A sample prompt of what you can find in this page
Prompt by EmilyJohnson

split FLUX prompts

hundreds of results

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

6 months ago

A female elf with sun-kissed skin, radiating a warm, golden glow, is the centerpiece of this enchanting scene. Her hair, long and flowing, cascades down her back in soft, silvery waves, catching the light with an ethereal shimmer. Her eyes, a striking shade of emerald green, sparkle with a mix of mischief and wisdom, reflecting the ancient magic that courses through her veins. Her physical appearance is a harmonious blend of grace and strength, with a lithe, athletic build that speaks to her agility and prowess. She is adorned in a revealing, flowing outfit that clings to her form, accentuating her natural beauty. The fabric, delicate and translucent, shimmers like a mirage, shifting colors with her every movement. The outfit is intricately designed with patterns that mimic the swirling sands of the desert, adding to the illusionary effect. The top is a cropped, off-the-shoulder piece that reveals a tantalizing glimpse of her midriff, while the skirt flows around her legs, split high to allow for her graceful dance. The material is adorned with tiny, sparkling gems that catch the light, adding a touch of opulence to her attire. The setting is a breathtaking desert oasis, a hidden gem amidst the vast, golden sands of time. The oasis is lush and vibrant, with palm trees swaying gently in the breeze and crystal-clear waters reflecting the azure sky. The golden sands surrounding the oasis are not just ordinary sands; they are imbued with a magical glow, shifting and swirling as if alive. Illusions dance around her, creating a mesmerizing spectacle of light and shadow. These illusions take the form of ethereal creatures and ancient symbols, adding depth and mystery to the scene. The air is filled with the scent of exotic flowers and the distant sound of a gentle breeze rustling through the palm leaves, creating an atmosphere of tranquility and enchantment.

8 months ago

An award-winning oil painting masterpiece of gothic horror, drenched in dread and decay, depicting a deeply disturbing, broken antique doll abandoned in the rotting attic of a long-forgotten house. The doll sits slumped against a crumbling wooden beam, its body shattered in places—one arm missing, porcelain skull cracked wide open to reveal the hollow black within. Jagged fractures run down its face like veins, and from its single remaining eye, a glassy stare glints with unnatural awareness. Its dress, once delicate lace, hangs in tatters—stained with water damage, soot, and something darker. Mold creeps across the fabric in blotches of sickly green and grey. Strands of coarse hair cling to its scalp, damp and matted. A faint trail of something red and dry streaks down its chin, and its grin—half-formed, half-split—is too wide, too human. The room around it is soaked in dampness and decay. The wallpaper peels in curled sheets, revealing blackened, mold-covered boards beneath. The ceiling sags with rot, and rainwater drips slowly from a rusted pipe in the corner, pooling into a warped floorboard that has split open like a wound. The light is minimal—just a faint, sickly greenish glow leaking through a broken window veiled with grime, casting long shadows that twist unnaturally. The palette is dank and heavy—deep, desaturated hues of mildew green, rotting wood brown, ashen grey, and blood-maroon. The brushwork is thick, expressive, and moody, every stroke enhancing the feeling of moist air, silence, and a presence just beyond the frame. The overall effect is suffocating and magnetic—a visual whisper from the darker corners of memory and imagination. A chilling, unforgettable oil masterpiece—where the doll doesn’t just sit, but lingers

1 month ago

A dreamlike autumn forest unfolds in layers of delicately cut paper. The foreground shows crisp, oversized autumn leaves in shades of burnt orange, golden yellow, and deep crimson, their edges curling like lace. Some leaves float mid-air, suspended as if gravity has paused, their shadows layered on pale textured paper ground. The middle layer reveals a winding path made of folded parchment, leading toward a glowing paper-cut tree whose branches split into impossible shapes—spirals, fractals, and delicate origami folds. Each branch holds a different scene: one has a tiny paper boat sailing along its veins, another a house perched upside-down like a dream. Lanterns shaped like acorns dangle, glowing with soft amber light. In the background, the sky is a collage of layered translucent vellum in warm amber, deep violet, and smoky gray. Through it, a giant crescent moon cut from silver foil hovers, its surface patterned with filigree swirls. Paper-cut stars dangle from invisible strings like a handmade mobile. Surreal elements punctuate the scene: A flock of origami deer made of folded autumn leaves leap across the horizon. Mushrooms, cut from crimson and cream paper, glow with a surreal bioluminescence. A river of golden paper ribbons winds through the scene, reflecting autumn light. The entire composition feels handcrafted—layer upon layer of cut, folded, and textured papers stacked to create depth, shadows, and dreamlike atmosphere. The lighting emphasizes the tactile paper edges, making it both whimsical and surreal.