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Prompt by Codexer

She is standing with one hand on a wall prompts

very few results

9 months ago

a noblewoman engaged in the ancient art of falconry. The scene is set in a lush, verdant forest during the golden hour, with soft, warm sunlight filtering through the dense canopy, casting dappled shadows on the forest floor. The noblewoman stands tall and regal, dressed in elegant yet revealing hunting attire from the Renaissance era. Her gown is a deep, rich burgundy velvet, adorned with intricate gold embroidery that shimmers in the sunlight. The gown features a plunging neckline and fitted bodice that accentuates her figure, while the skirt flows gracefully to the ground. She wears a matching cloak, fastened at the shoulder with a gleaming brooch, and her long, flowing hair is partially covered by a delicate lace veil. In her gloved hand, she holds a majestic falcon, its feathers a blend of sleek brown and white, with piercing golden eyes that reflect the surrounding landscape. The falcon is perched on her arm, its wings slightly spread as if ready to take flight at her command. The noblewoman's expression is one of focus and determination, her eyes scanning the horizon as she prepares to release her avian companion into the sky. The background features a serene forest landscape, with towering trees and a gentle breeze rustling the leaves. In the distance, a grand medieval castle can be seen, its stone walls and turrets standing proudly against the backdrop of a clear blue sky. The castle is surrounded by a moat, and a drawbridge leads to its entrance, adding to the majestic ambiance. The overall atmosphere is one of tranquility and grace, capturing the timeless beauty of a noblewoman and her falcon in a moment of perfect harmony with nature.

Genie79
4 210

5 months ago

The main subject is an African American woman with long, voluminous, wavy red-orange hair. Her skin appears smooth with a dark brown complexion. She has large, dark eyes with long eyelashes, a small nose, and full lips painted with a bright red lipstick. Her expression is confident and engaging. Her face is somewhat heart shaped. She is slender with a noticeable curve at the waist and hips. She is standing upright, holding a purse in her right hand, and her left hand placed on her left hip. She is wearing a fitted, short-sleeved purple dress that ends above the knee. Around her neck is a light green silk scarf secured with three decorative gold pins featuring peace symbols. She is carrying a small, quilted, light beige purse with a gold chain strap. Gold bracelets are visible on her left wrist. In the background, a man in a dark suit is walking away from the camera to the right. He appears to have short, light hair and a medium body build, walking with a casual but alert posture. The background depicts a winding cobblestone street between two buildings of a historic German village, casting a warm, golden light across its surface as the sun begins to set behind the buildings. Trees cast dark shadows against the light of the sky that frames the half-timbered houses. The buildings themselves are a showcase of medieval architecture, featuring dark wood beams and whitewashed or yellow walls, with potted plants and greenery adorning the front of one building. The cobblestone street is uneven and worn, adding to the rustic charm of the scene.

Selfishreasons
3 74

2 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

ElectricL
1 50