captured in a raw Sora prompts

23 days ago

a lo-fi 2010s-era, diagonally taken, low-quality iPhone photo of a 20-year-old baddie. The shot is imperfect — grainy, off-center, motion-blurred, and raw. The lighting is uneven and yellowish, like a flash bounced off a mirror or cheap LED strip. She’s captured head-to-hip, wearing a cropped hoodie and low-rise jeans with a rhinestone belt and playfull tanga peeking, a tiny purse hanging off her shoulder. Her long dark hair partially covers her face as she moves mid-pose, expression unreadable.

6 months ago

A low-angle, wide-angle analogue photograph of a woman holidng a Sony PlayStation Vita up to the camera, on a sunlit pier, against a clear blue sky. The photo is taken at an angle. The sun is behind the model creating a glow. She has dark brown hair let loose, she looks cool and beautiful. She's wearing a simple, front-tie croptop, bikini bottoms, and trainers and socks. She is turned around and showing off her back. Her skin is glistening with oil. The image has a raw, unpolished look — shot on 35mm film with a grungy, analogue aesthetic, with flash. No digital retouching, with natural lighting and imperfections intact, there are a few flecks of grain and scratches on the pic in a natural way. The photo feels spontaneous, carefree, and candid, capturing a nostalgic 90s summer vibe. Harsh sunlight creates subtle lens flare and dramatic shadows. The model wears minimal accessories, emphasising a natural, real-life look. Background includes a white wooden fence and distant hills by the ocean.

2 months ago

A realistic cinematic smartphone selfie video of a confident woman shopping in a supermarket. She’s casually dressed in sporty clothes with a light jacket and a low-cut top, filming herself in selfie mode as she walks through the frozen food aisle. Suddenly, she accidentally slips slightly on the clean floor, capturing the spontaneous moment on camera. Natural lighting, authentic motion blur, realistic facial expression, shallow depth of field, high-quality cinematic realism, handheld smartphone footage. --ar 9:16 --style raw --v 2

4 months ago

A black-and-white cinematic sequence of a woman from behind, her bare back softly lit by shifting window light as she slowly turns her head to the side, loose strands of hair slipping down from her messy bun and catching the light. Subtle movements of her shoulders as she breathes, the camera gently pushing in with a slow, handheld feel, capturing the delicate curves of her spine and shoulder blades. Soft grain and shallow depth of field create a timeless, intimate mood, while light dust particles float in the air, enhancing the quiet, poetic atmosphere. The scene feels raw, contemplative, and serene, with slow-motion segments and gentle light flares adding to the emotional weight.

1 month ago

A realistic handheld horror video filmed with a smartphone in 2025, at night in a dark forest. The person recording breathes heavily and moves nervously while walking between trees. The phone flashlight is the only light source, flickering slightly. The image shakes naturally, autofocus struggles in the darkness, and the microphone captures real ambient sounds — footsteps on leaves, branches snapping, the wind moving through the trees, and faint whispers in the distance. Suddenly, through the fog, a tall, thin humanoid silhouette about three meters high appears motionless between the trees, its limbs unusually long and proportions unsettling. The person gasps, the camera trembles, and the light flickers as the figure fades into the darkness. The video looks authentic, raw, and unedited, as if found footage. Inspired by “The Blair Witch Project” but recorded with a modern phone. No background music, only ambient sound and breathing. Realistic lighting, shadows, motion blur, high-resolution but low visibility, tense and immersive atmosphere.

5 months ago

A close-up cinematic shot of a resilient woman with short, dark, slightly messy hair, her warm-toned skin showing subtle freckles, and a thin dark necklace around her neck. She gazes forward with a calm, contemplative, and slightly hardened expression, her eyes softly squinting under the warm, dusty light of a post-apocalyptic desert at golden hour. The background is softly blurred with earthy, muted tones and distant mountains, emphasizing the vast, desolate world around her. Her clothing is simple, practical, in muted beige tones, suggesting survival and quiet strength. The scene feels raw, intimate, and atmospheric, capturing the silent determination of a lone wanderer in a harsh but beautiful wasteland. Style: Cinematic, shallow depth of field, natural lighting, soft color grading, high detail, emotional realism, slight film grain, 4K.

3 months ago

A casual, low-quality photo that looks like an unplanned snapshot, taken with a phone flashlight in a dim bedroom. The subject is caught mid-pose in Shayanasana (advanced elbow balance inversion) — body inverted, forearms pressing into the mattress, legs lifted overhead in strong vertical alignment. One hand rests against her chin, emphasizing the advanced balance. The angle is awkward, as if someone leaned over and quickly snapped it without composing. The photo has slight motion blur, minor overexposure, and faint RGB ambient lights faintly coloring the scene. The bed beneath is cluttered with wrinkled blankets and plush toys, grounding the scene in a casual, imperfect atmosphere. Aesthetic: Harsh flashlight halo, deep inverted shadows, visible noise and grain, faint scratches and burn-like texture, uneven framing and slight tilt. The result feels like a raw, gritty early-2010s phone capture — chaotic, imperfect, but hyperreal in fabric physics, skin detail, tattoo rendering, and dramatic inversion posture.

1 month ago

A realistic handheld horror video filmed with a smartphone in 2025, at night in a dark forest. The person recording breathes heavily and moves nervously while walking between trees. The phone flashlight is the only light source, flickering slightly. The image shakes naturally, autofocus struggles in the darkness, and the microphone captures real ambient sounds — footsteps on leaves, branches snapping, the wind moving through the trees, and faint whispers in the distance. The video looks authentic, raw, and unedited, as if found footage. Inspired by “The Blair Witch Project” but recorded with a modern phone. No background music, only ambient sound and breathing. Realistic lighting, shadows, motion blur, high-resolution but low visibility, tense and immersive atmosphere.

2 months ago

A realistic smartphone video of a man welding metal with a blowtorch in a small workshop. He’s wearing protective goggles, gloves, and a dark welding apron. Sparks fly around as he works carefully, surrounded by tools and machinery. Suddenly, the blowtorch releases an unexpected burst of fire — a huge, bright flame that briefly lights up the entire room. The camera shakes slightly from surprise, capturing the intense flash and smoke that follows. Cinematic lighting, natural handheld motion, realistic atmosphere, detailed environment. --ar 16:9 --style raw --v 2

2 months ago

A hyper-realistic police bodycam video of a kangaroo making punching feints toward a police officer on a dusty rural road in Australia. The kangaroo stands upright, muscles tense, hopping forward and throwing mock punches in the air with surprising precision, its tail balancing its weight. The officer’s hands are visible, backing away defensively, trying to keep calm. The camera shakes slightly with each movement, capturing dust clouds, bright sunlight, and the kangaroo’s intense gaze. The scene feels chaotic and tense, with realistic motion blur, natural lighting, cinematic documentary style, authentic bodycam realism, 4K, raw and immersive footage. --ar 16:9 --style raw --vibe tense and surreal

2 months ago

A realistic smartphone video of a man repairing the roof of a house while standing on a ladder. He’s wearing work clothes, gloves, and a tool belt with nails and a hammer. The sky is bright and slightly cloudy. As he adjusts a loose tile, the ladder suddenly slips, and he loses his balance, falling backward in a quick, unexpected moment. The camera captures the fall from a realistic angle, as if filmed by someone nearby, without showing any explicit injury. Natural daylight, handheld motion, cinematic realism, detailed environment. --ar 16:9 --style raw --v 2

2 months ago

Incredibly advanced spaceship from the year 3,000 is moving at high speed flying over central Australia during early morning sunrise Signature: JDHampton + AI | Creative Alliance Wildlife photograph, captures the spaceship at an incredible moment, National Geographic style, award-winning photography, hyper-detailed, cinematic lighting, intimate portrait, shot on a 600mm f/4 lens --ar 16:9 --style raw --s 250--Wow YEAH, wooooooooooo raw style

2 months ago

Incredibly advanced spaceship from the year 3,000 is moving at high speed flying over central Australia during early morning sunrise Signature: JDHampton + AI | Creative Alliance Wildlife photograph, captures the spaceship at an incredible moment, National Geographic style, award-winning photography, hyper-detailed, cinematic lighting, intimate portrait, shot on a 600mm f/4 lens --ar 16:9 --style raw --s 250--Wow YEAH, wooooooooooo raw style

2 months ago

A humanoid runner with a retro computer monitor for a head, sprinting down an urban street at dusk. The monitor glows faintly, displaying static and neon graphics. Sweat glistens on the athletic human body, captured mid-stride, low-angle 35mm lens, cinematic rim lighting, motion blur trailing arms and legs, dust rising from asphalt, photorealistic textures, ultra-HD, cinematic realism --ar 9:16 --style raw --v 7 --quality 2 --p 6u6ti8r

1 month ago

A realistic handheld horror video filmed with a smartphone in 2025, at night in a dark forest. The person recording breathes heavily and moves nervously while walking between trees. The phone flashlight is the only light source, flickering slightly. The image shakes naturally, autofocus struggles in the darkness, and the microphone captures real ambient sounds — footsteps on leaves, branches snapping, the wind moving through the trees, and faint whispers in the distance. Suddenly, through the fog, a tall, thin humanoid silhouette about three meters high appears motionless between the trees, its limbs unusually long and proportions unsettling. The person gasps, the camera trembles, and the light flickers as the figure fades into the darkness. The video looks authentic, raw, and unedited, as if found footage. Inspired by “The Blair Witch Project” but recorded with a modern phone. No background music, only ambient sound and breathing. Realistic lighting, shadows, motion blur, high-resolution but low visibility, tense and immersive atmosphere.