A sample prompt of what you can find in this page
Prompt by ERH

values FLUX prompts

very few results

8 months ago

Create a product exposure image of an all-white mattress, designed to mimic the dynamic presentation of a modern footwear product shot, specifically mirroring the angle and floating effect seen in the reference shoe image, but adapted for a mattress in pure white. Color and Texture: The mattress should be rendered in pure white, encompassing all surfaces – top panel, side panels, and edges. Maintain the same texture as a typical high-quality mattress fabric (e.g., quilted, subtly textured woven fabric) to ensure a realistic and tactile appearance, even in white. Angle, Perspective, and Levitating Inclination: The image should replicate the dynamic, elevated angle of the shoe, showcasing the mattress from a similar slightly top-down perspective, but with a more pronounced forward inclination. The mattress should appear to be levitating or suspended in mid-air, with a subtle, soft shadow cast underneath it to clearly indicate its separation from the ground and enhance the three-dimensional floating effect. The inclination should be adjusted so the mattress is less horizontal and more dynamically inclined forward, emphasizing its form and creating a sense of lightness. Background: The background should be completely neutral and devoid of color, effectively a very light grey or near-transparent to ensure the white mattress stands out prominently. The background should not compete with or distract from the pure white product, allowing the focus to remain entirely on the mattress and its form. Focus on Key Features (in White): The exposure should effectively emphasize the mattress's overall shape and construction, presented at the specified dynamic, levitating angle. Highlight the quilted top panel, the reinforced edges, and any visible layers or zones within the mattress construction – all rendered in pure white and differentiated by subtle texture variations. Any brand logo or label should be rendered in a very subtle, near-invisible white-on-white to maintain the pure white aesthetic and minimalist presentation. Color Palette and Visual Harmony (Monochromatic White): The color palette is strictly monochromatic white. The visual interest and depth should be derived entirely from the subtle variations in texture, lighting, and shadow within this pure white scheme. The overall visual harmony should communicate ultimate purity, cleanliness, and a pristine sense of comfort and restful sleep, all within a purely white aesthetic. Target Audience and Message: This product exposure, with its dynamic angle, levitating presentation, and pure white aesthetic, is designed to appeal to a target audience seeking minimalist design, ultimate cleanliness, and high-quality sleep products. The clean, pristine aesthetic and focus on construction details, presented in a dynamic and modern way, should communicate a message of superior comfort, support, and restful sleep technology, embodied in a design of pure, unadulterated white. Overall Style and Composition (Pure White Levitating Modernity): The image should have an ultra-clean, modern, and minimalist feel, defined by its pure white color scheme and levitating presentation. It should evoke a sense of pristine quality, ultimate comfort, and a futuristic, weightless sleep experience. The style should be informative and appealing, effectively communicating the mattress's design and value proposition to the target customer through a visually striking and modern composition, replicating the dynamic angle and floating effect of the shoe image, now executed in a purely white and levitating mattress

1 month ago

A professional photo depicting the world’s most beautiful sixth-grade girl as a prototype android with incredibly detailed, futuristic, and masterpiece-level realism. The photo captures her perfect anatomy, befitting her age, with extremely long dark caramel blonde hair, flawless olive green skin, and thick blue eyeliner. Her look is further accentuated by extra-long lashes, light pink blush, subtle apple-toned lipstick, and perfectly sculpted lips with blue eyeshadow. Her large, brightly detailed eyes display a striking blend of jungle tea red, green, blue, silver, brown, gold, and gray. She is dressed in a style reminiscent of Into the Badlands, with a high depth of field and a gentle expression as she stands on an old wooden bridge surrounded by a forest, a katana strapped to her back. Wearing a mini suspender crop top and a ripped denim skirt underneath, her legs are beautifully shaped. This high-resolution photo, rendered using Unreal Engine 5 and Octane Render, features intricate detail and ultra-sharp focus. The image is of the highest quality, 8K resolution, ultra-detailed and photorealistic, presented in a frontal, full-body view, with stunning volumetric lighting and excellent graphics. Technical parameters are: Steps: 20, Sampler: Euler, Program type: Simple, CFG scale: 1, Pure CFG scale: 3.5, Seed: 2496298376, Size: 896x1152, Model hash: d3532ec6fd, Model: flux1DevV1V2Flux1_flux1DevBNBNF4V2, with specified Lora hash values ​​and version details. Negative notices exclude low resolution, text, errors, low quality, and various anatomical and artistic imperfections to ensure a flawless final image.

5 months ago

Make a simple LOGO/Symbol that represents the following information.. History of the Hakka People - Key Points Here's a breakdown of Hakka history in point form, covering their origins, migrations, culture, and modern situation: **I. Origins & Early History (Pre-Song Dynasty - Before 960 AD)** * **Han Chinese Roots:** The Hakka are a subgroup of the Han Chinese, *not* a separate ethnic group. Their name “Hakka” (客家) literally means “guest families.” * **Northern Origins:** Most scholars believe the Hakka originated from areas of North and Central China (Henan, Shanxi, Shaanxi) during periods of upheaval. * **Multiple Migrations:** They weren’t a single migration, but *waves* of migration southward over centuries, starting as early as the Qin and Han dynasties (221 BC – 220 AD). * **Avoiding Conflict:** These migrations were often driven by political instability, war, and famine. The Hakka tended to move *away* from conflict, not to conquer. * **Early Settlers in Jiangxi:** The Jiangxi province became an early and important staging ground for their southern migrations. **II. The Long Migration & Settlement (Song - Ming Dynasties - 960 - 1644 AD)** * **Southern Migration Intensifies:** The Song Dynasty (960-1279) saw a significant acceleration of Hakka migration southwards. * **Conflict with Existing Populations:** As they moved south, the Hakka often settled in marginal lands or areas already inhabited by other groups (including other Han Chinese, and minority groups like the She and Yao). This led to frequent conflicts and clashes. * **“Guest” Status:** They were often seen as outsiders or "guests" by the existing populations, hence the name “Hakka.” They were often denied full integration. * **Settlement in Guangdong, Fujian, Jiangxi:** The Hakka eventually settled primarily in the provinces of Guangdong, Fujian, and Jiangxi, as well as parts of Sichuan, Hunan, and Guangxi. * **Fortified Villages (Weitou):** Due to constant threats and conflict, the Hakka developed a unique architectural style – fortified, circular villages known as *Weitou* (围头). These served as both homes and defensive structures. * **Development of Distinct Culture:** During this period of migration and isolation, the Hakka developed their own distinct language, customs, and traditions. **III. Qing Dynasty & Modern Era (1644 - Present)** * **Qing Dynasty Stability:** The Qing Dynasty (1644-1912) brought a period of relative stability, allowing the Hakka to consolidate their settlements and develop their economy. * **Continued Marginalization:** However, they remained largely marginalized from mainstream Chinese society, often facing discrimination and economic hardship. * **Taiping Rebellion (1850-1864):** A significant number of Hakka joined the Taiping Rebellion, a large-scale uprising against the Qing Dynasty. This further complicated their relationship with the central government. * **Overseas Migration:** In the late 19th and early 20th centuries, many Hakka emigrated overseas, primarily to Southeast Asia (Malaysia, Indonesia, Thailand, Singapore) and other parts of the world. They became successful merchants and entrepreneurs. * **Communist Revolution (1949):** After the Communist Revolution in 1949, the Hakka were initially seen as a potentially rebellious group due to their history of independence and resistance. * **Recognized as a Minority Group:** In the 1990s, the Chinese government officially recognized the Hakka as one of China’s 56 ethnic groups, though they are still considered a subgroup of the Han Chinese. * **Cultural Revival & Tourism:** In recent decades, there has been a growing interest in Hakka culture and heritage, with efforts to preserve their traditions, language, and architecture. Hakka villages are becoming popular tourist destinations. * **Diaspora Connections:** The Hakka diaspora remains strong, with significant communities around the world maintaining connections to their ancestral homeland. **Key Characteristics of Hakka Culture:** * **Language:** Hakka language (Hakka Hua), a Sinitic language distinct from Mandarin and Cantonese. * **Architecture:** Circular fortified villages (Weitou). * **Cuisine:** Unique Hakka cuisine, known for preserved foods, stuffed tofu, and savory flavors. * **Ancestor Veneration:** Strong emphasis on ancestor worship. * **Matrilineal Traditions (in some areas):** Some Hakka communities retain elements of matrilineal inheritance and family structures. * **Emphasis on Education:** Historically, the Hakka placed a high value on education. This list provides a concise overview of Hakka history and culture. It’s a complex and fascinating story of migration, adaptation, and resilience.