top camera view FLUX prompts

7 months ago

A hyper-realistic, ultra-detailed full-body depiction of a stunning British woman, presented in five distinct views within the same 21:9 frame: a front view, a pure 90-degree side profile, a back view, a close-up of her face in front view, and a close-up of her face in side profile. Each pose is evenly spaced, ensuring her entire figure is fully visible from head to feet without overlap, while the close-up portraits are positioned on the right side of the frame—front view at the top, side profile below. The camera maintains a neutral eye-level position, capturing her full height and facial details with no distortion or cropping. She has a symmetrical, captivating face with deep brown almond-shaped eyes, naturally arched eyebrows, and full, well-defined lips. Her dark brown wavy hair is tied in a messy bun, with a few loose strands framing her face. Her soft, radiant complexion is enhanced by natural skin tones. Her physique is athletic and well-proportioned, featuring a full, naturally balanced bust, a defined waist, elegant shoulders, toned arms, and strong, thick thighs. Standing at 175 cm, she is wearing a black deep V-neck sports bra, high-waisted black yoga pants, and white sneakers. She has no makeup. The front view shows her standing naturally, facing directly toward the camera, arms at her sides, feet flat on the ground. The side profile is a pure 90-degree angle, with her entire body turned to the side, head aligned straight, and arms naturally resting at her sides, ensuring no frontal visibility. The back view captures her from behind, highlighting the back, shoulders, and leg proportions. The close-up front portrait focuses on her face with even lighting, while the side-profile close-up captures the sharp definition of her jawline and nose. The clean white background enhances clarity, while soft, natural lighting casts subtle highlights and shadows for extreme photorealism. HDR 4K resolution captures ultra-realistic textures and perfectly balanced skin tones, achieving a highly cinematic effect. The wide 21:9 framing ensures all five depictions fit seamlessly with accurate proportions, maintaining complete visibility with no cropping or distortion.

8 months ago

A Stunning Blonde Woman (ethnicity:1.2, age:1.1, body type:1.1, pose:1.2, expression:1.2, detailed clothing:1.2) lying on top of a light-purple surfboard, (detailed skin texture:1.2, facial features:1.3, accessories:1.1) in a calm ocean, facing viewer, looking directly at camera. Clear blue sky and horizon line. Ocean water is visible, calm, and light-blue. Pink surfboard fin with floral design, partially visible. Surfboard positioned horizontally in the mid-frame, close-up view. The camera angle is underwater, slightly below the surfboard, creating a sense of immersion, photorealistic style, high detail digital art, shallow depth of field, warm lighting and sunny atmosphere. Soft light highlighting the subject's face.

7 months ago

(masterpiece, best quality, ultra-detailed, photorealistic:1.3), (Keeley Hazell:1.3), (realistic face, oval-shaped face, high cheekbones, symmetrical forehead, deep brown almond-shaped eyes, consistent eye distance, symmetrical eyelids, full natural eyelashes, straight well-proportioned nose with softly rounded tip, naturally arched dark brown eyebrows, full symmetrical lips, closed lips with relaxed shape, smooth cheekbone transitions, softly defined jawline, balanced chin-to-jaw ratio:1.3), (warm undertone white skin, smooth skin texture, even complexion, natural lighting effects maintaining depth and clarity:1.2), (dark brown hair in a messy bun, natural soft volume:1.1), (full-body, well-balanced curvy figure, full naturally rounded bust, defined waist, thick thighs, long legs, smooth skin, 34-25-36 body proportions, 34C bust size, proportional shoulder width of 40cm:1.3), (standing in a relaxed posture, front view, looking into the camera, neutral expression with closed lips:1.2), (wearing a sleek cropped zip-up jacket over a fitted tank top, paired with high-waisted athletic leggings, subtle sheen highlighting toned shape, standing near an urban jogging trail with distant city lights, cool ambient glow enhancing silhouette, front view, consistent soft lighting emphasizing details:1.2).

6 months ago

Generate a composite image with three panels focusing on a person's face and dramatic eye makeup. Top panel: a profile view from the shoulders up, showing fair skin, short dark slicked-back hair, bold theatrical eye makeup with sharp black lines extending outwards, shimmering copper and black eyeshadow, subtle earrings, and a serious expression looking slightly upwards. Middle panel: an extreme close-up of the eyes, highlighting the black eyeliner, copper and black eyeshadow, and eyelashes. Bottom panel: a direct, slightly angled view from the chest up, with the same dramatic eye makeup, similar earrings, and an intense expression looking directly at the camera. The overall focus is on the elaborate and artistic eye makeup, suggesting a fashion, beauty, or theatrical context. Use bright, focused lighting to emphasize the details of the makeup and the person's features.

3 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far enough back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman can be seen on the left and and the 3 bandito's can been seen on the right as she shoots. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

7 months ago

POV First-Person View, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the image is on my feet, visible in the foreground, as I stretch and move my toes and feet naturally. The camera angle is from a low point, focusing on my feet and the lower part of my legs. The room has a window with a view of the distant Milad Tower (Borj Milad) in Tehran. The tower stands tall in the far distance, appearing small in the background. The Milad Tower is a tall, cylindrical structure with a distinctive large observation deck on top, resembling a huge mushroom cap, and it has a series of antennas protruding from its top. The base of the tower is thinner, and it gradually widens toward the observation area at the top. The rest of the city’s skyline and buildings are blurred behind it, ensuring that Milad Tower is clearly visible but not the main focus of the shot. The overall effect creates a sense of depth and distance between the room and the city. The focus remains on the inside of the room, where the soft morning light filters through the window and illuminates the floor and my feet. The image captures a calm, peaceful atmosphere inside the room, while the distant tower serves as a backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

A group of people of various ages, mixed together, are farmers, rice farmers, rural villagers, standing together smiling and facing the camera with bright, happy faces. In each hand are blockchain tokens that have fallen from the sky. The background is trees, forest plantations, bamboo trees, banana trees, Thai neem trees, Acacia trees, Silver Oak trees, showing happiness throughout. The appearance of a 3D photo, top view.

8 months ago

Woman (ethnicity:1.2, age:1.1, body type:1.1, pose:1.2, expression:1.2, detailed clothing:1.2) lying on top of a light-purple surfboard, (detailed skin texture:1.2, facial features:1.3, accessories:1.1) in a calm ocean, facing viewer, looking directly at camera. Clear blue sky and horizon line. Ocean water is visible, calm, and light-blue. Pink surfboard fin with floral design, partially visible. Surfboard positioned horizontally in the mid-frame, close-up view. The camera angle is underwater, slightly below the surfboard, creating a sense of immersion, photorealistic style, high detail digital art, shallow depth of field, warm lighting and sunny atmosphere. Soft light highlighting the subject's face.

8 months ago

A Stunning Woman (ethnicity:1.2, age:1.1, body type:1.1, pose:1.2, expression:1.2, detailed clothing:1.2) lying on top of a light-purple surfboard, (detailed skin texture:1.2, facial features:1.3, accessories:1.1) in a calm ocean, facing viewer, looking directly at camera. Clear blue sky and horizon line. Ocean water is visible, calm, and light-blue. Pink surfboard fin with floral design, partially visible. Surfboard positioned horizontally in the mid-frame, close-up view. The camera angle is underwater, slightly below the surfboard, creating a sense of immersion, photorealistic style, high detail digital art, shallow depth of field, warm lighting and sunny atmosphere. Soft light highlighting the subject's face.

6 months ago

Generate a composite image with three panels focusing on a person's face and dramatic eye makeup. Top panel: a profile view from the shoulders up, showing fair skin, short dark slicked-back hair, bold theatrical eye makeup with sharp black lines extending outwards, shimmering copper and black eyeshadow, subtle earrings, and a serious expression looking slightly upwards. Middle panel: an extreme close-up of the eyes, highlighting the black eyeliner, copper and black eyeshadow, and eyelashes. Bottom panel: a direct, slightly angled view from the chest up, with the same dramatic eye makeup, similar earrings, and an intense expression looking directly at the camera. The overall focus is on the elaborate and artistic eye makeup, suggesting a fashion, beauty, or theatrical context. Use bright, focused lighting to emphasize the details of the makeup and the person's features.

6 months ago

Generate a composite image with three panels focusing on a person's face and dramatic eye makeup. Top panel: a profile view from the shoulders up, showing fair skin, short dark slicked-back hair, bold theatrical eye makeup with sharp black lines extending outwards, shimmering copper and black eyeshadow, subtle earrings, and a serious expression looking slightly upwards. Middle panel: an extreme close-up of the eyes, highlighting the black eyeliner, copper and black eyeshadow, and eyelashes. Bottom panel: a direct, slightly angled view from the chest up, with the same dramatic eye makeup, similar earrings, and an intense expression looking directly at the camera. The overall focus is on the elaborate and artistic eye makeup, suggesting a fashion, beauty, or theatrical context. Use bright, focused lighting to emphasize the details of the makeup and the person's features.

6 months ago

Generate a composite image with three panels focusing on a person's face and dramatic eye makeup. Top panel: a profile view from the shoulders up, showing fair skin, short dark slicked-back hair, bold theatrical eye makeup with sharp black lines extending outwards, shimmering copper and black eyeshadow, subtle earrings, and a serious expression looking slightly upwards. Middle panel: an extreme close-up of the eyes, highlighting the black eyeliner, copper and black eyeshadow, and eyelashes. Bottom panel: a direct, slightly angled view from the chest up, with the same dramatic eye makeup, similar earrings, and an intense expression looking directly at the camera. The overall focus is on the elaborate and artistic eye makeup, suggesting a fashion, beauty, or theatrical context. Use bright, focused lighting to emphasize the details of the makeup and the person's features.

8 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

8 months ago

Fulll body view two beautiful korean women wearing a cropped top and short jeans, barefoot, big breast, sitting on a hood of a red lamborghini car, soft, muted tones. they hug and smiling to the camera

8 months ago

Fulll body view two beautiful indonesian women wearing a cropped top and short jeans, barefoot, big breast, standing in front of the bus stop, in the style of Oleg Oprisco, video, Jocelyn Hobbie, soft, muted tones. they hug and , smiling to the camera

3 months ago

Hyper realistic, photo realism, zoomed out, full body HD Photo of beautiful, female equivalent of Clint Eastwoods man with no name. She is far enough back from the camera that her entire body can be seen. The view is from the steps of the mission where the woman can be seen on the left and and the 3 bandito's can been seen on the right as she shoots. The wind is blowing her hair around and there is some dust in the air. She has drawn her revolver super fast with her right hand and shot three bandito's across from her in an old Mexican mission courtyard. She watches as they fall to the ground. She has a cold and determined look on her face. Her eyes are fixed on the bandito's as they fall to the ground. She has colorful Native American arm tattoos, black hair with bangs, dark blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She wears an flat top brimmed hat, Clint Eastwood style poncho, and a ragged mini shirt. She is wearing an ornate gold and onyx belt and choker, and cowboy boots with silver spurs. It is dust with soft volumetric lighting from dim evening light that shines down behind her in the tense dark atmosphere. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

8 months ago

wide view of a saloon. A Vibrant Old West saloon filled with lively patrons and lovely old west female waitresses facing camera, dressed in stylish combinations of Western boots, leather vests, lace tops, bandoleros, cowboy hats. Each woman has unique long hair in different colors. 4K hyper-realistic saloon background with low contrast --ar 2:1

7 months ago

Photo of iphone camera captured a selfie of person, poor quality, faded loght room, young women, blonde tied hair, neutral face, point view from side of her face, close-up, wear white tank top, lay front body on bed, blurry background, portrait, HD

9 months ago

Realistic full body high resolution view of a typical 27 year old hijab wearing Indonesian female model, smiling, sitting cross-legged in a muddy field, covered in mud, and wearing a loose, colorful floral patterned top at the waist and white drawstring shorts. he smiled at the camera. surrounded by a lush green landscape with terraced rice fields. In the background there are hills and mountains which are partly covered by fog or clouds. The sky was partly cloudy with the sun shining, casting a warm glow over the scene. realistic photo. 8K HD, photo taken with a Hasselblad camera, medium format

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure with an observation deck at the top, and it’s positioned far away from me, beyond the window, creating a sense of depth in the scene. The tower is distant enough to be a subtle part of the overall view, adding to the peaceful, calm atmosphere of the room. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.