A sample prompt of what you can find in this page
Prompt by PY2K66

with visible light beams and dust FLUX prompts

very few results

6 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

8 months ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie, viewed from behind, as he runs toward a classic 80s-style gym. The scene captures him mid-stride in a dynamic, action-filled motion, wearing iconic 80s-style athletic wear: a retro, tight-fitting, neon-colored windbreaker jacket with matching shorts and classic high-top sneakers. His body is muscular and powerful, reflecting his combat-ready physique, and his posture exudes strength and determination as he runs. The 80s sport aesthetic is vivid, with bright neon colors like teal, magenta, and electric blue reflecting off his outfit as he moves. His iconic robotic features are subtly visible under the athletic outfit—metallic parts of his endoskeleton glint under the ambient light of the setting. The surrounding New York streets are atmospheric and foggy, with old-school streetlights and atmospheric neon glows casting colored reflections on rain-soaked pavement. The gym looms in the distance—classic 80s-style with retro neon signs advertising "Bodybuilding & Fitness," surrounded by classic brick facades and atmospheric mist. The air is filled with subtle smoke and dust, reflecting the dramatic volumetric lighting. The Terminator's hands are clenched with determination, veins and muscle detail visible through his jacket, perfectly rendered with hyperreal anatomy, as he pushes himself forward toward his goal. The atmosphere is gritty yet vibrant, capturing the spirit of the 80s with its urban gym vibes, retro fitness culture, and iconic neon visuals. Volumetric lighting breaks through the misty air, casting sharp light beams across the street and emphasizing his athletic form and movement. Every detail—his clothing, the reflections, the neon haze, the gym in the distance—is rendered with photorealistic precision, creating a cinematic masterpiece full of retro-futuristic energy.