Explosions Veo prompts

4 months ago

Full body rear view. Hyperrealistic cinematic video. A Korean woman, in elegant clothes, with a blue hijab and a beautiful blue dress, pleated skirt and ruffles, blue clothes with gold decorations, .ankle length skirt. Full body shot, barefoot (((barefoot))), (((Show foot))), foot on floor, feet on the ground does not walk on tiptoe, in a starship corridor, walk to big windows to space to look a big planet, and some starship in battle, with laser shot, and explosions, sound of barefoot footsteps.

4 months ago

"A professional news broadcast interrupts regular programming with a bright red 'BREAKING NEWS' banner. The screen cuts to a live aerial shot of a nuclear power plant, just as a massive explosion tears through one of the reactor buildings. A blinding white flash is followed by a fireball, shockwave, and rising mushroom cloud. The camera shakes and distorts from the blast. Cut to a news anchor in the studio, visibly shaken but trying to stay composed. He says: 'We are interrupting live to bring you urgent news: a catastrophic explosion has just occurred at the Clearwater Nuclear Facility. We repeat — a nuclear reactor has exploded. The cause is currently unknown. This footage is live.' The broadcast cuts between chaotic live footage: panicked evacuations, emergency crews, distant sirens, and ash raining from the sky. On-screen graphics show a map with a growing red contamination zone. Radiation levels scroll across the bottom ticker. Cut to a field reporter in a hazmat suit near the exclusion perimeter. She yells over the noise: 'The situation here is rapidly deteriorating — the radiation is spiking, and officials are urging all residents within 30 kilometers to evacuate immediately. I can see fire crews moving in, but—' The feed glitches out briefly, then returns with static and emergency alerts. The segment ends with the anchor solemnly saying: 'This is a developing situation. Stay indoors. Do not go outside. More updates as we get them.'*

4 months ago

A cinematic, handheld, selfie-style medium shot set on an Israeli battlefield. Ballistic missiles rain down all over the city. A civilian in a dirty, attack-worn suit holds the camera at arm's length, his face perfectly framed as debris from the detonations gently swirls in the cold air. Explosions flicker in the distance, and missile trails stretch across the twilight sky.

2 months ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

2 months ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

3 months ago

A slow dolly camera movement in outer space, gliding carefully to avoid floating robotic space trash. The scene is dark and silent, with distant stars softly twinkling. Pieces of futuristic, metallic debris (robot arms, satellite parts, broken panels, holographic shards) drift in zero gravity. As the camera moves forward, the pieces of trash begin to converge, slowly collapsing and magnetically pulling together. They form the word "PromptHero" in a sleek, futuristic metallic typeface. At the exact moment the word finishes forming, there is a silent, subtle space explosion effect, a small burst of particles and light flashes behind the text, emphasizing its reveal. The scene remains silent except for a faint hum of space ambience. The final shot holds for 3 seconds, with the "PromptHero" word floating in space, softly illuminated by distant starlight. Cinematic lighting, ultra-detailed textures on the space trash, highly realistic rendering, and smooth slow-motion dolly movement.

2 months ago

Epic sci-fi desert racing scene on a twin-sun planet. Sleek anti-gravity speed pods, each powered by two massive turbine engines connected by energy cables, tear through endless golden sand dunes at breakneck speed. The camera follows a young pilot’s bright yellow racer in an intense tracking shot as it weaves between towering canyon walls, dodging explosions and debris from rival racers. The air shimmers from the heat and engine thrust, while distant grandstands are packed with cheering alien spectators and colorful banners flapping in the wind. Motion blur, cinematic lens flares, dust trails, ultra-realistic CGI details, 8K resolution, IMAX framing, Dolby Vision HDR.

4 months ago

BURNING SHIP FRACTAL, v2. Burning Ship mathematical set. Organic flame-like tendrils. Jagged explosive boundaries. Color-coded iteration depths: deep space black (low) → dark purple → electric blue → silver-white (high iterations). CAMERA: Smooth exponential zoom into Burning Ship fractal center. Start wide overview, accelerate zoom at beat drops. TIMING SYNC (duration: 8 seconds): • 0-2s: Slow zoom, gentle color pulse, 120 BPM kick alignment • 2-4s: Zoom acceleration, fractal boundaries flicker on hi-hats • 4-6s: Rapid parameter morph, color explosion on drop • 6-8s: Maximum zoom speed, infinite detail spiral, synchronized strobing EFFECTS: Boundary edges pulse with kick drum. Color saturation modulates with bassline. Zoom speed locked to BPM changes. Particle sparkles on fractal edges sync to percussion. AUDIO: Psytrance 132 BPM. Deep rolling bass. Sharp hi-hats. Filter sweeps match color transitions. Hard drop at 4-second mark. RENDER: 4K resolution. 60fps. Motion blur on zoom. Chromatic aberration on edges. Bloom effect on bright fractals. Colors: Deep space black background, purple-to-electric blue fractal boundaries, silver-white flame tendrils, cosmic highlights Style: High contrast, vivid saturation, digital art aesthetic

3 months ago

Whimsical Pollywoggle Aescaendia Fey Fantasy story book characters. The overall style is a blend of realism and fantasy, with rich colors and intricate details, creating a dreamlike and harmonious atmosphere. Image is a vibrant, abstract swirling surrealistic dreamscape, wet-on-wet acrylic and ink wash painting flowing paint soft edges, clearly defined brushstroke s, thick and thin lines featuring a dynamic explosion of colors and shapes. At the center, a large, multicolored intricate funky retro steampunk Celestial clock mosaic featuring 2 cute adorable with extremely fluffy long long pearlescent fur large soulful happy rainbow opalescent eyes, Pollywoggle Gufflesnumpers and Pootlepyffers is composed of mosaic-like tiles in shades of blue. Surrounding the Celestial clock are bold, radiating streaks of celstial nebula and galaxy color, including red, orange, blue, and pink, creating a sense of movement and energy. Two whimsical pollywoogle characters one on the top left and another on the bottom right, facing each other circle around the infinity symbol, representing yin and yang in a glossy, three-dimensional appearance, featuring one in light blue gradients and one in dark blue opaline prismatic gradients hued mosaic tiles with highlights and shadows. The background is a deep blue-black, enhancing the vividness of the colors. The overall composition is energetic and visually striking, with a modern, digital art style.

2 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

5 hours ago

Masterpiece, best quality, newest, absurdres, highres, very realistic,. She point her right hand, aiming a glowing green fireball at someone off screen. Then she smiles and fires the fireball off the screen to the left. Her body and face are lit up by the light of an explosion that occurs offscreen to the left. She pumps her left hand in a fist of victory

3 months ago

A hyper-realistic video of a massive orca stranded on a sandy beach. Suddenly, the orca's body starts to swell and then explodes violently, sending water, sand, and flesh flying everywhere. From inside the orca, a gigantic squid emerges, its huge tentacles writhing and flailing, covered in seawater. The scene is dramatic and cinematic, with detailed close-ups of the orca's skin, the explosion, and the monstrous squid bursting out. Overcast sky, cold natural lighting, extremely realistic textures and movement, high detail.

2 months ago

A stunning, realistic female space fighter pilot with fierce green eyes and a futuristic armored flight suit stands confidently on the edge of a battle-scarred landing deck aboard a massive starship. Behind her, the hangar glows with red emergency lights and rising smoke. Sleek fighter jets hover mid-air under a starlit sky filled with alien warships. Explosions flicker in the distance, casting orange and blue reflections on her metallic gear. Her short hair is wind-blown, and her face is determined. Cinematic lighting. Ultra-realistic textures. Intense sci-fi atmosphere. Film scene quality. DOF, anamorphic lens, 4K.

2 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

2 months ago

An epic, cinematic 4K sequence at sea, showcasing a gigantic, mysterious octopus rising majestically from the depths beside a massive, modern ocean cruise liner under dramatic clouds. The octopus—vast, shadowy, with long, impressive tentacles lined with glowing bioluminescence—moves with calm power and awe-inspiring presence. With slow, fluid motions, its strong tentacles wrap around the middle of the ship. The ship does not shatter, but instead, under the gripping force, it **separates cleanly into two large sections**, as if pulled apart on a hidden seam. Each half drifts steadily away from the other on the calm water, the process unfolding smoothly and almost magically, without explosions, panic, or visible harm to people or the environment. Focus on grand, suspenseful wide shots over the ocean, close-ups on the ship and tentacles, and underwater perspectives revealing the scale and quiet intensity of the encounter. The atmosphere is suspenseful and visually striking, evoking a sense of mystery and adventure rather than fear or chaos.

3 months ago

A hyperrealistic cinematic shot of a massive whale stranded on a sandy beach under cloudy skies. The scene is somber, with seagulls circling and concerned people observing from a distance. Suddenly, the whale’s body swells and violently bursts open, releasing a cloud of mist and debris. From inside, a gigantic, slimy octopus emerges, its tentacles writhing and glistening with water and fragments of flesh. The octopus spreads its limbs dramatically on the wet sand, casting huge shadows. Ocean waves crash nearby. The lighting is dramatic, with sharp contrasts and a cold, natural color palette. The entire scene is shot in slow motion, capturing every detail of the explosion and the octopus's dramatic reveal. Ultra-realistic, cinematic quality.