It should be rendered as if by oil on canvas Stable

Dreams of an Illusion, peace and freedom are only an imagination in this world, reality is ugly, colorful, mystique, 8k, surrealism, endless hope, war is a monster, defeat it, eternity , endless love is the weapon, very beautiful, full body shot, seductive, waves, liquid, water, gel, flowing, perfect composition, beautiful detailed intricate insanely detailed octane render trending on artstation, 8 k and hyperrealistic artistic photography, photorealistic concept art, soft natural volumetric cinematic perfect light, chiaroscuro, award - winning photograph, masterpiece, oil on canvas, raphael, caravaggio, greg rutkowski, beeple, beksinski, giger

Ikonvisuals

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The head of the girl is made up entirely from brick cracked paint, with her lips visible through cracks in it. The background features an old wall painted white and covered with large crack lines. This painting creates a mysterious atmosphere, adding to its overall horror vibe. It should be rendered as if by oil on canvas, capturing intricate details and textures. In a hyper-realistic style, the portrait will emphasize facial expressions and skin texture, emphasizing realism. --ar 71:128 --s 750 --v 6.0 --style raw

ba3642e4b3d

0 52

Windswept silence fills a vast white desert, where a woman stands with her back to the viewer, in the style of Richard Dadd, framed in a close-up perspective. Rendered in the textured brushwork of an old master oil painting on canvas, her loose white robe flutters in the dry wind, sand swirling softly around her ankles. Fine subliminal mycelium patterns subtly interlace with both her figure and the shifting dunes beneath her. Her hair, tangled and windblown, partially veils her face, mirroring the tension of the stormy atmosphere. Overhead, the sky is layered in muted greys and off-whites, with a dim sun barely breaking through the haze. The setting recalls the sparse landscapes of Simon Stålenhag, blended with the intricate monochrome fine defined line detail of Aubrey Beardsley and the cinematic tension found in Ash Thorp’s compositions. A visual study in solitude, depth, and restrained surrealism, presented with raw texture and contrasts of surreal-realism. --v 5 --ar 3:4 --q 2 --style raw

Morgue PRO

0 47

A dramatic, romanticized oil on canvas portrait in the style of late 19th-century German painters, depicting three spectral figures resembling Blackbeard's ghosts on a tropical Caribbean island at dusk. The central figure, a gaunt, weathered Black man of indeterminate age, with piercing eyes and a sorrowful expression, is clad in tattered, dark-brown 18th-century sailor's garb, his spectral form partially translucent, revealing the lush vegetation behind. His pose is melancholic, hands clasped loosely, leaning against a gnarled, ancient tree. Two other figures, similarly ethereal and attired, flank him, their faces obscured by shadow and mist. The island's lush vegetation—palms, ferns, and vibrant tropical flowers—is rendered with thick impasto brushstrokes, contrasting with the smoother depiction of the ghostly figures. The dusky light bathes the scene in warm oranges, deep reds, and cool blues, casting long shadows that accentuate the dramatic chiaroscuro. The overall mood is one of wistful longing and otherworldly mystery, with a focus on atmospheric perspective to create depth and distance. The canvas's texture is palpable, a mixture of smooth and rough areas mimicking the texture of both skin and tropical foliage. A wide shot from a slightly low angle emphasizes the ghostly figures' height and dominance over the landscape. The style evokes a sense of brooding romance and supernatural mystery.

Bumtzi

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