Low resolution Sora prompts

2 days ago

photo taken with a compact digital camera from the early 1990s, grainy, saturated colours, flash photography, grainy texture, overexposed light, ethereal mood, low resolution, camera flash, realistic, ultra high quality real image, unreal contrast, low saturation, highlights, The picture looks nostalgic, evoking strong emotions, randomize subject, extra high cropped and loose hanging shirt

5 months ago

A tall, elegant woman in a floor-length, art-deco beaded champagne gown with thin spaghetti straps, standing beside a vintage film spotlight on a metal tripod, in a dark minimalist studio. She has old-Hollywood wavy blonde hair swept to one side, her posture poised, one hand resting lightly on the glowing spotlight, the other delicately near her face with a ring. She stands on rustic wooden crates over a wooden floor, the warm spotlight casting soft light and deep cinematic shadows around her. The atmosphere feels timeless, reminiscent of 1930s backstage film glamour, with a subtle haze in the air, capturing the glow and texture of the beads and the contours of her silhouette. Shot on a cinematic 50mm lens, soft depth of field, low-key lighting, warm tones, Vogue editorial style, high resolution, 4K, slow dolly in, gentle film grain.

5 days ago

photo taken with a compact digital camera from the early 1990s, grainy, saturated colours, flash photography, grainy texture, overexposed light, ethereal mood, low resolution, camera flash, realistic, ultra high quality real image, unreal contrast, low saturation, highlights, The picture looks nostalgic, evoking strong emotions, randomize subject, extra high cropped and loose hanging shirt, randomize location, and give very unique and unexpected camera angle. Chromatic aberration, film scratch and light leaks.

9 months ago

A 35mm photography of a woman wearing a blue dress and a cowboy hat::2. It may have been created by Nathalie Rattner, Tumblr style. The image could be inspired by the music of Rex Orange County and features an exposed back. The color palette used in the artwork is primarily cyan and orange. The style of the portrait may be reminiscent of an Ana de Armas portrait and could have been influenced by artists like Maxwell Boas and Jenny Seville. The location of the portrait is possibly in Texas, under the sun. The image may be in low resolution, but it still captures the summer vibrance of the year 2020. It is possible that the portrait was taken in San Francisco by Lily Frank and features azure and red tones. The aperture used in the photograph was f/2. Analog, photo grain --ar 2:3 --q 2

1 month ago

A realistic handheld horror video filmed with a smartphone in 2025, at night in a dark forest. The person recording breathes heavily and moves nervously while walking between trees. The phone flashlight is the only light source, flickering slightly. The image shakes naturally, autofocus struggles in the darkness, and the microphone captures real ambient sounds — footsteps on leaves, branches snapping, the wind moving through the trees, and faint whispers in the distance. Suddenly, through the fog, a tall, thin humanoid silhouette about three meters high appears motionless between the trees, its limbs unusually long and proportions unsettling. The person gasps, the camera trembles, and the light flickers as the figure fades into the darkness. The video looks authentic, raw, and unedited, as if found footage. Inspired by “The Blair Witch Project” but recorded with a modern phone. No background music, only ambient sound and breathing. Realistic lighting, shadows, motion blur, high-resolution but low visibility, tense and immersive atmosphere.

5 months ago

A sweeping cinematic shot of a NASA Mars surface habitat under the warm, dusty orange glow of a Martian sunrise, showcasing interconnected cylindrical habitat modules arranged in a cross formation, surrounded by large solar panel arrays partially covered in red dust. Two NASA cargo landers stand in the distance, tire tracks leading back to the base, while a small rover is parked near supply crates and airlock tunnels. The barren Martian landscape stretches into the horizon with rocky outcrops and dust devils in the distance, emphasizing the isolation and quiet of space exploration. The camera glides low, capturing the details of the solar panels, airlock systems, and rugged terrain with crisp shadows and soft atmospheric dust, evoking hope and the pioneering spirit of humanity’s first steps toward colonizing Mars. High-resolution, cinematic lighting, hyper-realistic texture, 4K, IMAX framing, slow panning shot.

1 month ago

A realistic handheld horror video filmed with a smartphone in 2025, at night in a dark forest. The person recording breathes heavily and moves nervously while walking between trees. The phone flashlight is the only light source, flickering slightly. The image shakes naturally, autofocus struggles in the darkness, and the microphone captures real ambient sounds — footsteps on leaves, branches snapping, the wind moving through the trees, and faint whispers in the distance. The video looks authentic, raw, and unedited, as if found footage. Inspired by “The Blair Witch Project” but recorded with a modern phone. No background music, only ambient sound and breathing. Realistic lighting, shadows, motion blur, high-resolution but low visibility, tense and immersive atmosphere.

5 days ago

A 1990s-erafaded photograph showing a close-up view of a woman's hip area wearing a black high cropped t-shirt, underside visible. A black tattoo in lowercase Times New Roman font reading "VISIT DOWN UNDER" is visible on hip. The photograph has a grainy, low resolution quality typical of 1990s consumer cameras, with slightly washed-out colors and reduced contrast. Low resolution film photography with faded colors and soft focus characteristic of 1990s consumer cameras. and attention seeking MODERN y2k waistband

1 month ago

A realistic handheld horror video filmed with a smartphone in 2025, at night in a dark forest. The person recording breathes heavily and moves nervously while walking between trees. The phone flashlight is the only light source, flickering slightly. The image shakes naturally, autofocus struggles in the darkness, and the microphone captures real ambient sounds — footsteps on leaves, branches snapping, the wind moving through the trees, and faint whispers in the distance. Suddenly, through the fog, a tall, thin humanoid silhouette about three meters high appears motionless between the trees, its limbs unusually long and proportions unsettling. The person gasps, the camera trembles, and the light flickers as the figure fades into the darkness. The video looks authentic, raw, and unedited, as if found footage. Inspired by “The Blair Witch Project” but recorded with a modern phone. No background music, only ambient sound and breathing. Realistic lighting, shadows, motion blur, high-resolution but low visibility, tense and immersive atmosphere.