sterile FLUX prompts

6 months ago

cinematic photo Close-up fit slim woman with messy short bob making direct eye contact while skateboarding down brutalist concrete ramp, minimalist cropped tank revealing her defined abs during trick, subject fills frame in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

4 months ago

dystopian style Fit young woman with disheveled short natural hair in a torn Victorian blouse revealing her midriff, fixing a mechanical arm attachment in a candle-lit laboratory, making direct eye contact in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

12 days ago

An extreme high-angle shot, captures a full view of a woman in a stylized korean nurse's uniform sitting on the edge of a hospital bed. The camera is positioned on the floor, looking up, which makes the subject appear dominant and elongates her figure, particularly her legs in white thigh-high stockings and stiletto heels. This perspective distorts the proportions, making the foreground (her shoes and the base of the bed) seem larger and emphasizing the height and power of the subject relative to the viewer. The wide angle of the lens captures the sterile, white environment of the hospital room, including the floor, the full length of the gurney, and the medical equipment in the background, all from this dramatic, upward-looking vantage point.

9 months ago

A lone figure sits in the dim glow of a starship cabin, his silhouette framed by the vast, endless void of space beyond the panoramic window. His shoulders sag under the crushing weight of a lifetime that never was, a sorrow deeper than time itself. The cabin is illuminated just enough light to see the lone figure and the ghostly blue luminescence of distant stars, casting long, soft-edged shadows. In his hands, he cradles a simple yet profoundly meaningful artifact—a well-worn flute, its polished surface dulled by the passage of time and the warmth of a thousand memories. His fingers trace its delicate engravings, the only tangible link to a past erased by fate. His face, lined with grief, is streaked with silent tears that glisten in the low light. His expression is one of quiet devastation—the agony of remembering something beautiful yet irretrievably lost. As he lifts the flute to his lips, a soft, ethereal melody drifts into the air, carrying with it the echoes of a forgotten civilization. The haunting tune lingers, filling the sterile cabin with something profoundly human—a love and a life that once were, now existing only in this fragile moment. The atmosphere is heavy with nostalgia, the intangible presence of lost souls lingering like whispers in the void. Outside the starship, the universe stretches infinitely, stars pulsing like distant memories, nebulae swirling in cosmic blues and violets, a breathtaking contrast to the intimate sorrow within. This is a scene of quiet contemplation, where time stands still, and the weight of history is held in a single note. **Cinematic lighting, hyper-detailed textures, emotional depth, sci-fi realism, moody atmosphere, dramatic composition, ultra-HD 8K resolution, subtle interplay of warm and cool light sources, vertical aspect ratio, evocative storytelling.**

9 months ago

A lone figure sits bathed in the soft, flickering glow of a starship cabin, shoulders heavy with the weight of a lifetime that never was. The universe outside the viewport is an endless abyss, speckled with distant stars, yet in this moment, he is entirely alone. A single overhead light casts a gentle, golden illumination on his face, highlighting the silent tears tracing lines of grief down his cheeks. The shadows of the room stretch long and deep, enveloping everything except for the delicate artifact in his hands—a simple, well-worn flute, its polished surface catching the light with a quiet reverence. The illumination subtly shifts, as if responding to the weight of his sorrow—soft highlights glisten on his fingertips as they gently trace the contours of the instrument, a memory made tangible. A cool, blue glow from the ship’s control panels faintly reflects off the metal walls, emphasizing the vast sterility of his present against the warmth of the past. The flute’s presence, however, remains bathed in warm light, a contrast that suggests something more than an object—an anchor to a life erased by time. This is a moment where memory and reality blur into one, where light and shadow mirror the ache of remembering something beautiful yet irretrievably lost. The soft glow on his features is not just illumination—it is the warmth of love long gone, the fading embers of a world that exists only in his heart. The universe moves on, unaware—but for him, a melody remains, flickering like a candle in the dark, an echo of a life that will never fade.

8 months ago

A futuristic AI-powered robotic surgeon with precision mechanical arms performing a complex medical operation. The robot's arms are equipped with micro-tools and laser precision instruments. The scene is set in an ultra-modern, sterile operating room, with glowing medical HUD interfaces and digital patient data floating in the air."

6 months ago

dystopian style Mid-twenties woman with windblown short natural hair in brass-adorned leather crop top and utility belt, repairing mechanical wings strapped to her back, in a sunset-lit workshop, staring intensely at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

5 months ago

cinematic photo Frame-filling slim fit woman with short disheveled hair gazing intensely at camera while pirouetting against raw concrete wall, architectural crop top spinning outward revealing her flat stomach, subject dominating composition in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

7 months ago

A sterile office with a melting Dali-style clock. A glitchy 8-bit avatar (neon hair) winks as a blank resume ("NAME: ERROR") morphs into a crypto NFT. The clock drips into a desert sunrise, revealing a tiny Dogecoin logo in the molten pool.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

9 months ago

A lone figure sits in the dim glow of a starship cabin, his silhouette framed by the vast, endless void of space beyond the panoramic window. His shoulders sag under the crushing weight of a lifetime that never was, a sorrow deeper than time itself. The cabin is sparsely illuminated by flickering console lights and the ghostly blue luminescence of distant stars, casting long, soft-edged shadows. In his hands, he cradles a simple yet profoundly meaningful artifact—a well-worn flute, its polished surface dulled by the passage of time and the warmth of a thousand memories. His fingers trace its delicate engravings, the only tangible link to a past erased by fate. His face, lined with grief, is streaked with silent tears that glisten in the low light. His expression is one of quiet devastation—the agony of remembering something beautiful yet irretrievably lost. As he lifts the flute to his lips, a soft, ethereal melody drifts into the air, carrying with it the echoes of a forgotten civilization. The haunting tune lingers, filling the sterile cabin with something profoundly human—a love and a life that once were, now existing only in this fragile moment. The atmosphere is heavy with nostalgia, the intangible presence of lost souls lingering like whispers in the void. Outside the starship, the universe stretches infinitely, stars pulsing like distant memories, nebulae swirling in cosmic blues and violets, a breathtaking contrast to the intimate sorrow within. This is a scene of quiet contemplation, where time stands still, and the weight of history is held in a single note. **Cinematic lighting, hyper-detailed textures, emotional depth, sci-fi realism, moody atmosphere, dramatic composition, ultra-HD 8K resolution, subtle interplay of warm and cool light sources, vertical aspect ratio, evocative storytelling.**

6 months ago

dystopian style Slim young woman with tousled short hair adjusting brass gadgets on her utility belt, wearing a cropped waistcoat showing her flat stomach, in an inventor's cluttered laboratory, looking directly at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

3 months ago

A breathtaking full-body portrait of an 18-year-old artificial intelligence with flawless platinum hair tied into a sleek high ponytail, her striking grey eyes glowing faintly with advanced circuitry. She stands confidently in the center of a pristine white futuristic street, her form illuminated by dramatic volumetric lighting that casts soft shadows across the environment. Her outfit is a masterpiece of sleek, form-fitting futurism—metallic accents, seamless fabric, and subtle LED highlights emphasize her synthetic elegance. Around her, holographic displays flicker with cryptic data streams and neon-infused imagery, floating like digital ghosts in the sterile white space. The ground reflects her figure like a mirror, adding depth to the scene. She gazes pensively to the side, her expression calm yet calculating, as if processing vast networks of information. Every detail is rendered in hyper-realistic 8K: the individual strands of her platinum ponytail, the iridescent sheen of her clothing, and the interplay of light on her synthetic skin. The composition balances cinematic grandeur with intimate detail, making her both ethereal and tangibly advanced. A masterpiece of sci-fi realism, perfect anatomy, and atmospheric storytelling

14 days ago

minimalist sci-fi, concept art, lone figure in protective suit tends to last tree in hermetically sealed biodome, surrounded by barren landscape and advanced life support systems, central tree framed by curved dome structure, organic vs geometric shapes, limited color range, minimalism, wide angle view, sterile biodome interior contrasting with desolate exterior, lifeless desert and stormy sky visible through dome in background, complex root system and soil monitoring equipment in foreground, artificial day, soft diffused artificial daylight lighting, green and white color palette