vast and empty FLUX prompts

7 months ago

A **breathtaking, photorealistic visualization** of an **Einstein-Rosen Bridge (wormhole)** suspended in the **vast emptiness of deep space**. The scene showcases **two swirling black holes**—one near a **dying star engulfed in a red nebula**, the other emerging in a **serene, blue-hued region of space**. These black holes are connected by a **glowing tunnel of warped spacetime**, forming the **throat of the wormhole**, rendered with intense light distortions and high-energy radiation.

9 months ago

Dark fantasy scene, a solitary, living woman stands in the center of an endless void, her presence both fragile and immense. Her body glows faintly, and radiant beams of golden light erupt powerfully from within her, piercing the infinite darkness. These beams stream upward and outward, pulsating with life, as if drawn from her very soul. She tilts her head upward toward the unseen heavens, her closed eyes glowing faintly with golden energy. Her expression is a mix of awe and quiet sorrow, alive with subtle emotion. Her delicate skin shimmers faintly in the light she emanates, glowing with warm undertones of gold and pale ivory. Her flowing robes ripple gently, as though stirred by an unseen wind in the still void, their intricate fabric textured with exquisite detail. The void itself is vast and all-consuming, but it feels alive, with faint gradients of dark blue and deep black, layered with subtle distortions that ripple outward from her form. The golden light reflects faintly on the dust-like motes suspended in the void, creating a faint halo of life around her, contrasting sharply with the oppressive emptiness. The composition is cinematic, her small, radiant figure juxtaposed against the overwhelming vastness of the void. Every detail—her glowing skin, the dynamic motion of the beams, and the subtle shifts in her garments—emphasizes her vitality and the stark isolation of her eternal imprisonment. The golden beams scatter faint, fractured light across the void, creating an interplay of brightness and shadow that enhances the emotional depth of the scene

7 months ago

lone figure standing at the edge of a still water body, perfectly reflected below, the reflected figure is violently expressed in black ink, almost symmetrical visual, surrounded by a vast, empty space that evokes a sense of isolation and introspection, all muted monochrome tones with a few tones of reflectant shiny red accents --chaos 1.2 --ar 9:16 --style raw

6 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

3 months ago

A surreal scene inspired by René Magritte. A woman in a long teal-blue dress and a deep red hat stands atop a staircase that leads into a cloudy sky. In place of her face, a crescent moon floats gently, glowing softly. Behind her, a vast empty field stretches under a pale sky, where a single tree floats above the ground. The painting has impasto texture, heavy brushstrokes with high relief, and fine embroidered patterns subtly integrated into the clouds and fabric. Dreamlike, poetic, mysterious, and still.

7 months ago

A **breathtaking, photorealistic visualization** of an **Einstein-Rosen Bridge (wormhole)** suspended in the **vast emptiness of deep space**. The scene showcases **two swirling black holes**—one near a **dying star engulfed in a red nebula**, the other emerging in a **serene, blue-hued region of space**. These black holes are connected by a **glowing tunnel of warped spacetime**, forming the **throat of the wormhole**, rendered with intense light distortions and high-energy radiation.

24 days ago

minimalist sci-fi, solitary figure in tattered cloak stands atop barren hill, holding glowing energy staff, silhouetted against vast starfield, empty planet surface stretches to horizon, single figure centered, stark landscape, expansive sky, stark contrasts, clean lines, negative space, minimalism, wide angle view, distant stars and nebulae in background, rocky outcropping and figure in foreground, night, thin hazy atmosphere, foreboding mood, rim lighting blue and white stark shadows lighting, monochromatic color palette

5 months ago

A black and white scene in Jarmusch's meditative style: A woman stands by a floor-to-ceiling window in an abandoned industrial loft. She's wearing a crisp white men's dress shirt unbuttoned over a black silk camisole, presenting a toned belly with clearly visible abs, paired with lowrise wide-leg black trousers. Early morning light streams through the massive factory windows, casting elongated shadows through the iron framework onto the concrete floor. The space is vast and mostly empty except for scattered pieces of antique furniture. The woman is captured in profile, perhaps holding a book or vintage camera, her silhouette sharp against the diffused light. The composition emphasizes the industrial architecture's strong vertical lines and the interplay of soft morning light with harsh industrial elements. Shot with Jarmusch's characteristic attention to texture and contrast, creating a painterly quality in the interaction between light, shadow, and architectural details.

5 months ago

There was a famine so great, the sun turned away. (Rivers stagnated:1.7). The wind carried the cries of the starving. The people of the Hollow Lands had to obey the Edict: "Winnow away the heads. Preserve the bodies.". The sacred ritual raised whispers from beneath the earth. Their bodies changed, their scent thickened, musky and metallic, and the hunger inside them turned into something powerful. They grew stronger, faster. They no longer feared the creatures that lurked in the dark, the ancient Morimo, whose (long fingers crept into their dreams:1.9), nor the Great Manes, the restless dead who wailed from the vast pit in the North. As the ritual spread, the ground trembled. The bodies, headless, preserved, waiting, became altars of transformation. And the deeper they dug, the more they found. The soil was not empty; it was filled with bones, with old hunger, with something watching from beneath. Were they consuming power, or was something consuming them? In the style of Joao Ruas.

3 months ago

**Road Train** rumbling along the **Stuart Highway** at sunrise in **Central Australia**, inspired by reference image: ### **Scene Description:** - A massive **Road Train** (triple trailer) dominates the frame, its polished metal reflecting the golden hues of dawn. - The **Stuart Highway** stretches endlessly into the horizon, flanked by the rusty-red outback and sparse desert scrub. - The sky is ablaze with **sunrise colors**—soft pinks, oranges, and purples—melting into the deep blue of the retreating night. - Dust swirls behind the truck’s wheels, catching the morning light. - The sheer **scale of the truck** contrasts with the vast, empty landscape, symbolizing the isolation and grandeur of the Australian outback. ### **Artistic Style:** - **Hyper-realistic** with cinematic lighting, emphasizing the textures of the truck, road, and desert. - Warm sunrise tones contrast with cool shadows for depth. - Subtle lens flare or light rays to enhance the dawn atmosphere. JDHampton + AI | Creative Alliance

5 months ago

A grand piano made of swirling galaxies and nebulae, being played by invisible hands in a vast, empty concert hall with stars for a ceiling. Surreal, musical, cosmic.​​​

6 months ago

high angle pencil, ink and paint drawing of a 24-year-old Bavarian-Dani female natural bohemian beauty with a warm and inviting expression. She has Misty skin with a faint, ethereal mist hovering over the surface, giving a dreamlike appearance. The skin pores and texture are clearly visible and in focus. Her Elongated crescent eyes, Shimmering, smoky eyes, framed by long, elegant eyelashes. Her haircut is Punk-inspired undercut with spiked crown and neon streaks. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Strong, toned lats that create a broad upper body, small breast, toned abs, Female Bodybuilding style. ultra short crop top adorned with overgrown vines and foliage motifs, leaving the midriff bare in a primitive and wild style, midriff, Shabby chic denim skirt with frayed edges and distressed wash, Gazing out over a vast, empty landscape, wondering what lies beyond. She is positioned on the left side in the frame by the rule of thirds. In the background Underground fighting arena where augmented gladiators battle under dying plasma lights. The scene is lighted Identity theft warnings flashing panic red. The weather is A dust bowl engulfs the countryside, choking the air and reducing visibility to zero. the model is lighted with soft natural lighting in the style of Enki Bilal

6 months ago

Amid the crumbling ruins of a bombed-out city in World War II, a woman dances alone on a cracked stone floor. Her dress is torn and stained with soot, her skin and hair dusted with ash. Barefoot, she moves with raw, instinctive emotion—twirling, stumbling, leaping with desperation and grace. Around her lie the remains of walls, twisted iron, and shattered windows. The silence is overwhelming, broken only by the wind blowing dust and papers across the ground. Her dance is not polished, but powerful—a silent rebellion against destruction, an act of survival, of remembering life. The sky above is gray and heavy, with faint beams of light cutting through lingering smoke. The atmosphere is haunting, surreal, and deeply human. The lighting is soft, natural, with strong contrast between light and shadow. The camera starts wide, showing the vast emptiness, then slowly pushes in, handheld and slightly shaky, drawing the viewer into her world—into every trembling breath and every movement that says, "I’m still here."

19 days ago

A dramatic scene in a desert landscape features a classic white luxury car parked on a sandy, barren ground, engulfed in a massive explosion. Billowing flames and thick, vibrant orange and yellow fire dominate the sky above the car, with black smoke curling upward under a bright blue sky. The image captures the energy and chaos of a cinematic action moment, reminiscent of a Hollywood blockbuster, with crisp, high-contrast colors and dynamic lighting. The vast, empty expanse in the background emphasizes the isolation and intensity of the incident, evoking the bold, hyper-real style of contemporary action photography and Michael Bay’s explosive film visuals.

8 months ago

A lone figure dressed in a black suit stands at the edge of a towering, minimalist platform, gazing into the vast emptiness. The background is a soft, desaturated gradient with a large, perfectly round sun or moon positioned directly behind the figure, creating a striking silhouette. The scene is highly stylized, embracing a monochromatic, surreal, and abstract art style. The edges of the platform have subtle textures, adding depth to the otherwise smooth and minimalistic composition. Camera angle: Low-angle shot, emphasizing the height and isolation of the figure. Shot size: Full shot, with a strong focus on the contrast between the dark silhouette and the bright, empty background, 8k

19 days ago

A dramatic scene in a desert landscape features a classic white luxury car parked on a sandy, barren ground, engulfed in a massive explosion. Billowing flames and thick, vibrant orange and yellow fire dominate the sky above the car, with black smoke curling upward under a bright blue sky. The image captures the energy and chaos of a cinematic action moment, reminiscent of a Hollywood blockbuster, with crisp, high-contrast colors and dynamic lighting. The vast, empty expanse in the background emphasizes the isolation and intensity of the incident, evoking the bold, hyper-real style of contemporary action photography and Michael Bay’s explosive film visuals.

8 months ago

A hyper-realistic cinematic still of a small, weathered wooden boat drifting alone in the center of a wide, tranquil river at dusk. The sky burns with deep purples and fiery oranges, its hues reflecting off the glassy water in a mirror-like sheen. At the boat’s heart, a single red rose is engulfed in vivid flames—its lush petals curling and charring as the fire leaps upward, casting a warm, flickering light across the boat’s chipped paint and splintered wood. Thin tendrils of smoke rise into the twilight, intertwining with the soft ripples radiating outward. The composition is stark and expansive, the boat a solitary silhouette against the vast, empty river, its edges swallowed by creeping shadows. The scene radiates a haunting, poetic stillness, with the burning rose as the sole focal point in this desolate, yet mesmerizing, tableau."

7 months ago

lone figure standing at the edge of a still water body, perfectly reflected below, the reflected figure is violently expressed in black ink, almost symmetrical visual, surrounded by a vast, empty space that evokes a sense of isolation and introspection, all muted monochrome tones with a few tones of reflectant shiny accents --chaos 1.2 --ar 9:16 --style raw

7 months ago

lone figure standing at the edge of a still water body, perfectly reflected below, the reflected figure is violently expressed in black ink, almost symmetrical visual, surrounded by a vast, empty space that evokes a sense of isolation and introspection, all muted monochrome tones with a few tones of reflectant shiny red accents --chaos 1.2 --ar 9:16 --style raw

19 days ago

A dramatic scene in a desert landscape features a classic white luxury car parked on a sandy, barren ground, engulfed in a massive explosion. Billowing blue flames and thick, vibrant blue and purple fire dominate the sky above the car, with black smoke curling upward under a bright blue sky. The image captures the energy and chaos of a cinematic action moment, reminiscent of a Hollywood blockbuster, with crisp, high-contrast colors and dynamic lighting. The vast, empty expanse in the background emphasizes the isolation and intensity of the incident, evoking the bold, hyper-real style of contemporary action photography and Michael Bay’s explosive film visuals.

8 months ago

A lone figure dressed in a black suit stands at the edge of a towering, minimalist platform, gazing into the vast emptiness. The background is a soft, desaturated gradient with a large, perfectly round sun or moon positioned directly behind the figure, creating a striking silhouette. The scene is highly stylized, embracing a monochromatic, surreal, and abstract art style. The edges of the platform have subtle textures, adding depth to the otherwise smooth and minimalistic composition. Camera angle: Low-angle shot, emphasizing the height and isolation of the figure. Shot size: extreme long shot, with a strong focus on the contrast between the dark silhouette and the bright, empty background, 8k

4 months ago

Ink Wash Painting, Evocative: A minimalist, yet powerful, black and white ink wash of the princess's silhouette against a vast, empty sea, conveying solitude and determination.​​​

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.