A sample prompt of what you can find in this page
Prompt by FatTerryDododo

apocalyptic style with high detail Stable Diffusion prompts

very few results

17 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

29 days ago

Ultra-realistic cinematic concept art. A Moroccan man in his late 20s — clean-shaven, sharp jawline, medium taper fade with short buzz cut — sits powerfully on a brutalist throne made from cracked concrete, scorched books, rusted rebar, shattered satellite dishes, and melted tech debris. His gaze is direct, heavy, serious — full of rage, loss, and pride. His posture is grounded, kinglike, a man forged by betrayal, not crowned by privilege. He wears a modern Moroccan warrior-king outfit: a long charcoal-black trench coat made from military fabric, faded gold zellige embroidery lining the cuffs and edges. Beneath, a worn cracked bulletproof vest. His matte-black pants have rugged metal strap accents, and dusty combat boots show battlewear. Over his shoulder, a torn deep red cloak — like a fallen flag turned royal cape. A rusted metallic star medal is pinned to his chest. His fingers are covered with chipped steel rings — no shine, just scars. A fractured crown of gold and iron rests on his head — dented, sharp, powerful. Not ceremonial, but forged from ruin and defiance. It’s heavy, symbolic — a burden earned. Background: Ruined Moroccan cityscape — crumbling domes, broken concrete walls, twisted rebar, burnt-out cars, and collapsed towers. A half-burned Moroccan flag hangs in the back, fluttering from a broken wall. The sky is layered with storm clouds — ash grey, storm blue, deep purples. A golden-orange light pierces the clouds in the distance like hope. Ash particles drift in the foreground, cinematic. Typography: “Trône sur les Ruines” in large cracked metallic gold serif font — clean but weathered. Top left or bottom right. Regal, minimal, poetic. Color Palette: Coal black, ash grey, Moroccan red, storm blue, bronze gold, burnt orange, dusty beige. Mood: Royalty born from survival. Pain turned into power. Cinematic, violent, majestic, tragic. Style: Ultra-detailed, dramatic lighting, high contrast, hyper-realistic rendering. Poster-quality. Influenced by Yeezus, The Blueprint, LiveLoveA$AP, and French war photography. -- full body shot, cinematic composition, wide angle, throne fully visible, Moroccan flag visible in background, apocalyptic setting, dramatic shadows, golden light, storm clouds, ash drifting, rule of thirds framing