sterile prompts

cinematic photo Close-up fit slim woman with messy short bob making direct eye contact while skateboarding down brutalist concrete ramp, minimalist cropped tank revealing her defined abs during trick, subject fills frame in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

6 200

hyperreal biomechanical concept art, 3D render, physically based shading, filmic tonemapping, cybernetic heart fabricated from glossy polymer chambers and matte carbon-fiber arteries, exposed braided wiring looms, stacked microcontroller PCBs, hose clamps, micro fasteners, arterial ports with O-rings, subtle surgical residue, sterile studio setup, deep cool-teal matte gradient backdrop, large soft wrap key with cool edge rim, faint amber indicator LEDs, occlusion-rich contact shadows, subsurface scattering in translucent tissue, micro-scratches, condensation beads, hairline seams, high-frequency displacement on vascular surfaces, grotesque yet clinical realism, palette shifted to oxblood, hematite black, oxidized-copper tints with cyan accents --ar 9:16 --raw

Grayve

PRO

5 190

dystopian style Fit young woman with disheveled short natural hair in a torn Victorian blouse revealing her midriff, fixing a mechanical arm attachment in a candle-lit laboratory, making direct eye contact in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

4 150

dystopian style Black and white fashion photography of a young Chinese Han-Sindhi woman in her mid-twenties standing with confident posture, hands on lapels, wearing Bandeau with center twist revealing A chiseled belly with sharp, angular abs, the shadows under each muscle group creating a geometric, high-contrast effect. and White cotton A-line mini skirt with pleated front panels and side pockets, in men's club with leather chairs, cigar smoke, and dark wood paneling in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

3 190

dystopian style Mid-twenties woman with messy short hair operating a mechanical printing press, her brass-buckled vest open to reveal her flat toned stomach, in an underground newspaper office, looking confidently at camera in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

2 91

dystopian style Black and white fashion photography of a young Taiwanese-Circassian woman in her mid-twenties in powerful stride, coat billowing dramatically, wearing Cropped bomber with urban print revealing A sculpted belly with visible upper and lower abs, the muscles casting minimal shadows for a refined and understated appearance. and Black cotton jersey palazzo pants with flowing legs and comfortable stretch knit, across windswept plaza with water fountains and geometric paving patterns in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

2 88

dystopian style Black and white fashion photography of a young Taiwanese-Ukrainian woman in her mid-twenties seated with legs extended to side, leaning on one arm, wearing Cropped hoodie with color blocking revealing A toned stomach with subtle abs, a gentle shadow defining the waist, and a smooth, radiant complexion. and White lace palazzo pants with flowing wide legs and delicate floral lace, on steps of neoclassical monument with carved reliefs and bronze plaques in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

2 130

An extreme high-angle shot, captures a full view of a woman in a stylized korean nurse's uniform sitting on the edge of a hospital bed. The camera is positioned on the floor, looking up, which makes the subject appear dominant and elongates her figure, particularly her legs in white thigh-high stockings and stiletto heels. This perspective distorts the proportions, making the foreground (her shoes and the base of the bed) seem larger and emphasizing the height and power of the subject relative to the viewer. The wide angle of the lens captures the sterile, white environment of the hospital room, including the floor, the full length of the gurney, and the medical equipment in the background, all from this dramatic, upward-looking vantage point.

kumera

2 54

dystopian style Black and white fashion photography of a young Cuban-Norwegian woman in her mid-twenties in graceful stance with one hand touching pearls, wearing Wrap bandeau with open knot revealing A flat, smooth midsection with lightly toned lower abs, the muscles just visible enough to add texture without overpowering the composition. and White leather leggings with stretch leather construction and second-skin comfort, in elegant powder room with vanity mirrors, perfume atomizers, and soft romantic lighting in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

2 95

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

mudshark PRO

2 69

Slow spiraling crane shot descends into an organic circuitry labyrinth. Wet matte surfaces shimmer as the camera passes through layers of dark electro-dermal architecture. Processions of soft-skinned figures reveal biomechanical veins glowing beneath translucent skin. At the core, a machine crucifixion glows in sterile lust, lit by directional underglow and reflected in fluidic chrome panels. Ambient fog pulses with every ritual breath. Ritualistic bio-techno fusion style, underlayer circuitry. Camera: spiral crane descent, orbit-follow, static climax. Lighting: directional underglow, cold blue subdermal light. Texture: matte wet flesh, elastic dermal gloss, chrome veinline. Motion: vein pulsation, shimmer flow, glow flicker. Color: sterile blue, greyscale chrome, soft vein red. Sound: wet synth hum, low throb, ambient pulse chant.

002503b3625

1 52

dystopian style Black and white fashion photography of a young Cuban-Norwegian woman in her mid-twenties in graceful stance with one hand touching pearls, wearing Wrap bandeau with open knot revealing A flat, smooth midsection with lightly toned lower abs, the muscles just visible enough to add texture without overpowering the composition. and White leather leggings with stretch leather construction and second-skin comfort, in elegant powder room with vanity mirrors, perfume atomizers, and soft romantic lighting in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

b06073bffc7 PRO

1 14

dystopian style Black and white fashion photography of a young Cuban-Norwegian woman in her mid-twenties in graceful stance with one hand touching pearls, wearing Wrap bandeau with open knot revealing A flat, smooth midsection with lightly toned lower abs, the muscles just visible enough to add texture without overpowering the composition. and White leather leggings with stretch leather construction and second-skin comfort, in elegant powder room with vanity mirrors, perfume atomizers, and soft romantic lighting in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

b06073bffc7 PRO

1 21

dystopian style Black and white fashion photography of a young Cuban-Norwegian woman in her mid-twenties in graceful stance with one hand touching pearls, wearing Wrap bandeau with open knot revealing A flat, smooth midsection with lightly toned lower abs, the muscles just visible enough to add texture without overpowering the composition. and White leather leggings with stretch leather construction and second-skin comfort, in elegant powder room with vanity mirrors, perfume atomizers, and soft romantic lighting in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

b06073bffc7 PRO

1 12

dystopian style Black and white fashion photography of a young Colombian woman in her mid-twenties in powerful stride, coat billowing dramatically, wearing Cropped bomber with urban print revealing A sculpted belly with visible upper and lower abs, the muscles casting minimal shadows for a refined and understated appearance. and Black cotton jersey palazzo pants with flowing legs and comfortable stretch knit, across windswept plaza with water fountains and geometric paving patterns in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

SlickRick56 PRO

1 32

dystopian style Mid-twenties woman with windblown short natural hair in brass-adorned leather crop top and utility belt, repairing mechanical wings strapped to her back, in a sunset-lit workshop, staring intensely at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

1 110

dystopian style Mid-twenties woman with disheveled short natural hair wearing Wrap-around crop top with a wide ribbon tie at the waist revealing Core muscles visible with a soft, even tone and Tattered low-rise jeans with exposed brass boning and a low-rise cut, operating genetic archaeology equipment that excavates evolutionary history from DNA sediment, steam-powered biological excavation revealing species memories while she uncovers hereditary fossils, looking boldly at viewer while digging through biological time in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

1 100

Three disembodied alien females demonoids faces, each partially formed, and arranged horizontally on a white background, (sepia tone:1.2), (detailed facial features:1.3). The center face is slightly more formed than the flanking faces, with dark hair swept to the side. FUTURISTIC VISORS,The left face appears avant garde haircut,The eyes of all faces are obscured, giving the impression of hollow voids. The composition is simple, minimalistic, and surreal, with a sterile, studio-like atmosphere. Shot with soft lighting, emphasizing the textures of the skin and hair, high-resolution digital art, photography.light glitch effects and grain,ovesaturated cool effects

Storyteller95

1 20

cinematic photo Frame-filling slim fit woman with short disheveled hair gazing intensely at camera while pirouetting against raw concrete wall, architectural crop top spinning outward revealing her flat stomach, subject dominating composition in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

AkiraS

1 130

A sterile office with a melting Dali-style clock. A glitchy 8-bit avatar (neon hair) winks as a blank resume ("NAME: ERROR") morphs into a crypto NFT. The clock drips into a desert sunrise, revealing a tiny Dogecoin logo in the molten pool.

0c2f47a566f

1 86

Three disembodied alien humanoid faces, each partially formed, and arranged horizontally on a white background, (sepia tone:1.2), (detailed facial features:1.3). The center face is slightly more formed than the flanking faces, with dark hair swept to the side. The left face appears avant garde haircut,The eyes of all faces are obscured, giving the impression of hollow voids. The composition is simple, minimalistic, and surreal, with a sterile, studio-like atmosphere. Shot with soft lighting, emphasizing the textures of the skin and hair, high-resolution digital art, photography.light glitch effects and grain,oversaturated

Storyteller95

1 21

A futuristic, industrial-style dining hall with a spacious, symmetrical layout. The room features square tables arranged neatly in rows, each with minimalist chairs. The tables have small, functional accessories like napkin holders or condiment containers. The ceiling showcases a large circular structure with glowing, petal-shaped light panels radiating from the center, creating a sci-fi ambiance. The walls and floor are made of smooth concrete or metal with muted, earthy tones. At the far end of the hall is a wide, horizontal window revealing a barren, rocky landscape with distant hills and a single leafless tree under a pale sky. The overall atmosphere is clean, sterile, and slightly dystopian, evoking a sense of isolation and order.

aivisionspace

1 68

Slow, cinematic dolly-in through a Flesh Cathedral. Translucent biomech tubes writhe and pulsate with inner light, creating a path through a Silent Vacuum ambience. The camera navigates around monstrous, fused craniums embedded in bone walls, revealing a glowing technofetus at the core of the sanctuary. Wet silicone textures shimmer in sterile fluorescent light. Hyperrealistic shadows play across the glistening walls. The air is dense with humid, biomechanical fog. 🎬 BLOKI TECHNICZNE: • STYLE: biomechanical cathedral, organo-metallic womb architecture, fused cranium relics • CAMERA: slow dolly-in, interior mapping, organic reveal • LIGHT: sterile fluorescent, chiaroscuro cathedral glow • TEXTURE: translucent wet membranes, wet silicone tubes, polished bone • MOTION: tube pulsation, fog drift, light shimmer • COLOR: bone ivory, metallic ash, soft fetal pink • SOUND: ambient suction pulse, dripping fluid, sacred echo

002503b3625

0 53

A widescreen cinematic scene set in a sterile, fluorescent-lit open-plan office, filled with endless rows of identical cubicles stretching into the distance. Each desk is cluttered with monitors, paperwork, and half-finished coffee cups â but every employee is wearing full clown makeup.

The_Promptonaut

0 36