with the camera angle slightly from behind FLUX prompts

8 months ago

An ultra-realistic, high-definition 8K image of a man holding a camera in his hand, taking a selfie while running at full speed, with a massive black bear chasing him from behind. The man is mid-stride, his body angled slightly forward, clearly pushing himself to his physical limits to escape. His facial expression is a mix of pure terror and adrenaline, with wide-open eyes and his mouth in a scream or shout. Sweat drips down his face, and his clothes are slightly disheveled from the intense movement. The black bear behind him is enormous and menacing, with sharp teeth bared and powerful muscles visible beneath its thick, glossy fur. Its claws dig into the dirt as it charges aggressively. The proximity between the man and the bear creates an edge-of-your-seat tension. The scene is shot in a dramatic GoPro-style wide-angle perspective, emphasizing the man in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed movement, with the dense forest around them slightly out of focus due to the action. The forest features tall trees with sunlight filtering through the canopy, casting dappled light and shadows. The ground is covered with leaves, dirt, and roots, creating a dynamic, rugged environment. Every detail, from the man's sweat to the bear's fur and the forest's textures, is rendered with photorealistic clarity. The overall atmosphere is intense, cinematic, and adrenaline-fueled.

7 months ago

Studio Product shot, a close up shot, 2 peach colour slim cans of soft drink , cans haVE PEACHY logo ALONG THE LENGTH,around the word PEACHY are several Peach with leaves images one Can stands upright, second can lays horizontal at slight angle on an wide royal blue table, edges of table are NOT visible,behind table is a peach colour backdrop., waist high shot just above table surface height 50mm lens full frame camera, lighting is full coverage, cans causes a slight shadow on the table top. can has WET surface frosting effect AS IF TAKEN FROM A CHILLER and several water drops running down the side, water droplets on the table around the cans, CANS FILLS MOST OF FRAME., Horizontall can must have PEACHY WRITTEN ALONG THE SIDE, TOP OF HORIZONTALL CAN SHOW UNOPENED RING PULL TAB.BOTH CANS HAVE A WET SURFACE.

7 months ago

"A young couple from the 1950s walking along the wide, asphalted Vali Asr Street in Tehran. The street is lined with tall, leafy plane trees (Chenar), their shadows creating a beautiful pattern on the road. There are no street signs or large billboards. The couple walks hand in hand, with the camera angle slightly from behind, showing the street clearly. The girl has voluminous curly hair, cat-eye eyeliner, and red lipstick, dressed in a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored, wide-collared suit, with a shirt and a thin tie. Both are gazing at each other with soft expressions, their faces clear and detailed, showing their emotions. The street is filled with colorful cars from the era, including a classic Peking, moving down the road, while the sidewalk has vintage streetlights placed at the edges. The atmosphere is vibrant, with the warm sunlight filtering through the trees, casting gentle shadows on the street. The iconic trees of Vali Asr Street frame the scene, and the historic architecture of the time is visible in the background, creating a nostalgic, 1950s Tehran atmosphere."

8 months ago

A **highly detailed, action-packed scene** featuring the **Fantastic Four** in their **classic blue suits** with the iconic **white “4” emblem**, staying true to **Jack Kirby’s original comic book style**. The team is dynamically posed in a moment of **high-stakes action** against a **colossal cosmic threat**. - **Mr. Fantastic (Reed Richards)** is at the forefront, his **body stretching and twisting in impossible ways**, extending across the battlefield with an **elongated arm grabbing a collapsing piece of debris**. His **face shows intense focus**, and his **gray temples stand out against his dark hair** as he strategizes under immense pressure. - **The Thing (Ben Grimm)** is mid-action, his **massive orange, rock-like form braced against a powerful shockwave**, throwing a **devastating punch** at an enemy with his signature battle cry: **"IT’S CLOBBERIN’ TIME!"** His **rocky hide is intricately detailed**, with **realistic cracks and depth**, giving him a **monolithic, powerful presence**. - **Human Torch (Johnny Storm)** is soaring through the sky, his **entire body engulfed in flames**, leaving behind a **bright, fiery trail**. His **eyes glow intensely with fire**, and he hurls a **controlled stream of fire** at an **approaching enemy spaceship**, his famous catchphrase **"Flame On!"** integrated into the energy burst. - **Invisible Woman (Sue Storm)** stands confidently, her **hands raised as she generates a massive, shimmering force field** to shield her teammates. The **transparent energy distorts light realistically**, with **subtle glowing edges**, while another force field encases **a group of civilians she is protecting** from falling debris. The backdrop is a **dramatic cosmic battleground**, possibly **New York City under siege**, or **outer space**, with a **menacing Galactus, Doctor Doom, or Annihilus looming in the background**. The colors are **bold and vibrant**, using **classic Marvel comic book shading and inking techniques** to capture the **nostalgic, dynamic energy of a 1960s-70s Fantastic Four comic book cover**. The **camera angle is dynamic and slightly tilted**, emphasizing **perspective, scale, and movement** as **debris flies, energy beams streak across the air, and the Fantastic Four’s abilities explode into action**. The **lighting is high-contrast and dramatic**, blending **classic comic panel aesthetics with a modern, cinematic feel**, incorporating **motion blur and deep shadows** for enhanced realism while **retaining the comic book charm**. A **masterpiece of superhero action**, blending **hyper-detailed comic book stylization, cinematic intensity, and larger-than-life cosmic storytelling**. **Ultra-detailed 8K resolution, trending on ArtStation, with Unreal Engine 5-level fidelity. Vertical aspect ratio.**

7 months ago

A very old chinese man, possibly 100 years old, paints the lips of a female robot with a thin brush in one hand. He looks intently at the robot.. He wears white overalls that are splattered with paint. He's a painter. Behind them is a 1950's style portrait of a smiling woman. It is in focus. The robot's face is exactly the style and colouring as the woman in the portrait. The robot's eyes are closed and sits on a workbench with it's head slightly turned to the camera. wide angle.

7 months ago

A surreal HD 8K image of a woman holding a camera in her hand, taking a picture while running at full speed, a giant black bear chasing her from behind. The man was in the middle, his body leaning slightly forward, apparently pushing himself to her limits to escape. Her facial expressions were pure horror and adrenaline, eyes wide open, screaming or yelling. Sweat dripped on her face, her clothes dissatisfied with his strong movements. The black bear behind her was huge and sinister, with sharp teeth exposed under its thick fur, visible muscles. Its claws dug into the dirt while actively charging. The distance between the woman and the bear creates tension in the seat. The scene is shot from a dramatic Gopro style wide angle perspective, emphasizing the person in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed motion, dense forest The black bear behind him is enormous and menacing, with sharp teeth bared and powerful muscles visible beneath its thick, glossy fur. Its claws dig into the dirt as it charges aggressively. The proximity between the man and the bear creates an edge-of-your-seat tension. The scene is shot in a dramatic GoPro-style wide-angle perspective, emphasizing the man in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed movement, with the dense forest around them slightly out of focus due to the action. The forest features tall trees with sunlight filtering through the canopy, casting dappled light and shadows. The ground is covered with leaves, dirt, and roots, creating a dynamic, rugged environment. Every detail, from the man's sweat to the bear's fur and the forest's textures, is rendered with photorealistic clarity. The overall atmosphere is intense, cinematic, and adrenaline-fueled.

7 months ago

A young couple from the 1950s walking along the wide, asphalted streets of Vali Asr Street (formerly Pahlavi Street) in Tehran. The scene is set in the heart of the city, with the distinct architecture and atmosphere of the time. The girl, with voluminous, curly hair, cat-eye eyeliner, and red lipstick, wears a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored wide-collared suit with a shirt and thin tie. The couple walks hand in hand, surrounded by a few pedestrians. The street is wide and lined with tall plane trees, casting dappled shadows onto the asphalt. Streetlamps, situated near the edge of the sidewalk, illuminate the path. The classic Persian storefronts have minimal signage, some in traditional fonts. A few old cars from the era drive by, and a tram passes in the background. The atmosphere is lively but not crowded, with the gentle hum of the city in the air. Sunlight filters through the trees, casting a warm, golden glow over the scene. The camera angle is slightly from behind the couple, allowing the street to stretch ahead with the iconic trees and towering buildings of the time visible in the background, evoking the nostalgic charm of 1950s Tehran.

9 months ago

A very old man, possibly 100 years old, paints the lips of a female robot with a thin brush in one hand. He looks intently at the robot.. He wears white overalls that are splattered with paint. He's a painter. Behind them is a 1950's style portrait of a smiling woman. It is in focus. The robot's face is exactly the style and colouring as the woman in the portrait. The robot's eyes are closed and sits on a workbench with it's head slightly turned to the camera. wide angle.

9 months ago

A very old man, possibly 100 years old, uses two hand to paint the lips of a female robot with a thin brush. He looks intently at the robot. He wears white overalls that are splattered with paint. He's a painter. Behind them is a 1950's style portrait of a smiling woman. It is in focus. The robot's face is exactly the style and colouring as the woman in the portrait. The robot's eyes are closed and sits on a workbench with it's head slightly turned to the camera. wide angle.

7 months ago

Studio Product shot, a close up shot, A peach colour slim can of soft drink , can has PEACHY logo vertically on it, Can sits on an aqua marine square table, behind table is a peach colour backdrop., high angle view/shot 50mm lens full frame camera, lighting is full coverage, can causes a slight shadow on the table top.

6 months ago

A young red head woman with pale, porcelain skin and long, flowing auburn hair kneels on a dark, matte surface, her diaphanous white dress clinging to her gentle contours. She is captured in a tenebrous, introspective pose, her eyes closed in quiet contemplation. A single, focused light source from above and slightly behind her casts dramatic shadows, emphasizing the S-curve of her back and the delicate fabric. The camera angle is low, enhancing her ethereal beauty against the impenetrable blackness. The scene is bathed in high-contrast, volumetric lighting with subtle halation, creating a mood of vulnerability and ethereal calm. Symbolist chiaroscuro and tenebrist techniques, combined with film grain and a teal and orange color grading, add depth and texture. The lighting setup features a soft, warm spotlight positioned at a 45-degree angle, casting a gentle glow that highlights her features and creates a high dynamic range.

7 months ago

Studio Product shot, a close up shot, 2 peach colour slim cans of soft drink , cans has PEACHY logo vertically on it, one Can stands upright, second can lays horizontal at slight angle on an wide royal blue table, edges of table are NOT visible,behind table is a peach colour backdrop., waist high shot just above table surface height 50mm lens full frame camera, lighting is full coverage, can causes a slight shadow on the table top. can has WET surface frosting effect AS IF TAKEN FROM A CHILLER and several water drops running down the side, water droplets on the table around the cans, CANS FILLS MOST OF FRAME.

1 month ago

A lo-fi 2010s iPhone selfie ofa casual girl, no clear subject or specific composition—just a casual, unintentional snapshot. the photo evokes a sense of edge, slight touch of blur. flash photography. grainy texture. edited and soft focus, capturing an imperfect moment. closeup low angle candid photographs from behind. (loseup) girl, natural pale skin, freckles, inside a airplane, inside the plane, photo style is amateur, no makeup, standing in alley, view from behind, looking to me, she is looking over shoulder, angry, looking to camera, 'print shirt' oversize olive garco pants, short tight pink tshirt, flat belly.

7 months ago

"A young couple from the 1950s walking along the wide, asphalted Vali Asr Street in Tehran. The street is lined with tall, leafy plane trees (Chenar), their shadows creating a beautiful pattern on the road. There are no street signs or large billboards. The couple walks hand in hand, with the camera angle slightly from behind, showing the street clearly. The girl has voluminous curly hair, cat-eye eyeliner, and red lipstick, dressed in a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored, wide-collared suit, with a shirt and a thin tie. Both are gazing at each other with soft expressions, their faces clear and detailed, showing their emotions. The street is filled with colorful cars from the era, including a classic Peking, moving down the road, while the sidewalk has vintage streetlights placed at the edges. The atmosphere is vibrant, with the warm sunlight filtering through the trees, casting gentle shadows on the street. The iconic trees of Vali Asr Street frame the scene, and the historic architecture of the time is visible in the background, creating a nostalgic, 1950s Tehran atmosphere."

5 months ago

A dark, moonlit Siberian night. A battered wooden troika speeds across a frozen wasteland, pulled by three panicked horses. The sky is deep black, with only a pale, ghostly moon casting a cold silvery light across the snow. Sitting rigid at the front of the sleigh is a man in a heavy fur coat and ushanka, his face tense, breath visible in the freezing air. Behind him, a pack of wolves streaks through the snow—shadows with glowing eyes, their snarls barely audible over the roar of the wind. The 3 horses’ hooves kick up frost, the sleigh lantern flickers weakly, casting long, trembling shadows. Style: dark cinematic realism, with gothic undertones and a sense of dread. Lighting: moonlit with high contrast; deep blues and greys dominate, with dim golden highlights from the lantern. Camera angle: from behind and slightly above the troika, showing both the terrified driver and the fast-approaching wolves. Atmosphere: eerie, urgent, menacing — the calm before the inevitable.

7 months ago

A young couple from the 1950s walking along the wide, asphalted streets of Vali Asr Street (formerly Pahlavi Street) in Tehran. The scene is set in the heart of the city, with the distinct architecture and atmosphere of the time. The girl, with voluminous, curly hair, cat-eye eyeliner, and red lipstick, wears a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored wide-collared suit with a shirt and thin tie. The couple walks hand in hand, surrounded by a few pedestrians. The street is wide and lined with tall plane trees, casting dappled shadows onto the asphalt. Streetlamps, situated near the edge of the sidewalk, illuminate the path. The classic Persian storefronts have minimal signage, some in traditional fonts. A few old cars from the era drive by, and a tram passes in the background. The atmosphere is lively but not crowded, with the gentle hum of the city in the air. Sunlight filters through the trees, casting a warm, golden glow over the scene. The camera angle is slightly from behind the couple, allowing the street to stretch ahead with the iconic trees and towering buildings of the time visible in the background, evoking the nostalgic charm of 1950s Tehran.

7 months ago

A young couple from the 1950s walking along the wide, asphalted streets of Vali Asr Street (formerly Pahlavi Street) in Tehran. The scene is set in the heart of the city, with the distinct architecture and atmosphere of the time. The girl, with voluminous, curly hair, cat-eye eyeliner, and red lipstick, wears a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored wide-collared suit with a shirt and thin tie. The couple walks hand in hand, surrounded by a few pedestrians. The street is wide and lined with tall plane trees, casting dappled shadows onto the asphalt. Streetlamps, situated near the edge of the sidewalk, illuminate the path. The classic Persian storefronts have minimal signage, some in traditional fonts. A Peykan car from the era is parked along the street, adding a nostalgic touch to the scene. A tram passes in the background, and a few old cars from the period drive by. The atmosphere is lively but not crowded, with the gentle hum of the city in the air. Sunlight filters through the trees, casting a warm, golden glow over the scene. The camera angle is slightly from behind the couple, allowing the street to stretch ahead with the iconic trees and towering buildings of the time visible in the background, evoking the nostalgic charm of 1950s Tehran.

3 months ago

Side-right angle shot inside an ancient, quiet forest. The camera is low and slightly behind a line of tree trunks on the right side, peeking past rough bark and tangled roots toward a narrow dirt path. Dry leaves, small branches, and patches of moss cover the ground. In the midground, the path curves gently; in the far background, a distant elven-style wooden house is partially hidden by mist and trunks. Natural, muted colors (earthy browns, soft grays, subtle greens), soft morning (or dusk) light filtering through the canopy, realistic textures, cinematic depth of field, 8K, photorealistic, dark fantasy “Dark War Survival” mood, survival ambience.

6 months ago

The image presents a surreal and humorous scene captured with a smartphone, featuring a large metallic bowl that contains an oversized caricatured human head. The framing is tight, focusing on the bowl and the people, with the top of the bowl nearly touching the top edge of the photo, and the bottom of the bowl extending to the lower edge. The camera angle is slightly elevated, looking down towards the bowl, emphasizing its size in relation to the people. The two individuals are positioned on either side of the bowl, one holding the bowl with both hands, and the other appears to be pouring a liquid into it. Their body language suggests a cooperative effort, with the person pouring the liquid looking intently at the task. Both are dressed casually, with the person pouring wearing a patterned shirt and the other in a plain blue shirt. The background is a rural setting with trees and a simple structure, suggesting a relaxed, informal environment. The color palette is dominated by earthy tones, with the metallic sheen of the bowl providing a contrast. The lighting is natural and bright, indicative of daytime, casting soft shadows and contributing to the image's candid feel. The depth of field is shallow, with the focus on the bowl and the people, causing the background to blur slightly. The mood is light-hearted and humorous, with a playful vibe that suggests the image could be used for comedic content or a casual social media post. The orientation is portrait, which suits the vertical arrangement of the subjects. The focal point is the oversized bowl and the surreal head within it, drawing immediate attention due to its size and the unexpectedness of the scene. The surreal head inside the bowl is a striking and unusual visual element that immediately draws the viewer's attention. It appears to be a sculpted or molded representation of a human face, with exaggerated features that contribute to the surreal quality of the image. The head is positioned within the bowl in such a way that it seems to be emerging from it or perhaps even trapped inside, creating a sense of intrigue and humor. The head's features are distorted and not proportionate to a real human face, with a large, open mouth and wide eyes that add to the surrealism. The skin texture is detailed, with wrinkles and contours that give it a lifelike appearance despite its unrealistic size and placement. The color of the head is a natural skin tone, which contrasts with the metallic sheen of the bowl, further emphasizing the oddity of the situation. The inclusion of the surreal head adds a layer of complexity to the image, transforming what might otherwise be a simple scene of people with a large bowl into a thought-provoking and memorable visual experience. It challenges the viewer to question the reality of the scene and to consider the creative intentions behind the unusual composition.

1 month ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

1 month ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

2 months ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "male", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "blue tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"] , "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

1 month ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

7 months ago

A hyper-realistic, cinematic action shot of Peter Pan soaring directly toward the camera in an intense fighting pose. His body is slightly tilted forward, eyes locked with fierce determination. His right hand grips a sharp dagger, glinting in the light, while his left hand is outstretched for balance. His green tunic and hat flutter violently in the wind as he cuts through the air at high speed. Motion blur trails behind him, emphasizing his rapid flight. The background is a blurred, stormy Neverland sky, adding depth and intensity to the scene. The camera captures him from a dramatic, slightly low-angle perspective, making him appear larger than life. Extreme detail, 4K, hyper-realistic, cinematic, masterpiece, vertical composition