broken eyes Ideogram prompts

5 months ago

A dark, abandoned 3D haunted mansion at night, with broken windows and flickering lights. Inside the building, ghostly figures and shadowy demons (afarit) are lurking in the halls, glowing red eyes, some floating mid-air. Mist and cold fog crawling across the floor. Eerie, otherworldly light leaking from beneath a closed door. The air is filled with a sense of fear and panic, as if terrifying screams and whispers echo through the walls. Cinematic lighting, high detail, ultra-realistic 3D rendering, horror atmosphere."

3 months ago

"Pixart style illustration of Satan from Devilman, reimagined with Norse mythology elements: wearing a dark, tattered fur cloak adorned with ancient runic symbols, iron chainmail armor with dragon motifs, and a horned helmet inspired by Viking warriors. His eyes glow red like embers, face half-shadowed with demonic features—sharp horns, long black hair, and a sinister smirk. Standing on a frozen battlefield under a stormy sky with lightning strikes, surrounded by fallen warriors and broken shields. Pixel art style, 16-bit retro game aesthetic, 32x32 or 64x64 resolution, limited color palette (deep blacks, blood reds, icy blues, and gold accents), sharp pixel edges, nostalgic gaming vibe."

4 months ago

A lone diver hovers in the crushing depths of the deep ocean abyss, surrounded by an infinite void where no light from above can penetrate. The environment is a suffocating expanse of blackness, silent and immense. The diver’s powerful headlamp is the only source of light, cutting through the darkness in a sharp, focused beam. The beam falls directly on the shadowy silhouette of a colossal sea monster, looming in the void just beyond the diver’s reach. The light reveals fragments of its immense body: a glowing, unblinking eye (1.3), jagged fins, and sections of armored scales that reflect the light faintly. The monster’s vast size is implied by its curved outline, which stretches into the darkness beyond the illuminated area. The diver’s headlamp catches part of the monster’s face, revealing rough, textured scales and the faint gleam of its eye. The rest of the creature remains hidden, its sheer scale hinted at by subtle shadows and faint contours. The diver is motionless, dwarfed by the massive form before them. Beneath the monster’s looming shadow, the wreck of a sunken ship lies broken and rusted, tangled in cables and encrusted with marine life. Fine sediment particles drift lazily in the headlamp beam, glowing softly and creating smooth, seamless transitions between light and shadow. Flickering bioluminescent marine life—electric blue, neon green, and violet—dart briefly through the scene, adding a touch of eerie vibrancy to the alien setting. The deep ocean is an infinite void, devoid of surface light or ambient glow. Only the diver’s headlamp illuminates the scene, carving out a narrow sanctuary in the crushing darkness. The composition is cinematic and tense, with the monster’s fragmented presence creating an atmosphere of awe and dread, balanced against the haunting stillness of the wrecked ship

1 month ago

Album Cover for: “Trône sur les Ruines” Format: Wide shot, full body, cinematic environment, poster-quality Ultra-realistic cinematic concept art of a Moroccan man in his late 20s — light brown skin, clean-shaven, with a short buzz cut and medium taper fade — sitting proudly and powerfully on a massive brutalist throne. His body language is heavy and dominant: legs planted wide, elbows on knees, hands gripping the throne armrests. His eyes lock directly onto the viewer — serious, furious, proud. His expression carries the weight of survival and leadership born through chaos. He looks like a street king forged in war, not luxury. The throne is enormous, crafted from cracked concrete, twisted rebar, scorched books, shattered electronics, rusted weapons, and destroyed satellite parts — a symbolic fusion of revolution and ruin. It sits atop rubble and ash. Behind him, the destroyed skyline of a Moroccan city: burned buildings, collapsed domes, broken antennas, crumbling high-rises, graffiti-scarred walls. A torn Moroccan flag flutters in the distance, hanging from a bent metal pole. The man wears a modern warrior-royalty outfit: a long dark trench coat made from military fabric, lined with faded golden Moroccan embroidery (zellige patterns), a worn bulletproof vest underneath, armored combat pants with tactical straps, and black scratched leather boots. A tattered deep red cloak is thrown over one shoulder. On his chest, a bent metal star medal — not shiny, but earned. His crown is raw and symbolic: cracked gold fused with rusted iron, dented like it survived fire — resting slightly tilted on his head. The sky is cinematic: thick storm clouds rolling in, deep greys and purples, with one sharp beam of golden-orange light breaking through — hope after destruction. Ash and dust drift in the air, adding texture and motion. Typography: “Trône sur les Ruines” in cracked gold serif font, minimalist, sharp, placed bottom right or top left. Color palette: Ash grey, Moroccan red, coal black, bronze gold, burnt orange, storm blue. Mood: Powerful, apocalyptic, victorious. A portrait of survival and reclaimed legacy. Style: Cinematic, ultra-detailed, wide angle, poster-quality realism. Inspired by Yeezus, French war photojournalism, LiveLoveA$AP, and dystopian street rebellion aesthetics. — full body shot, wide angle, cinematic composition, Moroccan ruins in full view, background visible, throne fully visible, urban destruction, ash particles, crown visible, golden light from clouds, no blur, no fantasy, hyper-detailed, realistic lighting, gritty textures