful environment. A large lion, positioned in the background, and slightly overlapping the man, is depicted in a light brownish-tan color with a thick mane and large paws. The lion appears to be in a majestic pose, with its eyes and gaze focused intently. The environment is an interior setting, resembling an alleyway or courtyard with vibrant colorful mosaic tiles and arches. The lighting is bright, casting highlights on the man's face and clothing. The perspective is from a slightly elevated view, showcasing the man and the lion. The overall style is artistic and dynamic, incorporating a dramatic element of a large lion and a man in traditional, intricately patterned clothing, with a focus on the man's posture and the environment's visuals.

9 months ago

This is a highly detailed, realistic painting depicting a close-up view of a lemon tree heavily laden with ripe lemons. The lemons are bright yellow, with a glossy, almost wet texture, indicating their freshness. Each lemon is perfectly round with smooth, slightly textured surfaces, and they are densely packed together, creating a visually dense and vibrant scene. The lemons are interspersed with lush, green leaves that have a slightly waxy texture and are a deep, vibrant green. The leaves are arranged in a natural, overlapping pattern, adding depth and complexity to the composition. The branches of the tree are partially visible, with a dark brown, slightly rough texture, indicating the natural bark of the tree. The background is a soft gradient of green, which helps to focus the viewer's attention on the lemons and leaves. The overall style of the painting is highly realistic, with meticulous attention to detail and color accuracy. The light source appears to be coming from the top left, casting gentle shadows and highlighting the contours of the lemons and leaves, giving the scene a three-dimensional feel.

5 months ago

Lone cherry blossom tree rooted in dark, level terrain between layered mountain ridges. The tree is slightly off-center with elegant, curved branches and sparse blossoms in faint, desaturated pink and purple tones — barely visible and atmospheric. The scene is mid-range with heavy depth, surrounded by overlapping mountains and thick rolling fog. All tones are deep black, grayscale, and charcoal with minimal faded white used only for atmospheric layering. The lighting is soft and diffused, casting gentle shadows across the terrain. The environment feels grounded, calm, and cinematic with a moody ink-wash aesthetic inspired by Ghost of Tsushima. The entire composition is structured, still, and emotionally powerful.

8 months ago

A modern, minimalist logo for "Shapes Toolbox" featuring geometric shapes like squares, triangles, and circles. The shapes should be creatively arranged to form a sleek, professional design. Use a combination of bold, clean lines with a variety of shapes, possibly interlocking or overlapping. The logo should convey a sense of precision and creativity, with a color palette of vibrant yet professional tones like teal, orange, and dark gray. Incorporate a toolbox element subtly, such as a wrench or hammer integrated with the shapes, to represent the idea of tools for design. The font should be modern and easy to read, with the words "Shapes Toolbox" clearly displayed, possibly with a slight 3D effect or shadow for emphasis.

7 months ago

A picture of a chryssalid. The chryssalid’s head is elongated and insect-like, featuring a hard, chitinous exoskeleton and a pair of small black horns with orange tip. It has a pair small, beady eyes that glow with a bright light. Instead of a conventional mouth, it has a set of mandibles. The body is covered in segmented, dark brown or black chitin armor with streaks of orange bioluminescence. It has a sleek yet bulky form, built for speed and durability. The armor appears organic, with jagged, overlapping plates that provide natural protection. The Chryssalid has two primary arms, each ending in razor-sharp, curved claws. It has two pairs of legs, with the frontmost pair being adapted for slashing attacks. The hind legs are thick, muscular, and insectoid, designed for rapid movement and pouncing on prey. Each foot ends in sharp, talon-like appendages that allow for strong traction and climbing. The abdomen is slightly elongated and segmented, resembling that of a predatory wasp. Black horns with orange tips show in a line along the back, hinting at the alien biology within. The chryssalid wears a Kevlar armor with an XCOM logo on the right shoulder and arms itself with a MP5K.