Out of Time Luma prompts

7 months ago

Show a close-up of a young, pale, beautiful Korean girl with K-pop pink makeup. Her eyes remain fully closed at all times as she faces the camera. She has pink hair and a high, sharp, prominent nose. Her expression remains neutral as she slowly turns her head left and right repeatedly, allowing the camera to capture every detail. Her nose and face have an extremely oily, high-gloss finish, almost like water, with intense reflections—especially along the flare side of her nose. The dim ambient lighting enhances the sheen, emphasizing the flawless texture of her skin. As the camera pans smoothly, it showcases the way light moves across her ultra-glossy complexion, capturing reflections from different angles. Every detail of her sharp nose and radiant skin remains in focus, highlighting the depth and clarity of the reflection. Additionally, she subtly moves her lips as if speaking, and her closed eyes occasionally blink gently, adding a natural conversational nuance to the scene. The fluid, lifelike motions make it seem as though she is engaged in a quiet, intimate monologue, even though her words remain unheard

7 months ago

Scene Description: The ad opens with a split-screen view: Left Side (Service Provider's Perspective): A harried service provider, perhaps a plumber or a technician in a uniform, glances at their watch impatiently in a cluttered workshop. They mutter frustratedly as they realize they missed an appointment. Right Side (Client's Perspective): A client sits in a comfortable living room, checking their phone anxiously. The clock on the wall ticks slowly as they wait for the service provider who hasn't shown up. Middle Section: The screen splits further to show comical scenes: Service Provider: Rushing through traffic, encountering unexpected obstacles like a parade of ducks crossing the road. Client: Nodding off, surrounded by a growing pile of magazines, their expression turning from hopeful to annoyed. Final Shot: Both perspectives merge into one frame: the service provider finally arrives, apologetic but relieved, while the client gives a half-amused, half-exasperated look. Text Overlay: "Avoid missed connections. Choose [Your Brand's Name] for on-time service and reduced wait times." Closing Frame: The ad ends with a humorous fade-out, leaving viewers with a memorable reminder of the importance of punctuality and efficient service.

4 months ago

Oh the burden bleed, it was the world on fire. No-one eating bodies so I was wrong to leave to avoid the perfect one more time. Still (when they kicked me out of jail next morning I was on my knees, dogs barking:1.9). (In the style of Joao Ruas:1.9).

4 months ago

Oh the burden bleed, it was the world on fire. No-one eating bodies so I was wrong to leave to avoid the perfect one more time. Still (when they kicked me out of jail next morning I was on my knees, dogs barking:1.9). (In the style of Joao Ruas:1.9).

3 months ago

It won’t be long now, but any time is too long. I’m more satisfied with so little, and I won’t be taken again in this life. (I wear my scar mistakes:1.9), no more changing at the terminal point of (final epigenisis:1.9) except maybe the way I vomit. Never lie again. What is that calls me from deep within? is it Ian killed by the mountains he loved, is it Zanjan's feedback muezzin? (Subtle red and white highlights:.7). Epic, cinematic, dramatic, dystopian, futuristic. (Science Fiction style:1.9). (Strange mysterious, symbols, and scripts:1.9).

4 days ago

Award-winning wildlife photography, hyper-detailed, cinematic lighting. The scene is frozen in time: Thats right a big round 130kg politician, suit disheveled, face a mask of sheer panic, screams "Nooooooooo!" as the case, full of corruption, is ripped from his grasp. Dust motes dance in the outback sun. In the foreground, Kicki the Big Red Kangaroo and his kangaroo friends lean into a magnificent, blur-fast Bruce Lee-style kick, connecting solidly with the politician's round form. The intimate portrait, shot on a 600mm f/4 lens, captures every wonderful moment, every grain of red dust, every strained sinew. Signature: JDHampton + AI | Creative Alliance --ar 16:9 --wow wooooooooooo war cry style raw --s 250

4 months ago

Oh the burden bleed, it was the world on fire. No-one eating bodies so I was wrong to leave to avoid the perfect one more time. Still (when they kicked me out of jail next morning I was on my knees, dogs barking:1.9). (In the style of Joao Ruas:1.9).

3 months ago

It won’t be long now, but any time is too long. I’m more satisfied with so little, and I won’t be taken again in this life. (I wear my scar mistakes:1.9), no more changing at the terminal point of (final epigenisis:1.9) except maybe the way I vomit. Never lie again. What is that calls me from deep within? is it Ian killed by the mountains he loved, is it Zanjan's feedback muezzin? (Subtle red and white highlights:.7). Epic, cinematic, dramatic, dystopian, futuristic. (Science Fiction style:1.9). (Strange mysterious, symbols, and scripts:1.9).

4 days ago

Award-winning wildlife photography, hyper-detailed, cinematic lighting. The scene is frozen in time: Thats right a big round 130kg politician, suit disheveled, face a mask of sheer panic, screams "Nooooooooo!" as the case, full of corruption, is ripped from his grasp. Dust motes dance in the outback sun. In the foreground, Kicki the Big Red Kangaroo and his kangaroo friends lean into a magnificent, blur-fast Bruce Lee-style kick, connecting solidly with the politician's round form. The intimate portrait, shot on a 600mm f/4 lens, captures every wonderful moment, every grain of red dust, every strained sinew. Signature: JDHampton + AI | Creative Alliance --ar 16:9 --wow wooooooooooo war cry style raw --s 250

5 months ago

Financial charts of real-time financial data as the stock market is in freefall

3 months ago

It won’t be long now, but any time is too long. I’m more satisfied with so little, and I won’t be taken again in this life. (I wear my scar mistakes:1.9), no more changing at the terminal point of (final epigenisis:1.9) except maybe the way I vomit. Never lie again. What is that calls me from deep within? is it Ian killed by the mountains he loved, is it Zanjan's feedback muezzin? (Subtle red and white highlights:.7). Epic, cinematic, dramatic, dystopian, futuristic. (Science Fiction style:1.9). (Strange mysterious, symbols, and scripts:1.9).