8 months ago A photo of a character with curly red hair and pale white skin, wearing green lipstick, in her late thirties, dressed as Pauline "Lemography" from Vacation, directed by John Schofield, wearing a lace dress with black stripes on the arms, sitting in front of a wall, looking at the camera. The image is detailed, showcasing the character's face, eyes, makeup, costume, and , as well as the background. It is a full-body shot with a full head of the subject. --chaos 100 --ar 75:101 --style raw --profile virw3oe --stylize 750 --v 6.1 Dallas59 7 140
8 months ago A photo of a character with curly red hair and pale white skin, wearing green lipstick, in her late thirties, dressed as Pauline "Lemography" from Vacation, directed by John Schofield, wearing a lace dress with black stripes on the arms, sitting in front of a wall, looking at the camera. The image is detailed, showcasing the character's face, eyes, makeup, costume, and , as well as the background. It is a full-body shot with a full head of the subject. --ar 75:101 --style raw --stylize 750 --v 6.1 Dallas59 6 130
2 months ago A photograph of a redheaded woman with short, wavy hair, blue eyes, and red lipstick, wearing a black, off-the-shoulder dress in front of an open field at sunset. She has freckles on her face and dark gloves around her neck. Her gaze is directed towards the camera. The lighting should be soft, creating gentle shadows that accentuate the details of her facial features and skin texture. Captured with a Canon EF 50mm f/2 lens. --v 6.1 TheArtists 2 55
20 days ago close-up fashion portrait of an enigmatic woman, her face is totally painted with matte jet-black makeup. She is strictly facing the camera in a passport-style photo, direct gaze, both eyes level. Her face is adorned with intricate, symmetrical, vibrant orange bioluminescent filigree 3D in relief patterns in a baroque style. She wears a sculpted, biomechanical hood made of a bone-white material. Piercing hazel green eyes, metallic pewter lips. Bright orange cybernetic cables. Professional studio lighting --no head turn, 3/4 view, profile, grey skin, blue skin --ar 5:6 --raw digital_sendai 1 38
3 months ago Caucasian man, mid-20s, in a cream-colored, tailored suit, vibrant Joker makeup, standing in an urban street, hands in pockets. The suit has a noticeable mustard yellow vest and a lime green collared shirt. The Joker makeup is intricate and detailed, with vibrant green hair, bright red lips, and a wide grin. He is looking directly at the camera, with a serious expression. Palm trees are in the background behind him on a sunny day, with beige-colored, Art Deco-style buildings, and a paved walkway. The lighting is bright and dramatic, highlighting the details of the suit and makeup. Photorealistic, cinematic lighting, highly detailed, urban street scene, realistic, sharp focus on the subject's face and suit, fashion Atoo 1 33
3 months ago Caucasian man, mid-20s, in a cream-colored, tailored suit, vibrant Joker makeup, standing in an urban street, hands in pockets. The suit has a noticeable mustard yellow vest and a lime green collared shirt. The Joker makeup is intricate and detailed, with vibrant green hair, bright red lips, and a wide grin. He is looking directly at the camera, with a serious expression. Palm trees are in the background behind him on a sunny day, with beige-colored, Art Deco-style buildings, and a paved walkway. The lighting is bright and dramatic, highlighting the details of the suit and makeup. Photorealistic, cinematic lighting, highly detailed, urban street scene, realistic, sharp focus on the subject's face and suit, fashion Atoo 1 41
2 months ago still archive, warnerbros .com, ultra-photorealistic IMAX cinematic frame grab. rear-facing dolly-out of a superhero flying through golden clouds, arms extended in Superman pose, fists aligned, cape fluttering with wind physics, golden hour sunset, volumetric fog trailing behind, high-speed motion blur, atmosphere glowing from behind shot on RED Komodo 6K, Panavision 85mm anamorphic lens, directed by Christopher Nolan, lighting by Greig Fraser, VFX by Paul Lambert and Allan McKay, Kodak Vision3 250D film grain, .MP4 export from Adobe Premiere Pro, IMAX 65mm, 8K, vivid grading, cinematic HDR bloom, volumetric lighting, atmospheric fog, extreme shallow depth of field, static camera framing, no motion blur. --ar 16:9 --v 7 --style raw --q 2 --s 750 --no cartoon --no wide arms --no camera shake 2e935a66562 0 33
