A sample prompt of what you can find in this page
Prompt by 1b1440c82de

upper body in frame FLUX prompts

hundreds of results

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. A woma, one of her breasts are showing, dressed in traditional Edo-period attire stands prominently in the frame, her upper body filling much of the composition. Her revealing garment, a loosely draped kimono, slips off one shoulder, fully exposing one breast, naturally presented in the scene. The fabric of her kimono, patterned with delicate floral designs, flows gently in the breeze, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. She holds a traditional Edo-period katana, its single, elegant hilt tightly wrapped in black silk, close to her face with both hands. The katana is proportioned perfectly, its slightly curved blade sharp and gleaming, reflecting the faint light of the crescent moon filtering through the towering trees. The polished steel captures the intricate patterns of folded metal, a hallmark of masterful Edo-period craftsmanship. The tsuka (handle) is a balanced, functional length, designed for precision, while the blade remains practical and deadly, fitting the refined nature of the scene. The faint reflection of a shadowy demon lingers in the blade, its ominous presence hinting at the unseen threat in the forest. Her expression is calm yet resolute, her eyes closed as though in prayer or deep contemplation, her soft features lit faintly by streaks of moonlight piercing through the canopy. Her hair, slightly disheveled, falls loosely around her shoulders, adorned with a simple hairpin, adding a touch of elegance. The breeze stirs her hair and the folds of her kimono, creating a sense of motion against the tranquil backdrop. Around her, autumn leaves fall gracefully, their vibrant reds and oranges contrasting with the muted greens and browns of the forest. Some leaves drift close to the viewer, framing her within the layered composition of the forest. The forest floor, moss-covered and bathed in soft moonlight, adds texture and grounding to the scene. The interplay of light and shadow creates long, dramatic highlights across her form and the intricate folds of her clothing. The katana’s blade glimmers, reflecting both the faint moonlight and the ominous shadow of the demon, as though the weapon itself is warning of the danger to come. The atmosphere is thick with tension, as though the forest itself holds its breath. The dynamic interplay of falling leaves, light and shadow, and the woman’s serene pose creates a cinematic and deeply emotional moment. The balance of elegance and quiet intensity evokes a timeless connection to the strength and grace of Edo-period Japan.

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. A woma, one of her breasts are showing, dressed in traditional Edo-period attire stands prominently in the frame, her upper body filling much of the composition. Her revealing garment, a loosely draped kimono, slips off one shoulder, fully exposing one breast, naturally presented in the scene. The fabric of her kimono, patterned with delicate floral designs, flows gently in the breeze, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. She holds a traditional Edo-period katana, its single, elegant hilt tightly wrapped in black silk, close to her face with both hands. The katana is proportioned perfectly, its slightly curved blade sharp and gleaming, reflecting the faint light of the crescent moon filtering through the towering trees. The polished steel captures the intricate patterns of folded metal, a hallmark of masterful Edo-period craftsmanship. The tsuka (handle) is a balanced, functional length, designed for precision, while the blade remains practical and deadly, fitting the refined nature of the scene. The faint reflection of a shadowy demon lingers in the blade, its ominous presence hinting at the unseen threat in the forest. Her expression is calm yet resolute, her eyes closed as though in prayer or deep contemplation, her soft features lit faintly by streaks of moonlight piercing through the canopy. Her hair, slightly disheveled, falls loosely around her shoulders, adorned with a simple hairpin, adding a touch of elegance. The breeze stirs her hair and the folds of her kimono, creating a sense of motion against the tranquil backdrop. Around her, autumn leaves fall gracefully, their vibrant reds and oranges contrasting with the muted greens and browns of the forest. Some leaves drift close to the viewer, framing her within the layered composition of the forest. The forest floor, moss-covered and bathed in soft moonlight, adds texture and grounding to the scene. The interplay of light and shadow creates long, dramatic highlights across her form and the intricate folds of her clothing. The katana’s blade glimmers, reflecting both the faint moonlight and the ominous shadow of the demon, as though the weapon itself is warning of the danger to come. The atmosphere is thick with tension, as though the forest itself holds its breath. The dynamic interplay of falling leaves, light and shadow, and the woman’s serene pose creates a cinematic and deeply emotional moment. The balance of elegance and quiet intensity evokes a timeless connection to the strength and grace of Edo-period Japan.

3 months ago

This striking, atmospheric photograph captures a young korean woman in a moment of contemplation, seemingly inside a train or subway car at night. The Subject: The central figure is a woman with curly blonde hair, styled in a slightly tousled updo with some strands framing her face. She wears thin, round-rimmed glasses and has noticeable red lipstick. Her attire is a vibrant, canary yellow, strapless, bodycon mini-dress that hugs her figure, accentuating her curves. She is posed in profile to the viewer but with her upper body turned slightly towards the window she leans against. Her hands are delicately placed on the window frame or the wall beside it. Her expression is pensive as she gazes out the window. The Setting & Lighting: The setting is dimly lit, characteristic of a train car at night or in an underground station. Strong, warm light, likely from outside the train (perhaps platform lights), illuminates her from the left, casting highlights on her skin, hair, and the yellow dress, while the other side of her body and parts of the train interior are in shadow. This creates a dramatic, chiaroscuro effect. Through the window and in the background, blurred, out-of-focus lights (bokeh) in various colors (primarily warm yellows, oranges, and reds, with some blues) suggest an urban environment or a station platform. Reflections of the interior lights and the woman herself are subtly visible in the window glass. The metallic sheen of the train's window frames and walls catches the light, adding to the urban, industrial feel. Composition & Mood: The composition is a vertical portrait, focusing tightly on the woman. The strong vertical lines of the window frames contrast with the soft curves of her body and hair. The shallow depth of field keeps the woman in sharp focus while blurring the background, drawing the viewer's attention directly to her and her reflective mood. The overall mood is intimate, slightly mysterious, and cinematic. The warm lighting and the woman's thoughtful gaze evoke a sense of narrative, as if she's caught in a private moment amidst the public transience of a train journey.

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. The woman’s upper body fills the frame, her presence calm yet commanding. She holds a single, traditional Edo-period katana close to her face with both hands, the blade’s slightly curved edge gleaming faintly in the moonlight filtering through the towering trees. Her revealing kimono has slipped off one shoulder, clearly exposing one bare breast (visible and natural:1.8) while the other side remains draped, adding elegance and balance. The fabric, patterned with intricate floral designs, flutters gently in the wind, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. Her eyes are closed, her expression somber and contemplative, as though in prayer or deep focus. The katana’s blade reflects both the faint crescent moonlight and the ominous shadow of a demon, its smoky form hinted at in the polished steel. The hilt (tsuka) is tightly wrapped in black silk, simple yet refined, a testament to the weapon’s craftsmanship and purpose. The breeze stirs her slightly disheveled hair, adding subtle motion that complements the flowing fabric of her kimono. Around her, autumn leaves drift gracefully, their vivid reds and oranges framing her figure and creating depth in the composition. The interplay of light and shadow highlights the soft curves of her exposed form, the intricate details of her clothing, and the katana’s masterfully forged blade. The atmosphere is thick with quiet intensity, as though the forest itself holds its breath. The composition focuses entirely on her upper body, drawing attention to the poised katana, the reflection of unseen danger, and the serene yet powerful energy of her presence.

9 months ago

A serene yet intense scene in a dense, ancient forest during the stillness of twilight. The woman’s upper body fills the frame, her presence calm yet commanding. She holds a single, traditional Edo-period katana close to her face with both hands, the blade’s slightly curved edge gleaming faintly in the moonlight filtering through the towering trees. Her revealing kimono has slipped off one shoulder, clearly exposing one bare breast (visible and natural:1.8) while the other side remains draped, adding elegance and balance. The fabric, patterned with intricate floral designs, flutters gently in the wind, its vibrant reds and deep blues contrasting with the muted greens and browns of the forest. Her eyes are closed, her expression somber and contemplative, as though in prayer or deep focus. The katana’s blade reflects both the faint crescent moonlight and the ominous shadow of a demon, its smoky form hinted at in the polished steel. The hilt (tsuka) is tightly wrapped in black silk, simple yet refined, a testament to the weapon’s craftsmanship and purpose. The breeze stirs her slightly disheveled hair, adding subtle motion that complements the flowing fabric of her kimono. Around her, autumn leaves drift gracefully, their vivid reds and oranges framing her figure and creating depth in the composition. The interplay of light and shadow highlights the soft curves of her exposed form, the intricate details of her clothing, and the katana’s masterfully forged blade. The atmosphere is thick with quiet intensity, as though the forest itself holds its breath. The composition focuses entirely on her upper body, drawing attention to the poised katana, the reflection of unseen danger, and the serene yet powerful energy of her presence.

3 months ago

Worm's-eye architectural view high angle half body photo of a 24-year-old Igbo-Slovak female chic Parisian woman with a Resource concealment strategy with face revealing complex calculation beyond simple hiding impulse, eyes methodically evaluating environmental integration possibilities, subtle satisfaction indicators at effective camouflage achievement, expression showing strategic thinking transcending immediate security concerns. facial expression. She has Full-body thermal regulation tattoos featuring specialized symbols that indicate optimal body positioning for different weather conditions wrapped around every limb and joint, skin has developed unusual mottled appearance from variable blood vessel dilation adapted into the design, strategic scarification creates insulative air pocket patterns across entire surface, face bearing emotional control reminders, hands tattooed with water quality testing methods.. The skin pores and texture are clearly visible and in focus. Her Large curved line eyes, Silky, deep purple eyes, framed by long, elegant eyelashes. Her haircut is Tactical buzz cut with entire head shaved to quarter-inch length, eliminating hair as vector for parasites or contaminants, requires minimal water for cleaning, offers no grip point for combat situations, reveals cooling points at base of skull.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Tight skin over the upper chest with firm, subtle muscle contours, small breast, toned abs, Female Bodybuilding style. She wears Retrofitted police tactical vest cut down to cover only upper chest, weight reduced by removing ballistic materials, institutional markings deliberately obscured with mud and paint, straps adjusted for desert mobility., midriff, Retrofitted basketball shorts with elasticity degraded and reinforced with woven plastic strips, waistband deliberately lowered, team colors faded from vibrant to subtle earth tones, ventilation holes added in grid pattern along sides., In the background Industrial freezer complex converted into a heavily insulated living environment offering rare relief from extreme heat, power generation focuses exclusively on maintaining the cooling systems, residency is determined through complex contribution metrics with cooling access strictly timed and allocated, the surrounding area has become a scorched wasteland making the facility a critical regional refuge.. She stands Safe Passage Negotiator position with body positioned between territorial groups creating neutral intermediary presence, stance carefully balanced presenting neither weakness nor threat, hands engaged in established diplomatic gestures, facial muscles controlled revealing neither fear nor aggression., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Flash floods from sudden intense localized rainfall creating walls of water 20 feet high that race through bone-dry watersheds, carrying away everything in their path with no warning, the water heavily laden with debris and often toxic from collecting industrial residues, evaporating completely within hours leaving mud-caked ruins.. the model is lighted with soft natural lighting in the style of Raven Frost

9 months ago

Set against an endless expanse of desert, the colossal automaton strides across the horizon, its immense form towering over the landscape while leaving much of the frame open to convey its overwhelming size. At a distance, its silhouette breaks through low-hanging clouds at 1,000 meters, emphasizing its staggering 4,000-foot height. The machine moves steadily, one leg caught mid-stride, lifted high as cascades of sand pour from its immense foot, creating swirling eddies of dust far below. Its grounded legs leave deep craters in the desert, visible even from this distant view, while the trembling earth sends visible ripples across the dunes. The automaton’s four massive legs are skeletal and mechanical, each a latticework of colossal pistons, cables, and ancient, corroded plating. Despite its distance, the details of its weathered surface are visible: rust streaks running down its joints, broken sections exposing internal mechanisms, and deep scars left by untold centuries of wear. Its torso rises like a fortress, uneven and asymmetrical, with jagged outcroppings, massive exhaust vents spewing steam, and entire sections bristling with exposed machinery. Above the automaton, airships tethered by thick, swaying cables float alongside it, their weathered envelopes bulging against the desert winds. These vessels, far smaller in scale but still large by human standards, bob and shift as they carry supplies and maintenance crews to the machine. Smaller drones flit between the airships and the automaton, their lights blinking faintly as they zip across the sky. On its back, the automaton supports a distant but sprawling city. Even from this far, the city’s intricate design is visible—towers and spires rise unevenly, linked by delicate bridges and suspended pathways. Tiny streams of light flicker across the city’s surface, marking the movements of vehicles and machinery. Trails of smoke and mist cascade down its sides, mingling with the clouds that cling to its upper body. The faint hum of activity is palpable, amplified by the unceasing movement of the automaton itself. The scene is dominated by the vast desert, stretching outward in golden ripples of sand broken only by jagged outcrops of rock and the faint shapes of ruined structures buried in the dunes. In the foreground, caravans of tiny figures and vehicles scatter, barely perceptible against the immense scale of the automaton. Dust storms trail far behind its legs, creating a hazy backdrop that swallows portions of the horizon. Above, the late-afternoon sky is layered with fiery streaks of orange and purple, clouds glowing faintly as they part to accommodate the automaton’s towering frame. The interplay of light and shadow accentuates its enormity, with its upper sections catching the sun’s last rays while its lower half fades into shadow and dust. The atmosphere is thick with the sounds of grinding metal, distant tremors, and the hum of engines, creating a sense of motion and life that fills the frame without overwhelming it. The automaton’s presence dominates the scene, but its distance allows the scale of the environment—airships, desert, and sky—to emphasize its true immensity. It strides forward like a titan, a walking world whose slow, deliberate march carries an ancient city and its tethered fleet across the endless expanse

6 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.