The creature Kling prompts

The camera moves over black alien creatures as the crawl on the ground

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Create an enigmatic image depicting the Yogdazak, the most poisoned and mutated creatures, in the poisoned years. (The Yogdazak have rusty metallic snake skin covered in wounds:1.1). Outcomes of unrestrained toxicity... Caring for the poisoned and tortured doesn't stop horrible painful mutation. The Yogdazak, are searching for sustenance in the arid deadly environment outside the city. (Two of the Yogdazak creatures are eating a piece of bloody meat with a bone in it:1.9). Epic cinematic dramatic dystopian futuristic.

ERH PRO

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There was a famine so great, the sun turned away. (Rivers stagnated:1.7). The wind carried the cries of the starving. The people of the Hollow Lands had to obey the Edict: "Winnow away the heads. Preserve the bodies.". The sacred ritual raised whispers from beneath the earth. Their bodies changed, their scent thickened, musky and metallic, and the hunger inside them turned into something powerful. They grew stronger, faster. They no longer feared the creatures that lurked in the dark, the ancient Morimo, whose (long fingers crept into their dreams:1.9), nor the Great Manes, the restless dead who wailed from the vast pit in the North. As the ritual spread, the ground trembled. The bodies, headless, preserved, waiting, became altars of transformation. And the deeper they dug, the more they found. The soil was not empty; it was filled with bones, with old hunger, with something watching from beneath. Were they consuming power, or was something consuming them? In the style of Joao Ruas.

ERH PRO

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/imagine prompt an amazing futuristic dystopian image (in the style of the artist Joao Ruas:1.9). Subtle red and white highlights. The War came. I went into the Broken City where the people eaters search for me constantly. Emotional epic cinematic dramatic dystopian. The People Eaters find me. They are tearing people apart. In a great abandoned city square, (hundreds of strange people and creatures are walking towards:1.9) (a very futuristic, magnificent, but war-damaged building:1.9). Epic cinematic dramatic dystopian futuristic. The building is adorned with red, white and black flags.

ERH PRO

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A man and a woman riding dinosaur like creatures , stop and look at the camera

Dallas59

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Amid the chaos in the ruined Chernobyl Nuclear Station, Hours after a mysterious second explosion in the core of the Chernobyl Ruins a scavenger team known as Unit Kappa-7 infiltrates the Black Zone. The guards and remaining scavengers stumble into a restricted area deep beneath the complex: the Isolation Vaults, once used to study radiation-resistant lifeforms. Now, grotesque part-human creatures roam. The explosion has awakened them—and mutated them further. They find themselves in a. battle with The Shatterghast, tall and skeletal, wrapped in metallic cables. They can dislocate their own limbs to move unpredictably, and The Nucleus Host: a bloated fusion of human and reactor control hardware, surrounded by floating radiation drones, and whispering in broken alien tongues

ERH PRO

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A 3d render video of a miniature concert stage situated within a lush jungle clearing, where a playful lion cub stands center stage. The cub, with a fluffy golden mane, confidently holds a tiny golden microphone and belts out "“Hakuna Matata”", while a vibrant macaw cub energetically plays drums and an adorable monkey strums a ukulele. A circle of captivated jungle creatures—elephants, giraffes, and zebras—sit attentively, bathed in dappled sunlight filtering through the dense canopy, and the words "Lion King" "in the jungle, the mighty jungle..." gently float in the air. Soft, natural lighting and a shallow depth of field create an enchanting and whimsical atmosphere, emphasizing the joyful performance.

Bumtzi

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A snow creature looks at the camera curiously as the camera pans 180 degrees

Dallas59

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A grotesque creature crawling with elongated limbs and wild hair while flickering shadows dance across the dilapidated room, handheld camera pivoting to follow its movements, eerie realism with dim and haunting lighting.

Guba

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/imagine prompt an amazing futuristic dystopian image (in the style of the artist Joao Ruas:1.9). Subtle red and white highlights. The War came. I went into the Broken City where the people eaters search for me constantly. The People Eaters find me. They are tearing people apart. In a great abandoned city square. At the far end of the square is (a very futuristic, magnificent, but war-damaged building:1.9). Epic cinematic dramatic dystopian futuristic. The building is adorned with red, white and black flags. (High contrast:1.9). The people are very angry and the mood is very dangerous. (Giant Militia Creatures charge from the building shooting incendiary weapons at the crowd of hundreds of people and creatures running away from the square:1.9).

ERH PRO

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Behind the hole in the blue metal wall is Cirasuna, a creature that is the most intelligent being in the Universe. Its life is depicted with strange etchings, glyphs, and pain. Epic cinematic dramatic dystopian futuristic scene

ERH PRO

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A grotesque creature crawls forward with long, dripping tendrils undulating around it, closeup camera smoothly tracking in to reveal the dark, decaying surroundings, horror style with dim, eerie lighting.

Guba

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There was a famine so great, the sun turned away. (Rivers stagnated:1.7). The wind carried the cries of the starving. The people of the Hollow Lands had to obey the Edict: "Winnow away the heads. Preserve the bodies.". The sacred ritual raised whispers from beneath the earth. Their bodies changed, their scent thickened, musky and metallic, and the hunger inside them turned into something powerful. They grew stronger, faster. They no longer feared the creatures that lurked in the dark, the ancient Morimo, whose (long fingers crept into their dreams:1.9), nor the Great Manes, the restless dead who wailed from the vast pit in the North. As the ritual spread, the ground trembled. The bodies, headless, preserved, waiting, became altars of transformation. And the deeper they dug, the more they found. The soil was not empty; it was filled with bones, with old hunger, with something watching from beneath. Were they consuming power, or was something consuming them? In the style of Joao Ruas.

ERH PRO

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A woman in a flowing white dress walks confidently through a sinister forest with grotesque creatures looming and blood pooling around her, wide-angle camera slowly tracking from behind, dark fantasy style with eerie mist and dramatic lighting.

Guba

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/imagine prompt an amazing futuristic dystopian image (in the style of the artist Joao Ruas:1.9). Subtle red and white highlights. The War came. I went into the Broken City where the people eaters search for me constantly. Emotional epic cinematic dramatic dystopian. The People Eaters find me. They are tearing people apart. In a great abandoned city square, (hundreds of strange people and creatures are walking towards:1.9) (a very futuristic, magnificent, but war-damaged building:1.9). Epic cinematic dramatic dystopian futuristic. The building is adorned with red, white and black flags. (High contrast:1.9). The people are very angry and the mood is very dangerous.

ERH PRO

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An alien sits and meditates as a huge jellyfish like creature floats past the window

Dallas59

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A snow creature looks at the camera curiously and screams as the camera pans 180 degrees

Dallas59

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Behind the hole in the blue metal wall is a creature called Cirasuna. Its life is depicted with strange etchings, glyphs, and pain. (Cirasuna escapes:1.9). (Depict Cirasuna attacking a strange ancient scientist in a violent frenzy:1.9). Epic cinematic dramatic dystopian futuristic scene

ERH PRO

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There was a famine so great, the sun turned away. (Rivers stagnated:1.7). The wind carried the cries of the starving. The people of the Hollow Lands had to obey the Edict: "Winnow away the heads. Preserve the bodies.". The sacred ritual raised whispers from beneath the earth. Their bodies changed, their scent thickened, musky and metallic, and the hunger inside them turned into something powerful. They grew stronger, faster. They no longer feared the creatures that lurked in the dark, the ancient Morimo, whose (long fingers crept into their dreams:1.9), nor the Great Manes, the restless dead who wailed from the vast pit in the North. As the ritual spread, the ground trembled. The bodies, headless, preserved, waiting, became altars of transformation. And the deeper they dug, the more they found. The soil was not empty; it was filled with bones, with old hunger, with something watching from beneath. Were they consuming power, or was something consuming them? In the style of Joao Ruas.

ERH PRO

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Alien creatures on an alien planet walk across a swamp at sunset, their tenacles waving in the air

Dallas59

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An alien sea creature swims towards the camera

Dallas59

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an anthropomorphic creature with long white wings raises it's arms up and looks at the camera as the camera moves closer

Dallas59

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Robots and human like creatures pose for the camera, they bling and breath, the camera move forwards, surrealism

Dallas59

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/imagine prompt an amazing futuristic dystopian image (in the style of the artist Joao Ruas:1.9). Subtle red and white highlights. The War came. I went into the Broken City where the people eaters search for me constantly. Emotional epic cinematic dramatic dystopian. The People Eaters find me. They are tearing people apart. In a great abandoned city square, (hundreds of strange people and creatures are walking towards:1.9) (a very futuristic, magnificent, but war-damaged building:1.9). Epic cinematic dramatic dystopian futuristic. The building is adorned with red, white and black flags.

ERH PRO

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