Wide Field Midjourney prompts

4 months ago

photograph, minimalist style hotel suite room interior, white and light oak wood texture materials, white calacatta marble floors accents and a minimalist design king bed, depth of field, wide-angle perspective, soft ambient with realistic sun light, soft shadow, rich details --ar 9:16 --raw

8 months ago

Black-and-white portrait of an attractive woman in a black lace veil, wearing a veil on her head, with studio lighting, soft light, volumetric effect, dark background, high contrast, beautiful eyes, pretty lips, and gorgeous hair. This is a fashion photography image with a cinematic style, captured with a 20mm lens at a wide angle and shallow depth of field, resulting in an ultra-realistic and super-detailed, high-resolution image.

5 months ago

A high-intensity depiction of the Battle for Zion from *The Matrix*. The vast subterranean dock of Zion is under siege: dark, industrial architecture looms with towering pillars and steel catwalks illuminated by red emergency lights and the strobing muzzle flashes of gunfire. Swarms of relentless Sentinels--metallic, squid-like machines with whirling tentacles and glowing red sensor eyes--fill the air in chaotic waves. At the center of the scene is Kirby, rendered with realistic textures while maintaining his iconic round pink form. He is inside an APU mech: a battered, humanoid exosuit of hydraulic pistons, armor plating, and massive twin arm-mounted rotary machine guns. The APU’s guns are aimed high, firing streams of bright tracer rounds upward into the dense swarm of Sentinels above. Sparks, smoke, and a cascade of large shell casings eject from the guns, tumbling through the air in a golden arc. Kirby’s expression is uncharacteristically fierce--his large eyes narrowed with burning determination, mouth wide open in a scream of defiance. The lighting is harsh and dramatic, with contrasting cool blue and red hues from the emergency lights and the Sentinels’ glow, accented by the warm flashes of gunfire. Depth of field focuses tightly on Kirby’s APU and the nearest Sentinels, while the background blurs into a maelstrom of mechanical carnage. Cinematic composition, widescreen aspect ratio, dynamic motion blur on the guns, shell casings, and tentacles, no logos or extraneous text.

1 month ago

A close-up portrait of a fair-skinned woman, framed from the shoulders up, with striking features and a mysterious aura. The woman appears to be in her late twenties or early thirties, her face framed by a dark, wide-brimmed hat casting deep shadows. Her eyes, a captivating shade of blue, are accentuated by the lighting, showcasing intricate details. She wears a black, high-collared sweater, the soft material contrasting with the sharp lines of the hat. The lighting is dramatic, with a strong light source illuminating one side of her face, highlighting the texture of her skin and the fullness of her lips, while the other side is shrouded in shadow. The skin appears smooth with a slight sheen, suggesting the use of makeup. The background is a soft, undefined dark space, drawing all focus to the woman's face. The overall mood is mysterious and elegant, with a focus on dramatic lighting and a sense of intrigue, shot with a shallow depth of field, focused on her eyes, and a studio portrait style. --ar 2:3 --q 2 --s 750

5 months ago

still archive, warnerbros .com, ultra-photorealistic IMAX cinematic frame grab. rear-facing dolly-out of a superhero flying through golden clouds, arms extended in Superman pose, fists aligned, cape fluttering with wind physics, golden hour sunset, volumetric fog trailing behind, high-speed motion blur, atmosphere glowing from behind shot on RED Komodo 6K, Panavision 85mm anamorphic lens, directed by Christopher Nolan, lighting by Greig Fraser, VFX by Paul Lambert and Allan McKay, Kodak Vision3 250D film grain, .MP4 export from Adobe Premiere Pro, IMAX 65mm, 8K, vivid grading, cinematic HDR bloom, volumetric lighting, atmospheric fog, extreme shallow depth of field, static camera framing, no motion blur. --ar 16:9 --v 7 --style raw --q 2 --s 750 --no cartoon --no wide arms --no camera shake