A sample prompt of what you can find in this page
Prompt by 39501b5968a

geometric pattern hat prompts

very few results

4 months ago

Top-down aerial view looking directly down onto a stark white studio floor. Centered below: a highly stylized, avant-garde fashion figure. Subject: A single model posed dynamically. Ensemble: Hat: A towering, crisp waffle-cone hat topped with a swirl of pink "ice cream" (sculpted fabric). Dress: A minimalist, structured dress cut deep under the armpits (deep armhole cutouts), no sleeves, hugging the torso and flaring slightly to end sharply above the knees. Fabric appears as matte white cotton canvas or stiff shantung silk. Boots: Chunky square-toe ankle boots meticulously covered in tiny, shimmering iridescent beads (think pearls, crystals) forming geometric patterns. Bag: Slung casually near the hip: a soft, slumped hobo bag shaped like a melting ice cream cone - brown "cone" (suede) and dripping mint green "ice cream" (textured leather/faux fur). Style: Haute couture fashion illustration. Clean, graphic linework. Sharp, exaggerated silhouettes against the negative space of the floor. High-contrast shadows directly beneath the figure. Influences of Erté, René Gruau, and modern graphic design. Editorial, high-end, conceptual. View: True 90-degree vertical perspective. Focus on the shapes, textures, and negative space created by the outfit from above. Minimal background, pure white. Rendering: Mixed media style – combine ink line drawing, flat color blocks (dress, hat cone), and highly detailed bead/texture rendering (boots, bag). Playful sophistication. Color Palette: Dominant White, Cream, Brown (cone), Pink (hat swirl), Mint Green (bag), Iridescent Highlights (boots).

8 months ago

A vibrant scene from the 1970s in Karaj, depicting a famous street like Shahr-e Karaj or Valiasr Street. The street is alive with movement, showcasing the daily life of that era. On both sides of the road, low-rise buildings with the architecture typical of 1970s Iran line the street, featuring a mix of modern concrete buildings and traditional Iranian style, with arches and geometric patterns. Some buildings are adorned with large, colorful signs for local businesses, cafes, and small shops. The street is full of classic cars from the era like Peugeot 404, Chevrolet Impala, and Fiat 125, parked along the curb or driving slowly past. Pedestrians stroll along wide sidewalks, dressed in the style of the 1970s: women wearing colorful dresses with modest cuts and headscarves, while men wear suits with narrow ties and hats. Some women have their hair styled in the popular bob cuts or soft curls of the era. The atmosphere is lively with local street vendors selling small items on the sidewalks, and a few people sitting at outdoor cafés. The trees along the road are leafy and green, providing shade. A small, modernist fountain may be visible in a nearby public square or park area, adding a sense of calm to the bustling street. The sky is clear with a warm golden glow, typical of the sunlight in Karaj during the 1970s, casting soft shadows across the street. The image is in color, with rich, earthy tones that evoke the nostalgia of this period. The scene captures the sense of growth and modernity blending with tradition, showcasing the charm of Karaj in the early days of its development as a suburban city close to Tehran.