9 months ago A playful dream shaper, with long hair that shifts between countless colors, her dress reacting to her ever changing thoughts, and with tools that seem to transform her dreams into reality, she performs upon a stage that is itself constantly in flux and where the very platform itself seems to shift, creating an atmosphere of joy and freedom and where a separate image of her dream merging into reality reflects the power of her imagination, the beauty of her creativity and the transformative power of imagination. Sombrero 0 34
9 months ago A celestial mage, her form dissolving into a shifting constellation of stars and her clothing seeming to be made of captured light itself, and where she flows within a space that seems to be between worlds where the very fabric of reality seems to be unstable, where the stars seem to twist and bend as she makes her way and with the very nature of space itself transforming around her, where she draws power from the very essence of the universe and where her style and design emphasize the abstract nature of space and time itself and with a separate image of a constellation rearranging to emphasize her power and control over the changing patterns of the very universe around her and with an atmosphere that is both beautiful and slightly unsettling. Sombrero 0 33
7 months ago A high-left, wide-angle concert scene from , reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers. Lastdance PRO 0 33
7 months ago A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. All female Rock-band, Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers. Lastdance PRO 0 37
7 months ago A high-left, wide-angle concert scene from , reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy of fire, as if the concert has transformed into a ritualistic gathering of ancient powers. Lastdance PRO 0 38