A sample prompt of what you can find in this page
Prompt by spoklo

time theme FLUX prompts

very few results

5 months ago

An award-winning double exposure oil painting masterpiece inspired by the timeless emotion of Unchained Melody. The central figure is a solitary, longing lover—either male or female—reaching out with outstretched hands toward an unseen, distant other. Their expression is one of deep yearning, eyes closed as if lost in a memory or a dream. Within their form, the double exposure reveals an ethereal landscape of two souls intertwined by invisible threads—silhouettes of the lovers, their faces fading into the mist of an oceanic horizon or beneath a sky full of stars. The scene within the figure’s outline unfolds like a story of longing and connection: a shoreline bathed in the soft glow of moonlight, the waves crashing gently as they reflect the emotions of love’s deep, unbreakable bond. Light swirls around the lovers, enveloping them in a soft, golden glow, as if their love exists in a timeless, almost celestial plane. The soft, translucent waters of the ocean appear to reflect memories—perhaps a distant touch, a first kiss, or a shared moment under the stars. The palette evokes the timeless nature of the song: deep midnight blues, soft silvers, warm golds, and the iridescent glow of moonlight on the water, contrasted with the figure’s soft, muted tones—suggesting a vulnerability and fragility. Brushstrokes are delicate and layered, allowing the two worlds—the figure and the landscape—to blend seamlessly, creating a visual flow that captures the eternal pull of love, even across time and space. Themes of separation, devotion, longing, and the eternal connection between two souls are explored with a sense of yearning and passion, making this painting an intimate tribute to the enduring power of love, as expressed through Unchained Melody.

Nednut4362
3 75

9 months ago

sci-fi art, reminiscent of classic cyberpunk themes,with some orage light,focusing on scale and the interplay of light and structure, verticality is emphasized, showcasing the vastness and the labyrinthine complexity of the space, digital rendering, highlighting textures and the effects of weathering and time on monumental structures, implied elevated, distant perspective, focusing on the depth and scale, and the lone individual’s journey, telephoto, to capture the distant subject and the grand expanse that surrounds them. implied to be handheld, giving a sense of immediacy and personal perspective to the scene, lone wanderer traversing an impossibly large and daunting environment. wanderer is small, defined by their silhouette, moving with purpose across a perilous pathway, massive, seemingly infinite vertical cityscape, reminiscent of a canyon of metal and concrete, layer upon layer of industrial architecture descend into the depths, while light filters in from an unseen source above, natural light from above casts a cascade of luminosity, contrasting sharply with the shadowed depths below, textures of corroded metal, the patina of age on concrete, and the wear of elements on surfaces suggest a world with a long, storied past, environment that merges the mechanical with the monumental, a visual narrative of a future where the urban has outgrown the human scale, with the individual moving through it serving to ground the scene in a relatable journey, high detailing, ultra realistic, 32K UHD --ar 9:16 --style raw --stylize 500

spoklo
3 140

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

Alarato
0 20

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

Alarato
0 22