Slight motion blur Ideogram prompts

9 months ago

(Cinematic UHD, hyper-realistic young Indian couple sitting opposite to each other at a cozy café table, engaged in a warm conversation, both smiling naturally while maintaining eye contact, warm golden lighting, soft sunlight filtering through large windows, wooden table with two coffee cups, blurred café background, realistic skin textures, depth of field effect, man wearing a white shirt, light blue denim jeans, Nike Black Air Force 1 '07 sneakers, woman wearing a chic scarlet satin slip dress, slight motion blur on steam rising from coffee, lora:portrait_realism:1.3 lora:warm_tones:1.2)

6 months ago

A hyper-realistic scene of CJ infiltrating Area 69 at night, deep in the desert of Bone County from GTA: San Andreas. CJ is dressed in stealth black clothing, crouching behind a fence with a silenced pistol in hand. The military base is heavily guarded, with searchlights sweeping the sand, barbed-wire fences, satellite dishes, and high-security gates. A mysterious green glow emanates from a hidden underground bunker. The scene is lit by the moon and harsh artificial lights. Photographed on 35mm film with soft grain, chromatic aberration, slight motion blur, and faded colors. The atmosphere is tense, cinematic, and conspiratorial, evoking early 2000s sci-fi and military thriller vibes. --ar 16:9 --style raw --v 5 --q 2 --no text

6 months ago

A hyper-realistic 3D scene of CJ infiltrating Area 69 at night, deep in the desert of Bone County from GTA: San Andreas. CJ is dressed in stealth black clothing, crouching behind a fence with a silenced pistol in hand. The military base is heavily guarded, with searchlights sweeping the sand, barbed-wire fences, satellite dishes, and high-security gates. A mysterious green glow emanates from a hidden underground bunker. The scene is lit by the moon and harsh artificial lights. Photographed on 35mm film with soft grain, chromatic aberration, slight motion blur, and faded colors. The atmosphere is tense, cinematic, and conspiratorial, evoking early 2000s sci-fi and military thriller vibes. --ar 16:9 --style raw --v 5 --q 2 --no text

4 months ago

A hyper-realistic, cinematic scene of a man driving a sleek, black Lamborghini through a dark, midnight cityscape. The car is in motion, its polished surface reflecting the faint glow of distant city lights. The focus of the composition is the man’s face, captured in stunning detail as he leans slightly out of the open driver-side window. His expression is confident and charismatic as he holds out a high-tech smartphone in one hand, taking a selfie. The background is a symphony of motion blur, with streaks of warm, golden streetlights and faint neon glows from nearby signs blending into soft, dynamic trails, emphasizing the speed of the car. The road is dark, wet with a faint sheen as though from a recent rain, subtly reflecting the light trails and enhancing the atmosphere. A beautiful bokeh effect blurs the distant city lights, adding depth and emphasizing the sharp focus on the man’s face. His features are well-lit by the soft glow of his smartphone screen, casting a subtle, flattering light on his expression while the rest of the scene remains shadowy and moody. The darkened interior of the Lamborghini is visible but minimalistic, allowing the viewer to focus on the man and the dynamic energy of the moment. The overall tone is sleek, modern, and cinematic, capturing the thrill of speed, the intimacy of the selfie, and the dark beauty of the city at night.

4 months ago

A hyper-realistic, cinematic scene of a indian man driving a sleek, black Lamborghini through a dark, midnight cityscape. The car is in motion, its polished surface reflecting the faint glow of distant city lights. The focus of the composition is the man’s face, captured in stunning detail as he leans slightly out of the open driver-side window. His expression is confident and charismatic as he holds out a high-tech smartphone in one hand, taking a selfie. The background is a symphony of motion blur, with streaks of warm, golden streetlights and faint neon glows from nearby signs blending into soft, dynamic trails, emphasizing the speed of the car. The road is dark, wet with a faint sheen as though from a recent rain, subtly reflecting the light trails and enhancing the atmosphere. A beautiful bokeh effect blurs the distant city lights, adding depth and emphasizing the sharp focus on the man’s face. His features are well-lit by the soft glow of his smartphone screen, casting a subtle, flattering light on his expression while the rest of the scene remains shadowy and moody. The darkened interior of the Lamborghini is visible but minimalistic, allowing the viewer to focus on the man and the dynamic energy of the moment. The overall tone is sleek, modern, and cinematic, capturing the thrill of speed, the intimacy of the selfie, and the dark beauty of the city at night.

1 month ago

Album Cover for: “Trône sur les Ruines” Format: Wide shot, full body, cinematic environment, poster-quality Ultra-realistic cinematic concept art of a Moroccan man in his late 20s — light brown skin, clean-shaven, with a short buzz cut and medium taper fade — sitting proudly and powerfully on a massive brutalist throne. His body language is heavy and dominant: legs planted wide, elbows on knees, hands gripping the throne armrests. His eyes lock directly onto the viewer — serious, furious, proud. His expression carries the weight of survival and leadership born through chaos. He looks like a street king forged in war, not luxury. The throne is enormous, crafted from cracked concrete, twisted rebar, scorched books, shattered electronics, rusted weapons, and destroyed satellite parts — a symbolic fusion of revolution and ruin. It sits atop rubble and ash. Behind him, the destroyed skyline of a Moroccan city: burned buildings, collapsed domes, broken antennas, crumbling high-rises, graffiti-scarred walls. A torn Moroccan flag flutters in the distance, hanging from a bent metal pole. The man wears a modern warrior-royalty outfit: a long dark trench coat made from military fabric, lined with faded golden Moroccan embroidery (zellige patterns), a worn bulletproof vest underneath, armored combat pants with tactical straps, and black scratched leather boots. A tattered deep red cloak is thrown over one shoulder. On his chest, a bent metal star medal — not shiny, but earned. His crown is raw and symbolic: cracked gold fused with rusted iron, dented like it survived fire — resting slightly tilted on his head. The sky is cinematic: thick storm clouds rolling in, deep greys and purples, with one sharp beam of golden-orange light breaking through — hope after destruction. Ash and dust drift in the air, adding texture and motion. Typography: “Trône sur les Ruines” in cracked gold serif font, minimalist, sharp, placed bottom right or top left. Color palette: Ash grey, Moroccan red, coal black, bronze gold, burnt orange, storm blue. Mood: Powerful, apocalyptic, victorious. A portrait of survival and reclaimed legacy. Style: Cinematic, ultra-detailed, wide angle, poster-quality realism. Inspired by Yeezus, French war photojournalism, LiveLoveA$AP, and dystopian street rebellion aesthetics. — full body shot, wide angle, cinematic composition, Moroccan ruins in full view, background visible, throne fully visible, urban destruction, ash particles, crown visible, golden light from clouds, no blur, no fantasy, hyper-detailed, realistic lighting, gritty textures