rear shot Midjourney prompts

8 months ago

photography, rear shot, woman, street fashion, wearing a black cap, over sized white t-shirt, black jogger pants, white socks with black sneakers, contemplative pose, long brown hair flowing freely, street backdrop, soft overcast realistic light, depth of field --ar 9:16 --v 7.0

8 months ago

snapshot, candid urban scene, rear full-body composition, shot with a Canon EOS R5 and 50mm f/1.2 lens, man model riding skateboard in New York City crosswalk, wearing a backwards black camouflage cap, oversized black t-shirt, denim jogger jeans, red color high-top skateboard shoes, holding a coffee cup, passing yellow NYC taxi in background, surrounded by brick buildings and greenery, soft afternoon sunlight, depth of field, hyper-realistic, urban life vibe --ar 9:16 --style raw --v 7

24 days ago

surealism conceptual photography, front central, full-body rear shot, human figure, taped up body, transition from soft green at the top to vibrant blue at the bottom background, emphasizing the figure with a blend cool tones, style ethereal and abstract, blurred contours and a reflective surface, rich detailed --ar 9:16 --raw

3 months ago

photorealistic, rear shot, high detailed futuristic mechnical fashion silhouette, male model, metallic fabric with mechanical devices and cables, mechanical beauty, expert photo technique, low-key set, top-down spot light, black moody background --ar 9:16 --quality 2 --raw --stylize 300

3 months ago

photography, front shot, small bathroom, whole white, matte white floor and walls tile, white top bowl basin, matle white faucet, ellipse shape mirror with rear lights --ar 9:16 --raw

5 months ago

still archive, warnerbros .com, ultra-photorealistic IMAX cinematic frame grab. rear-facing dolly-out of a superhero flying through golden clouds, arms extended in Superman pose, fists aligned, cape fluttering with wind physics, golden hour sunset, volumetric fog trailing behind, high-speed motion blur, atmosphere glowing from behind shot on RED Komodo 6K, Panavision 85mm anamorphic lens, directed by Christopher Nolan, lighting by Greig Fraser, VFX by Paul Lambert and Allan McKay, Kodak Vision3 250D film grain, .MP4 export from Adobe Premiere Pro, IMAX 65mm, 8K, vivid grading, cinematic HDR bloom, volumetric lighting, atmospheric fog, extreme shallow depth of field, static camera framing, no motion blur. --ar 16:9 --v 7 --style raw --q 2 --s 750 --no cartoon --no wide arms --no camera shake