looking towards the camera Seedance prompts

2 months ago

The blue eye blinks twice and then looks down. The painter turns toward the camera barefoot and waves with a smile.

2 months ago

The blue eye blinks twice and then looks right. The painter turns toward to the camera barefoot and waves with a smile.

2 months ago

The blue eye blinks twice and then looks down. The painter turns toward the camera barefoot and waves with a smile.

2 months ago

The blue eye blinks twice and then looks down. The painter turns toward the camera barefoot and waves with a smile.

2 months ago

A woman looks around, bewildered, then walks barefoot toward the camera. The clouds are moving, and the planet's gas belts are moving at different speeds.

2 months ago

the woman looks first to the right then to the left, confused, then walks towards the camera. the camera zoom to feet

19 days ago

Scene 1 (First 3 seconds): The protagonist is seated in the room, casually turning their head toward the camera and giving a slight smile, acknowledging the recording. Soft ambient lighting sets a relaxed mood. Scene 2 (Next 3 seconds): A delivery guy enters the room and walks toward the protagonist, holding a wrapped kebab order. The camera captures the approach from a medium side angle. Scene 3 (Next 3 seconds): Close-up shot of the hand-to-hand delivery. The protagonist receives the kebab. Focus on the gesture, blurred background, subtle room details visible. Scene 4 (Final 3 seconds): The protagonist is now sunk into the couch within the same room, looking very full after eating. The kebab wrapper or leftovers are beside them, creating a humorous, satisfied mood. Subtle lighting, no text, natural atmosphere.

2 months ago

the woman looks first to the right then to the left, confused, then walks towards the camera.

2 months ago

the woman looks first to the right then to the left, confused, then walks towards the camera.

19 days ago

A massive T-Rex thunders through a quiet American suburban neighborhood, crushing cars and tearing up the streets. The perspective changes every 3 seconds, creating an intense cinematic sequence. Scene 1: Wide aerial shot of a calm neighborhood with neat lawns and parked cars—suddenly, the T-Rex bursts into frame, roaring. Scene 2: Ground-level shot as the T-Rex stomps over a car, metal crumpling under its weight. Houses shake with each step. Scene 3: Handheld chaotic shot showing people fleeing in panic, screaming, looking back in terror as the creature approaches. Scene 4: Close-up of the T-Rex’s jaws and eyes, saliva dripping, roaring toward the camera. High intensity, realistic destruction, dynamic motion, no text.