A sample prompt of what you can find in this page
Prompt by SyntaxAI

Massive Ideogram prompts

very few results

4 days ago

A high-intensity depiction of the Battle for Zion from *The Matrix*. The vast subterranean dock of Zion is under siege: dark, industrial architecture looms with towering pillars and steel catwalks illuminated by red emergency lights and the strobing muzzle flashes of gunfire. Swarms of relentless Sentinels--metallic, squid-like machines with whirling tentacles and glowing red sensor eyes--fill the air in chaotic waves. At the center of the scene is Kirby, rendered with realistic textures while maintaining his iconic round pink form. He is inside an APU mech: a battered, humanoid exosuit of hydraulic pistons, armor plating, and massive twin arm-mounted rotary machine guns. The APU’s guns are aimed high, firing streams of bright tracer rounds upward into the dense swarm of Sentinels above. Sparks, smoke, and a cascade of large shell casings eject from the guns, tumbling through the air in a golden arc. Kirby’s expression is uncharacteristically fierce--his large eyes narrowed with burning determination, mouth wide open in a scream of defiance. The lighting is harsh and dramatic, with contrasting cool blue and red hues from the emergency lights and the Sentinels’ glow, accented by the warm flashes of gunfire. Depth of field focuses tightly on Kirby’s APU and the nearest Sentinels, while the background blurs into a maelstrom of mechanical carnage. Cinematic composition, widescreen aspect ratio, dynamic motion blur on the guns, shell casings, and tentacles, no logos or extraneous text.

2 months ago

A lone diver hovers in the crushing depths of the deep ocean abyss, surrounded by an infinite void where no light from above can penetrate. The environment is a suffocating expanse of blackness, silent and immense. The diver’s powerful headlamp is the only source of light, cutting through the darkness in a sharp, focused beam. The beam falls directly on the shadowy silhouette of a colossal sea monster, looming in the void just beyond the diver’s reach. The light reveals fragments of its immense body: a glowing, unblinking eye (1.3), jagged fins, and sections of armored scales that reflect the light faintly. The monster’s vast size is implied by its curved outline, which stretches into the darkness beyond the illuminated area. The diver’s headlamp catches part of the monster’s face, revealing rough, textured scales and the faint gleam of its eye. The rest of the creature remains hidden, its sheer scale hinted at by subtle shadows and faint contours. The diver is motionless, dwarfed by the massive form before them. Beneath the monster’s looming shadow, the wreck of a sunken ship lies broken and rusted, tangled in cables and encrusted with marine life. Fine sediment particles drift lazily in the headlamp beam, glowing softly and creating smooth, seamless transitions between light and shadow. Flickering bioluminescent marine life—electric blue, neon green, and violet—dart briefly through the scene, adding a touch of eerie vibrancy to the alien setting. The deep ocean is an infinite void, devoid of surface light or ambient glow. Only the diver’s headlamp illuminates the scene, carving out a narrow sanctuary in the crushing darkness. The composition is cinematic and tense, with the monster’s fragmented presence creating an atmosphere of awe and dread, balanced against the haunting stillness of the wrecked ship