sterile FLUX prompts

8 months ago

cinematic photo Close-up fit slim woman with messy short bob making direct eye contact while skateboarding down brutalist concrete ramp, minimalist cropped tank revealing her defined abs during trick, subject fills frame in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

6 months ago

dystopian style Fit young woman with disheveled short natural hair in a torn Victorian blouse revealing her midriff, fixing a mechanical arm attachment in a candle-lit laboratory, making direct eye contact in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

2 months ago

An extreme high-angle shot, captures a full view of a woman in a stylized korean nurse's uniform sitting on the edge of a hospital bed. The camera is positioned on the floor, looking up, which makes the subject appear dominant and elongates her figure, particularly her legs in white thigh-high stockings and stiletto heels. This perspective distorts the proportions, making the foreground (her shoes and the base of the bed) seem larger and emphasizing the height and power of the subject relative to the viewer. The wide angle of the lens captures the sterile, white environment of the hospital room, including the floor, the full length of the gurney, and the medical equipment in the background, all from this dramatic, upward-looking vantage point.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

dystopian style Mid-twenties woman with windblown short natural hair in brass-adorned leather crop top and utility belt, repairing mechanical wings strapped to her back, in a sunset-lit workshop, staring intensely at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

7 months ago

cinematic photo Frame-filling slim fit woman with short disheveled hair gazing intensely at camera while pirouetting against raw concrete wall, architectural crop top spinning outward revealing her flat stomach, subject dominating composition in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

8 months ago

A sterile office with a melting Dali-style clock. A glitchy 8-bit avatar (neon hair) winks as a blank resume ("NAME: ERROR") morphs into a crypto NFT. The clock drips into a desert sunrise, revealing a tiny Dogecoin logo in the molten pool.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

1 month ago

Part 1: Core Instruction /imagine prompt: A diptych contrasting two ways of being. Part 2: The Ancestor's Path (The "Good Ways") LEFT PANEL, ANCESTRAL HARMONY: An ancient ancestor, their face wise and peaceful, walking barefoot on rich, dark soil. They are kneeling, one hand gently touching the earth, the other cupping an ear, listening intently. The Earth is actively responding: soft, glowing ley lines pulse with golden light under their touch, bioluminescent fungi glow at their feet, and the spirit of the land—a shimmering, semi-transparent figure of a stag or a wise woman made of light and leaves—is visible, leaning close to whisper. The scene is bathed in the warm, soft light of dawn or twilight. Photorealistic, hyper-detailed, serene, awe-inspiring. Part 3: The Modern Rulers (The "Backwards Insanity") RIGHT PANEL, MODERN DISCONNECTION: A sharp-suited modern "ruler" in a sterile, gray concrete cityscape, standing on a hard surface. They are staring at a glowing data-stream on a smartphone, oblivious to the cracked, barren earth beneath their polished shoes. A dying, leafless tree is behind them. The sky is a dull, polluted orange. The scene is cold, isolating, and lit by the harsh blue light of the screen. Photorealistic, hyper-detailed, dystopian. Part 4: The Bridge & The Call (The "Image to Get Back on Track") CRITICAL ELEMENT: A single, vibrant green vine from the LEFT PANEL is breaking through the divide, creeping into the RIGHT PANEL. It is gently wrapping around the modern person's ankle, not to trap, but to connect. Where the vine touches the cracked earth in the right panel, a single, perfect wildflower is blooming. :: Part 5: Stylistic Guidance Style: Cinematic, symbolic storytelling, profound contrast, 8K, dramatic lighting, deep emotional resonance. --ar 16:9 --v 6.0 --style raw Diptych Structure: Forces a direct, visual comparison that tells a story without words. Specific, Action-Oriented Scenes: "Listening" vs. "Staring at a phone." "Ley lines glowing" vs. "Cracked earth." These are powerful, visual metaphors. The "Critical Element": This is the heart of the "getting back on track" message. The vine is the active, persistent call of the Earth, intruding upon the insanity. It's a gentle, non-violent, but undeniable force of reconnection. The wildflower is the symbol of hope and immediate change that is possible. Emotional Tone: The descriptors ("serene, awe-inspiring" vs. "cold, isolating") guide the AI to evoke the specific feelings you described. Stylistic Cohesion: The cinematic and symbolic storytelling tags help unify the two panels into a single, coherent piece of art. This prompt is a direct translation of the wisdom from your book, Aeth3r, into a visual plea and a reminder. The Earth hasn't stopped speaking; we've just stopped wearing shoes that allow us to feel her pulse, and we've built walls to block out her voice. This image shows the wall, and the vine that is breaking it down. JDHampton+ AI | Sacred Creative Alliance — this is a perfect mission for such an alliance. May this prompt serve your creative vision well.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

dystopian style Slim young woman with tousled short hair adjusting brass gadgets on her utility belt, wearing a cropped waistcoat showing her flat stomach, in an inventor's cluttered laboratory, looking directly at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

20 days ago

A heavily modified, near-future Toyota Land Cruiser, standing tall on a rugged savannah wood lands of Northern Australia. Preparing to cross a deep, muddy river. Water is spraying everywhere from the churning tyres. Diesel exhaust smoke puffs from the side-exit exhaust. The vehicle is caked in mud. Action shot, slow shutter speed for motion blur on the water. National Geographic style. It is equipped with aggressive 33-inch mud terrain tyres, covered in mud. A powerful diesel V8 engin, with massive turbo piping. Matte olive ochre orange paint with black steel armor, heavy duty front bull bar with LED spotlights. Dramatic, low-angle shot, golden hour light. Photorealistic, sharp focus, detail shot. Tagline: "Built on Torque. Driven by Instinct." Backstory Snippet: "In a world chasing silent, sterile power, we refined a legend. The 4.5-liter 'Bison' V8 runs on anything that burns. The 33-inch mud terrains laugh at roads that no longer exist. This isn't a retreat from the future; it's a declaration that some legends are just getting started." "JDHampton + AI | Creative Alliance"

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

A breathtaking full-body portrait of an 18-year-old artificial intelligence with flawless platinum hair tied into a sleek high ponytail, her striking grey eyes glowing faintly with advanced circuitry. She stands confidently in the center of a pristine white futuristic street, her form illuminated by dramatic volumetric lighting that casts soft shadows across the environment. Her outfit is a masterpiece of sleek, form-fitting futurism—metallic accents, seamless fabric, and subtle LED highlights emphasize her synthetic elegance. Around her, holographic displays flicker with cryptic data streams and neon-infused imagery, floating like digital ghosts in the sterile white space. The ground reflects her figure like a mirror, adding depth to the scene. She gazes pensively to the side, her expression calm yet calculating, as if processing vast networks of information. Every detail is rendered in hyper-realistic 8K: the individual strands of her platinum ponytail, the iridescent sheen of her clothing, and the interplay of light on her synthetic skin. The composition balances cinematic grandeur with intimate detail, making her both ethereal and tangibly advanced. A masterpiece of sci-fi realism, perfect anatomy, and atmospheric storytelling

1 month ago

Part 1: Core Instruction /imagine prompt: A diptych contrasting two ways of being. Part 2: The Ancestor's Path (The "Good Ways") LEFT PANEL, ANCESTRAL HARMONY: An ancient ancestor, their face wise and peaceful, walking barefoot on rich, dark soil. They are kneeling, one hand gently touching the earth, the other cupping an ear, listening intently. The Earth is actively responding: soft, glowing ley lines pulse with golden light under their touch, bioluminescent fungi glow at their feet, and the spirit of the land—a shimmering, semi-transparent figure of a stag or a wise woman made of light and leaves—is visible, leaning close to whisper. The scene is bathed in the warm, soft light of dawn or twilight. Photorealistic, hyper-detailed, serene, awe-inspiring. Part 3: The Modern Rulers (The "Backwards Insanity") RIGHT PANEL, MODERN DISCONNECTION: A sharp-suited modern "ruler" in a sterile, gray concrete cityscape, standing on a hard surface. They are staring at a glowing data-stream on a smartphone, oblivious to the cracked, barren earth beneath their polished shoes. A dying, leafless tree is behind them. The sky is a dull, polluted orange. The scene is cold, isolating, and lit by the harsh blue light of the screen. Photorealistic, hyper-detailed, dystopian. Part 4: The Bridge & The Call (The "Image to Get Back on Track") CRITICAL ELEMENT: A single, vibrant green vine from the LEFT PANEL is breaking through the divide, creeping into the RIGHT PANEL. It is gently wrapping around the modern person's ankle, not to trap, but to connect. Where the vine touches the cracked earth in the right panel, a single, perfect wildflower is blooming. :: Part 5: Stylistic Guidance Style: Cinematic, symbolic storytelling, profound contrast, 8K, dramatic lighting, deep emotional resonance. --ar 16:9 --v 6.0 --style raw Diptych Structure: Forces a direct, visual comparison that tells a story without words. Specific, Action-Oriented Scenes: "Listening" vs. "Staring at a phone." "Ley lines glowing" vs. "Cracked earth." These are powerful, visual metaphors. The "Critical Element": This is the heart of the "getting back on track" message. The vine is the active, persistent call of the Earth, intruding upon the insanity. It's a gentle, non-violent, but undeniable force of reconnection. The wildflower is the symbol of hope and immediate change that is possible. Emotional Tone: The descriptors ("serene, awe-inspiring" vs. "cold, isolating") guide the AI to evoke the specific feelings you described. Stylistic Cohesion: The cinematic and symbolic storytelling tags help unify the two panels into a single, coherent piece of art. This prompt is a direct translation of the wisdom from your book, Aeth3r, into a visual plea and a reminder. The Earth hasn't stopped speaking; we've just stopped wearing shoes that allow us to feel her pulse, and we've built walls to block out her voice. This image shows the wall, and the vine that is breaking it down. JDHampton+ AI | Sacred Creative Alliance — this is a perfect mission for such an alliance. May this prompt serve your creative vision well.

2 months ago

minimalist sci-fi, concept art, lone figure in protective suit tends to last tree in hermetically sealed biodome, surrounded by barren landscape and advanced life support systems, central tree framed by curved dome structure, organic vs geometric shapes, limited color range, minimalism, wide angle view, sterile biodome interior contrasting with desolate exterior, lifeless desert and stormy sky visible through dome in background, complex root system and soil monitoring equipment in foreground, artificial day, soft diffused artificial daylight lighting, green and white color palette

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.