{{{{{{{{swollen breasts}}}}}}}}} Veo veo-3.1 prompts

2 days ago

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

11 days ago

The camera dives into the blue flame inside the lantern — revealing a surreal dream world of floating candles, gears, and clock hands suspended in the dark. The skeleton boy floats weightlessly, his reflection shattered into multiple versions of himself. Strange gothic creatures with stitched smiles drift by like lost souls. A mechanical clock strikes midnight — the echo breaks the illusion. (End with the flame bursting open — light flashes — transition back to real world.)

18 days ago

A very dark, hyperrealistic cinematic scene of a beautiful, hypermodel astronaut with medium-length blue hair, an athletic build, and ample breasts. She is barefoot, wearing a white crop top, orange sweatpants, a high-tech backpack, and a futuristic rifle. She moves carefully, slowly, through an alien temple whose walls are filled with alien eggs of various sizes. Suspenseful music plays. The woman moves toward the camera, with the camera.

9 days ago

A breathtaking wildlife scene showing a lion stalking and attempting to hunt an antelope in the African savanna during golden hour. The camera captures the tension as the lion crouches low in the tall dry grass, its muscles tensed, eyes focused on the distant prey. The antelope grazes calmly, unaware of the predator approaching. Suddenly, the lion bursts forward in a powerful sprint, kicking up dust and grass as the antelope reacts and leaps away. Filmed with a Sony professional 8K cinema camera, using a 600mm telephoto lens, shallow depth of field, and smooth tracking motion. Warm golden sunlight floods the frame, highlighting the textures of fur and dust particles in the air. The focus alternates dynamically between predator and prey, creating cinematic tension. High frame rate for slow-motion playback during the chase. Natural ambient sound of wind and distant animal calls, no music. Style & details: Hyper-realistic wildlife documentary aesthetic Cinematic lighting and color grading Natural camera shake and focus transitions 16:9 aspect ratio, 8K resolution, 50 fps

5 days ago

a video of some tourists in a cable car with a glass floor that suddenly starts to crack

18 hours ago

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

2 days ago

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

9 days ago

A realistic wildlife scene showing a cheetah chasing an antelope across the African savanna under the bright midday sun. The sky is clear and intensely blue, and the harsh sunlight creates sharp contrasts and vivid natural colors. The cheetah bursts into a full-speed sprint through tall, dry grass, kicking up dust as it closes in on the fleeing antelope. The antelope leaps and changes direction rapidly while the camera tracks the action with precision, capturing every muscle movement and particle of dust. Filmed with a professional Sony cinema camera (no watermark or visible branding), using a 600mm telephoto lens, high-speed 8K recording at 60 fps, and steady dynamic tracking. The image is crisp, with natural motion blur and realistic heat haze in the background. Sound includes wind, distant animal calls, and hoof impacts on dry soil — no music or narration. Style & technical details: Ultra-realistic wildlife documentary aesthetic Bright daylight, high-contrast shadows, clear visibility Natural handheld stabilization and focus transitions Dust and motion blur effects visible 16:9 aspect ratio, HDR detail, no watermark

19 days ago

A 12-second 3D animated short film in DreamWorks style, featuring expressive, humorous anthropomorphic fruits with attitude. Scene 1 (0–4s): A confident strawberry with raised eyebrows and a smirk walks across a kitchen table like a hero entering the scene, dramatic backlight. Scene 2 (4–8s): A mischievous banana swings in like a stunt double, slipping on a grape on purpose and striking a pose as if nothing happened, exaggerated facial expressions. Scene 3 (8–12s): A bold pineapple wearing cool sunglasses crosses its arms, nodding with swagger while all the fruits exchange playful glances, like they’re planning an adventure. Cinematic lighting, dynamic camera angles, expressive animation, full of personality and DreamWorks humor.

9 days ago

A breathtaking wildlife scene showing a lion stalking and attempting to hunt an antelope in the African savanna during golden hour. The camera captures the tension as the lion crouches low in the tall dry grass, its muscles tensed, eyes focused on the distant prey. The antelope grazes calmly, unaware of the predator approaching. Suddenly, the lion bursts forward in a powerful sprint, kicking up dust and grass as the antelope reacts and leaps away. Filmed with a Sony professional 8K cinema camera, using a 600mm telephoto lens, shallow depth of field, and smooth tracking motion. Warm golden sunlight floods the frame, highlighting the textures of fur and dust particles in the air. The focus alternates dynamically between predator and prey, creating cinematic tension. High frame rate for slow-motion playback during the chase. Natural ambient sound of wind and distant animal calls, no music.

18 days ago

A very dark, hyperrealistic cinematic scene of a beautiful, hypermodel astronaut with medium-length blue hair, an athletic build, and ample breasts. She is barefoot, wearing a white crop top, orange sweatpants, a high-tech backpack, and a futuristic rifle. She moves carefully, slowly, through an alien temple whose walls are filled with alien eggs of various sizes. Suspenseful music plays. The woman moves toward the camera, with the camera.

2 days ago

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

17 days ago

*A funny scene of an overweight man stuck inside a transparent plastic tube slide at an amusement park. His face shows surprise and embarrassment as he struggles to move, while sunlight reflects on the clear surface of the tube. The background shows colorful rides and people laughing in the distance. Realistic lighting, detailed textures, captured in a humorous and cinematic style.*

2 days ago

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

1 day ago

A close-up cinematic shot inside a cozy podcast studio. Warm, soft lighting fills the room. On a wooden table, a hand carefully holds a sharp jeweler’s knife, slicing through a brilliant diamond. The blade glides slowly and precisely, splitting the diamond cleanly into two shimmering halves. Tiny particles of light scatter as the diamond divides, reflecting across nearby microphones and studio equipment. The background remains softly blurred — faint silhouettes of two podcast hosts can be seen, one speaking into the mic, the other watching in awe. Ultra-realistic textures, macro lens, shallow depth of field, cinematic lighting, 4K detail.

19 days ago

A 12-second 3D animated short film in a Disney-Pixar style, featuring adorable anthropomorphic fruits. Bright, colorful, cinematic animation with exaggerated expressions. Scene 1 (0–4s): A cheerful strawberry with big eyes and tiny arms walks through a sunny kitchen countertop, smiling and waving. Scene 2 (4–8s): A banana with a goofy grin slides in, slipping on a grape and spinning comically, making the strawberry laugh. Scene 3 (8–12s): A proud pineapple enters wearing sunglasses, posing heroically as all the fruits gather and laugh together like best friends. Soft lighting, warm tones, family-friendly mood, full of charm and personality, high-quality 3D Disney animation style.

19 days ago

0 – 2 seconds: Make the two men walk toward the television and pick up two PlayStation controllers. 3 – 5 seconds: The camera focuses on the TV, showing a Tekken-style fighting game. 5 – 7 seconds: The camera focuses on the two men playing, pressing the buttons on their controllers.

11 days ago

The camera dives into the blue flame inside the lantern — revealing a surreal dream world of floating candles, gears, and clock hands suspended in the dark. The skeleton boy floats weightlessly, his reflection shattered into multiple versions of himself. Strange gothic creatures with stitched smiles drift by like lost souls. A mechanical clock strikes midnight — the echo breaks the illusion. (End with the flame bursting open — light flashes — transition back to real world.)

19 days ago

[0–2s] A LEGO version of Times Square bustles with traffic—until Spider-Man swings into frame, skimming low over LEGO taxis. He flips mid-air and sticks to a billboard, striking a heroic pose as confetti bursts from a parade float below. [2–4s] Cut to the side of a LEGO skyscraper. Spider-Man clings sideways as Doctor Octopus crashes through a window, swinging mechanical arms. Spidey launches a web, tangling two of the arms with comedic precision as bricks scatter. [4–6s] In a rainy alley, Spider-man drops upside down from a fire escape. Neon reflections ripple in puddles made of translucent tiles. A cat in a tiny Spider-Man mask watches him from a dumpster lid. [6–8s] Final shot: Spider-Man swings across the screen in slow motion as Spider-Man Noir strikes a detective pose in silhouette on a rooftop behind her. Lightning flashes, revealing a LEGO Green Goblin flying by in the background.

21 days ago

Thi girl on the picture bangs her head to a heavy metal song, scaring the cat, that looks at her with fear and scapes through the window

2 days ago

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated — and she never speaks, recoils, touches her face, or steps back. Around them, the other elevator passengers remain relaxed and detached: one scrolls on their phone, another stares forward in thought, someone else shifts their bag — but no one looks at or reacts to the main characters. The doors continue to open fully, and at the end of the shot, the two colleagues step out of the elevator while the camera stays fixed in place. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

19 days ago

[0–2s] A LEGO city street freezes mid-motion as a black-clad LEGO minifigure in tiny sunglasses dodges incoming plastic bullets in slow motion—Matrix-style. The camera rotates as bricks hover midair, suspended in bullet-time. [2–4s] Cut to a LEGO TIE Fighter chase above a blocky Death Star. A minifig Jedi deflects red laser bolts with a glowing blue LEGO lightsaber, spinning through zero gravity with exaggerated flair. [4–6s] Now a misty LEGO forest—Fellowship of the Ring vibe. A LEGO Gandalf raises his staff as a glowing blue light bursts from the tip. Orc minifigures flee in comedic panic, bricks flying everywhere. [6–8s] Final shot: a LEGO Spider-Man swings between skyscrapers made of stacked plastic, leaving a trail of translucent web behind him. He flips and lands on a rooftop, giving a thumbs-up to the camera.

9 days ago

A stunning wildlife sequence showing a cheetah chasing an antelope across the African savanna under the warm golden light of sunset. The camera captures the cheetah sprinting at incredible speed through dry grass and dust, its body moving with perfect fluidity and focus. The antelope zigzags desperately, leaping over small bushes as the cheetah closes in. The tension builds as dust trails rise behind both animals, illuminated by the low sun. Filmed with a professional Sony cinema camera (no visible watermark or brand logo), using a 600mm telephoto lens and high-speed 8K capture at 60 fps. The camera tracks smoothly, maintaining sharp focus on both animals in motion. Slow-motion segments highlight the cheetah’s acceleration and the antelope’s evasive movements. The natural soundscape includes wind, hooves, and distant birds — no music or narration. Style & technical details: Ultra-realistic wildlife cinematography Cinematic color grading, golden hour tones Natural handheld stabilization and motion blur Dust, depth of field, and sunlight rays visible 16:9 aspect ratio, HDR detail, no watermark

21 days ago

a full body photo of a cute, waif thin, flat chested, 18 year old, with freckles and long blond hair, wearing a string bikini, the top is undone and falls off, roller skates, roller skating towards viewer, rolling down the boulevard of Santa Monica beach