slightly slick texture FLUX prompts

8 months ago

This is a high-resolution, close-up photograph of a dark-skinned woman with a striking appearance. She has a smooth, richly textured skin tone that contrasts beautifully against the deep black background. Her eyes are large and expressive, with long, thick eyelashes accentuated by dark eye makeup that gives her an intense, almost ethereal look. Her lips are full and painted a glossy, dark shade. The woman's hair is styled in intricate, tight curls that are slicked back, revealing her elegant, high cheekbones. She wears an elaborate, multi-layered ring on her right hand, which has a cluster of large, sparkling diamonds, adding a touch of glamour and opulence. Her fingers are long and slender, with manicured nails painted a dark shade, possibly black or navy blue, matching her eye makeup. The lighting in the photograph is soft and directional, casting a subtle glow that highlights her features and the texture of her skin. In the background, there is a slight hint of a dark, textured surface, which could be a fabric or a prop, but it remains mostly out of focus, keeping the focus on the subject. The overall mood of the image is both dramatic and sophisticated, with a strong emphasis on elegance and luxury., Fashion photography, surrealistic, hyper-realistic, photorealism, high resolution, shot using a Canon EOS R5 F2 ISO300

7 months ago

A surreal, neon-drenched skull artwork glowing with vibrant ultraviolet colors. The skull is drenched in electric hues of deep violet, magenta, and electric blue, with slick, dripping textures melting from its surface. The bones appear almost liquid, with veins of neon light running across the cranium and down the spine. The jaw is slightly parted, revealing hyper-detailed, grimy teeth, adding a sinister, otherworldly expression.

7 months ago

A surreal, neon-drenched skull artwork glowing with vibrant ultraviolet colors. The skull is drenched in electric hues of deep violet, magenta, and electric blue, with slick, dripping textures melting from its surface. The bones appear almost liquid, with veins of neon light running across the cranium and down the spine. The jaw is slightly parted, revealing hyper-detailed, grimy teeth, adding a sinister, otherworldly expression.

5 months ago

A cinematic, realistic fashion portrait of a woman wearing a surrealist outfit inspired by René Magritte and Dadaism. She stands in a quiet, dreamlike city space — old stone walls, soft evening shadows, and a cloudy sky overhead. Her tailored blazer is mid-length and structured, made of muted grey wool. The interior lining subtly shows through at the cuffs: printed with a blue sky and white clouds. On the back of the blazer, a clean green apple print sits above the phrase “Ceci n’est pas un fruit.” The breast pocket is oversized and slightly distorted, shaped like a pipe. Underneath, she wears a pale cream blouse with surreal details: a printed necktie slightly misaligned across her chest, and a faint bowler hat image near the collarbone. One sleeve has a circular cut-out showing cloud fabric underneath. Her high-waisted trousers are charcoal grey, straight-cut, and feature a trompe-l'œil painted mannequin shadow on the leg. Belt loops hover slightly above the waistband, not touching it, creating an optical illusion. One pocket is painted shut, labeled “Form Follows Folly.” She wears minimalist shoes and carries a clutch shaped like a miniature canvas. Her hair is slicked back, and her eyeliner mimics vintage engraving lines. The lighting is soft and moody, highlighting surreal textures and calm tension. 2048x2048.

4 months ago

Ultra-cinematic, hyper-realistic close-up of Seraphina, the Viper Queen, standing in a wind-swept desert at golden hour. Her sculpted body is wrapped in a sleek, sand-colored tactical bodysuit, partially unzipped to reveal bronzed, sweat-slicked skin. Golden armor plates hug her curves, snake motifs etched along her thigh holsters and collarbone. Her dark eyes are lined in kohl, piercing with predator calm, lips slightly parted. Behind her, a sandstorm brews, casting dramatic shadows across her face. A curved blade drips with venom in one hand, the other resting on her hip. Her long black braid whips in the wind. Every detail is rich, cinematic — dust particles glowing in the light, fabric textures alive with motion. She is power incarnate.

8 months ago

This is a 8k, professional photograph featuring two women with strikingly similar facial features and makeup, posed against a stark black background. Both women have fair skin, dark hair slicked back into tight buns, and are wearing identical makeup: bold red lipstick, winged eyeliner, and a subtle blush. Their eyes are closed, giving a serene, almost dreamy expression. The woman on the left is slightly in front, her right hand gently cupping her cheek, with her index finger and thumb delicately touching her lips. Her nails are painted a glossy red, matching her lipstick. The woman on the right, behind her, has her left hand on the left woman's shoulder, her fingers also touching her lips. Both women's hands are elegantly positioned, with long, slender fingers and neatly manicured nails. The image captures a sense of intimacy and symmetry, with the women's faces almost touching. The lighting is soft but focused, highlighting the textures of their skin and the glossy finish of their makeup. The overall aesthetic is sophisticated and minimalist, emphasizing the beauty and connection between the two subjects., stylish, glamorous, high-fashion, dynamic poses, shot with a portrait lens, photorealistic, editorial fashion

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

A semi-realistic digital painting of a young female child standing alone in the rain, full-body side profile, facing left. The female child has wet, long tousled black hair and wears a bright red raincoat with the hood down, along with red rain boots. The raincoat has visible fabric texture, lightly soaked from the rain. The setting is a dark, rainy night scene with a deep cool blue and gray color palette. Surrounding the female child on the wet pavement are exactly twenty-seven fiery heart-shaped lights, glowing in vivid orange and red, casting warm reflections onto the slick ground. Raindrops fall at a diagonal angle, illuminated by the ambient light from the glowing hearts. Tiny glowing particles and ember-like sparks float softly in the air, enhancing the magical, emotional atmosphere. The female child’s expression is quiet and thoughtful, evoking introspection and solitude. The scene is lit with cinematic lighting, balancing warm heart-shaped glow against cool ambient shadows, creating strong visual contrast. The wet ground reflects the fiery lights with shimmering clarity, and the falling rain has subtle backlighting, highlighting individual droplets. — style: cinematic concept art, semi-realistic digital painting, magical realism, emotional storytelling, painterly texture, photorealistic lighting, ultra-fine detail, whimsical atmosphere — composition: vertical frame, full-body side profile, eye-level perspective — environment: rainy night, dark and moody, wet reflective pavement, glowing fiery heart-shaped lights, floating embers, atmospheric depth — lighting: dramatic warm-cool contrast, glowing reflections, soft ambient rain illumination, gentle backlight on raindrops — color palette: deep blues and grays for the background, vibrant reds and oranges for the coat and heart lights — mood: introspective, peaceful, magical, slightly melancholic

7 months ago

Close-up portrait of a woman holding a large Monstera leaf horizontally in front of her face, completely covering the upper half — from forehead to above the nose. The lower half of her face is fully visible, with a wide, joyful smile showing all her teeth. Her hands hold the leaf on both sides, fingers slightly dirty or marked with small ritual tattoos. She has a septum piercing and symmetrical black tattoos on her chest and shoulders. Her hair is black and slicked back. The background is raw and earthy, in matte clay or brown-beige textures. The overall mood is wild, sacred, joyful, and grounded

4 months ago

Ultra-cinematic, hyper-realistic close-up of Seraphina, the Viper Queen, standing in a wind-swept desert at golden hour. Her sculpted body is wrapped in a sleek, sand-colored tactical bodysuit, partially unzipped to reveal bronzed, sweat-slicked skin. Golden armor plates hug her curves, snake motifs etched along her thigh holsters and collarbone. Her dark eyes are lined in kohl, piercing with predator calm, lips slightly parted. Behind her, a sandstorm brews, casting dramatic shadows across her face. A curved blade drips with venom in one hand, the other resting on her hip. Her long black braid whips in the wind. Every detail is rich, cinematic — dust particles glowing in the light, fabric textures alive with motion. She is power incarnate.

6 months ago

chubby plus size, Bi-racial light skinned female with fully blonde hair. mixed race bronze brown skin. Hair is super sleek, silky, straight style, middle part and define with scalp voluminous and slicked back and tucked behind ears, that is shoulder length. fashionista, modern, even skin tone. wider hips, boxy tshirt, that looks faded, vintage, Small waist, wide hips and thick thighs, “slightly _plus_sized”. New Balance 327, sneakers. candid poses. insanely detailed and intricate. hyper-realistic. super detailed, sharp focus, clear, detailed, detailed, glamourous, symmetrical, fashion, "full body image", fat arms, gaze to camera. resolution for impeccable detail --ar 9:16 --style raw --stylize 500. ultra-realistic, portrait, shot on a Sony A7III, high quality --ar 35:64 --stylize 250. high-contrast with highlights textures and tones, a detailed description of the face and hands, the details of shoes. levis Fitted faded black with cut out knees ankle jeans. in entryway of home

6 months ago

In a dimly lit, atmospheric cybernetics clinic, a tubby young man with a slicked-back haircut stands confidently beside a white bathtub. He wears a gray hoodie with cufflinks peeking from the sleeves, paired with black sweatpants and white athletic shoes, creating a contrast of casual and formal. The scene captures the essence of a tense yet sophisticated moment. The man, casting a sideways glance, has a slightly bent torso, exuding an elegant pose. The lighting is dramatic, with a warm, golden hue reminiscent of Ridley Scott's cinematic style, casting shadows that emphasize the clinic's mysterious ambiance. Film grain adds texture, enhancing the scene's gritty realism.

3 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.