A sample prompt of what you can find in this page
Prompt by ElectricL

wires FLUX prompts

hundreds of results

5 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

ElectricL
5 300

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

ElectricL
5 200

4 months ago

This is a hyper-realistic, high-detail digital portrait of a young Korean woman who is a cyborg. The image masterfully juxtaposes delicate, organic beauty with complex, inorganic machinery, creating a captivating and thought-provoking piece of science fiction art. The overall aesthetic is clean, elegant, and ethereal, with a carefully controlled color palette. The Subject's Face and Human Features: The woman has a face of almost supernatural perfection. Her skin is pale and flawless, like porcelain, with a smooth, matte finish. Her facial structure is delicate, with high cheekbones, a small, straight nose, and a well-defined jawline on her visible human side. Eyes: Her eyes are the most striking feature. They are a luminous, piercing emerald green, rendered with incredible detail. The irises have intricate patterns of light and dark green, and a dark limbal ring that makes them stand out dramatically against her pale skin. They are framed by long, dark, perfectly separated eyelashes and subtle, expertly applied eyeliner that creates a slight cat-eye effect. Her gaze is direct and engages the viewer with a neutral, almost serene expression. Eyebrows: Her eyebrows are perfectly shaped with a gentle arch, filled in with a soft brown that complements her features without being harsh. Lips: She has full, soft-looking lips with a defined Cupid's bow. They are colored in a natural, dusky pink shade with a subtle satin sheen, echoing the color of her hair. Cybernetic Enhancements: The woman's human features are seamlessly integrated with extensive cybernetic enhancements, primarily on the right side of her face and neck. Facial and Head Mechanics: A complex mechanical structure replaces parts of her head and face. It begins at her right temple and extends down her cheek and jaw. This section is composed of articulated, segmented plates in a matte, off-white and light gray finish, with some plates having a subtle rose-gold or pinkish tint that harmonizes with her hair. Behind her head and over her ear is a larger, more robust piece of machinery with circular vents, joints, and what appear to be pistons or hydraulic connectors. Neck and Torso: Her neck is entirely mechanical, consisting of a dense, intricate web of gray and black wires, cables, and tubes that flow downwards, suggesting a fully robotic torso beneath. This creates a stark contrast between the soft skin of her face and the complex, functional machinery supporting it. Integration: The transition from skin to machine is depicted flawlessly. The mechanical parts fit snugly against her skin, and strands of her hair weave in and out of the cybernetics, suggesting a long-term, permanent fusion of the organic and the artificial. Hair: Her hair is long, voluminous, and cascades in soft waves around her face and shoulders. The color is a beautiful pastel pink, reminiscent of cotton candy or cherry blossoms, with subtle variations in tone, including lighter, almost-white highlights that catch the light. The texture appears silky and fine, and it beautifully softens the hard edges of the mechanical components it intertwines with. Lighting, Composition, and Color Palette: The portrait is a tight close-up, focusing entirely on her head and shoulders. The lighting is soft and diffused, coming from the front and slightly to the left, which evenly illuminates her features and highlights the three-dimensional details of the cybernetics without creating harsh shadows. The background is a blurry, out-of-focus cool gray, which ensures that the subject is the sole focus. The color palette is a sophisticated blend of soft, muted tones. It is dominated by the pastel pink of her hair, the porcelain white of her skin, and the cool grays and off-whites of the machinery. The vivid emerald green of her eyes serves as a powerful, singular accent color, drawing the viewer's attention and giving the character a sense of life and soul amidst the mechanics.

kumera
3 150

4 months ago

A stunning and intricate illustration of a lone figure standing before a massive, futuristic central computer core in a dimly lit, cavernous control room. The core is the heart of an ancient, decaying system that governs an entire solar system, its towering structure covered in glowing panels, flickering CRT monitors, and spinning reels of magnetic tape. The design reflects a blend of cassette futurism and retrofuturism: exposed wires snake across the floor like veins, enormous vacuum tubes pulsate faintly with energy, and analog dials twist and click as the system struggles to maintain its colossal operations. The figure, dressed in a tattered yet advanced jumpsuit of metallic fabrics, stands with a posture that conveys awe and hesitation. Their face, partially illuminated by the glowing panels, shows a mix of determination and exhaustion. They are dwarfed by the sheer scale of the computer core, which stretches endlessly upward, disappearing into a haze of smoke and low-hanging cables. The room is filled with atmospheric lighting: dim oranges and greens reflect off the polished yet grimy metal surfaces, while holographic projections of planetary orbits and system schematics flicker erratically in mid-air. The computer core itself is worn and weathered, with signs of neglect—broken panels exposing its intricate inner workings, patches of rust, and vines of alien growth encroaching from the corners of the room. Yet, it exudes power, its central sphere—a rotating gyroscope of light and machinery—glowing with an intense energy, hinting at its still-functioning capacity to control and sustain the planets and stars of the system. The air is dense with particles of dust, illuminated by beams of soft light cutting through the smoke, while faint sparks fly from malfunctioning components. The soundscape is almost tangible: the hum of the core, the rhythmic clatter of mechanical parts, and the faint crackle of ancient speakers. Rendered in a hyper-detailed retrofuturistic style, with an emphasis on the texture of worn-down technology, dynamic lighting, and the overwhelming sense of scale and history.

ElectricL
2 71